Frequently asked questions

All the class websites have a FAQ section. I seldom look at these because I don’t have any questions and/or suspect the page will be a marketing ploy. So this post is for the bold, those willing to go where no one has gone before.

  • Since you write magical realism, do you really believe in magic?
  • Yes. In fact, I think that magic is often more true than realism.
  • Did you always want to be a writer?
  • Goodness no. I wanted to be a locomotive engineer, a national parks ranger, or a Jungian psychologist. However, I was tricked by the dark side into taking radio-TV writing and production, and journalism courses during the days when a liberal arts education could supposedly get you a job anywhere. It couldn’t.
  • Is it true that you went into the gigolo business?
  • On the advice of my attorney, I cannot answer that question other than to say “what do you think?”
  • If you had a choice between the devil and the deep blue sea, what would you choose?
  • The sea, always. I grew up on the Florida coast, so water is nearly sacred to me. I’ve crossed both the Atlantic and Pacific oceans by ship and am happy to say neither voyage was made on a so-called cruise ship, a ship that seems more like a floating Disney World than a way of experiencing the sea.
  • I read somewhere that you were brought up by alligators in the Everglades.
  • That was wishful thinking that might not have been true.
  • You were born in California, right?
  • In Berkeley, the center of rebellion against the establishment. However, my Facebook page says I’m from Florida partly because I am and partly because I think California has become everything we fought against at Berkeley. I left my heart in San Francisco, but I’m not going back for it.
  • Who are your favorite authors?
  • James Joyce, Michael Shaara, and Pat Conroy. Yes, I know they don’t exactly have a lot in common. Well, other than me.
  • Where do you stand politically?
  • My attorney, John Beresford Tipton, doesn’t want me to answer that question because such answers often lead to name-calling and threats rather than dialogue. I will say this: we have way too much government.
  • How in the hell do you work on such a cluttered desk?
  • Creativity comes from chaos. Actually, I think it’s important to create chaos rather than order.
  • Are you really a Scot?
  • According to my genealogy, very much so. But no, I wasn’t born there, not in this lifetime. I do favor all things Scottish over anything English. Queen Elizabeth I kidnapped and murdered our queen, Mary Queen of Scots, so I have little positive to say about England and its monarchy.  Plus, the English can’t cook.
  • Are you a dog person or a cat person?
  • A cat person. It’s my wife’s fault. We’ve probably “adopted” a hundred cats since we got married. Okay, maybe ten cats.
  • Are you happen being a writer?
  • Yes and no. Unless you’re James Patterson, it’s more of a hobby than a profession.

–Malcolm

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Ancestors, I guess we’re stuck with them

My ancestors go back to Scotland’s King Robert Bruce so this long after the problems with England (from a Scot’s point of view) I can’t say anything much about the U.K. other than it would have been much better for all of us if Scotland, Ireland, and Wales had managed to stay independent, and without a doubt, those countries need to break away. My wife, who studied English history in school, is rather astonished that I hate Elizabeth I with an unnatural passion, but I feel she was complicit in a lot of bad things including kidnapping and murdering Mary, Queen of Scots.

I’m not the only ex-pat Scot who’s being influenced by long-ago events. My roommate in college went nuts when he learned he’d been assigned to share a space with a Campbell. He said that hundreds of years ago my clan attacked his clan, killing the innocent and raping all the women. “Would I apologize?” he asked. “No, I said, for we improved your clan immeasurably.” He changed rooms. Good riddance.

But, I digress. I guess my wee dram of Talisker whisky turned into a pint of Talisker. What can I say other than, “Duilich mu dheidhinn sin.”

The ancestors that impact my life on a daily basis are more recent. They were farm people, and that’s fine. Being farm people, they ate their evening meal (called dinner except on Sundays when it was called supper) at 5 p.m. Dinner continued to be served at 5 p.m. (or else) even after the farms were sold off and folks moved into town. This habit was passed down to my parents who ate at 5 p.m. even though doing that was falling out of fashion. My wife tells me that her mother (a farm person) and my mother (a farm person) were also “ruined by home ec because it taught them how to cook the kind of meal a farm family would eat along with where all the flatware and glasses and plates and saltshakers should be positioned on the table.

So now I’m hungry at 5 p.m. (You can imagine what kind of hell this caused when I spent a summer in Europe where nobody ate dinner until long after respectable American farm families had gone to bed.)

Since farm families knew better than to swear in public, I don’t swear in public, and still, I find myself pissed off (oops) when I read uncivil comments on Facebook and elsewhere with profanity that was only appropriate in the navy. My ancestors taught me that if you need to swear in public, you: (a) have a limited vocabulary, (b) are scum, and (c) should go to jail. I still believe that even though profanity is often required at home when conversing with the cats.

Early on, I was taught to respect my elders. Yet, those of us who came of age in the 1960s learned not to trust anyone over 30. Since I suspect that my elders, dead or alive, have had too much influence on my life, I tended to respect them less than I should have–unless they were of Scots descent. Even now, people over 30–including me–should be monitored to make sure that haven’t sobered up and/or fallen behind on their meds.

Why? Well, our ancestors (including our parents) have brainwashed us to do what we do. We have no choice. We want to do better, but we don’t know how. My hope is that you discover this influence in your life before it’s too late.

Malcolm

Malcolm R. Campbell wrote “Special Investigative Reporter” even though his ancestors said, “don’t do it.”

Notions on reading ‘Shuggie Bain’

My ancestry is mostly Scottish, instilled in me at an early age by my father and the books I found on our shelves when I was young. I am surprised, though, at my comfort level in reading Scots and how soon after reading a book written in Scots my speech takes on that unmistakable lilt. It’s somewhat embarrassing actually because people think I’m putting on airs.

I have argued for years with authors writing about highlanders who are presented as speaking Scots, a lowland language, rather than Highland English which is influenced by Gaelic. It comes down to the notion, I think, that Americans think all Scots speak the language of the lowlands but exhibit the fiery passion of the Highlanders which, some say, is characterized by sex, fighting, and drinking.

Shuggie Bain, the Booker Prize-winning novel by Douglas Stuart, is altogether another tin o’ worms. If you’re planning on visiting Glasgow, I urge you to read this book first so you’ll be used to not only the profanity of choice but Glaswegian often called “Glasgow Patter.” If you have trouble with it, consult 100 Glaswegian words that prove you are from Glasgow.

The article notes that Glasgow patter is a language of the streets, and that’s certainly true of the characters, speech, and lifestyles you’ll find in Shuggie Bain. In “real life”–unless we travelled to Glasgow and ended up in the “wrong” part of town–most of us would never meet such people, forget wanting to know them better, much share a strong lager with them.

Critics have called the novel “dark” and they are right. They’ve also called in a masterpiece, and the farther I read, the more I’m convinced they’re right about that, too. I have always thought that the Brits, in general, are a lot more earthy than Americans–perhaps demonstrated in such common expressions as “oh bugger” and “sod off” that we wend to avoid on this side of the pond. This earthy tone is clearly prevalent in the novel and would be viewed in the States as over-the-top chauvinistic, if not misogynistic.

But the writer in me wants to know what makes this novel a masterpiece and what motivates its characters. So I will continue, often with a smile at some of the things people say and do, to keep reading even though I might be totally scunnered by the time I get to the last page.

Is anyone else here reading the book yet?

Malcolm

Am bu chòir seann eòlas a dhìochuimhneachadh?

Should old knowledge be forgotten as my Gàidhlig title asks or as we are asking when we sing “Auld Lang Syne”?

I take comfort in this old song, perhaps from my Scots heritage, perhaps from the sweet sentiments set down by Rabbie Burns in 1788. When I think of him, I am saddened by the fact he was only with us for 37 years. But what a great influence he was.

I was very much aware of him as a child, and when we were asked in a high school class to memorize a poem and recite it to the class, I chose his “Scots Wha Hae” (Scots Who Have) about William Wallace, doing my fair best with the dialect:

Scots, wha hae wi Wallace bled,
Scots, wham Bruce has aften led,
Welcome tae yer gory bed,
Or tae victorie.

I’ll no fash you by copying in the entire poem!

My father knew Scots history and the particulars of our family tree, so I grew up filled with stories about everyone who opposed the English threat to the sovereign kingdom, especially the Highlands. I feel like I’ve been waiting for Scotland to break away from Britain ever since the sorry Acts of Union in 1707. 

But so much for politics. In “Auld Lang Syne,” Burns, I think captured our feelings for old times and the continuity of the past–and our feelings for each other over time.

Should auld acquaintance be forgot,
and never brought to mind?
Should auld acquaintance be forgot,
and auld lang syne?

Chorus:

For auld lang syne, my jo,
for auld lang syne,
we’ll tak’ a cup o’ kindness yet,
for auld lang syne.

And surely ye’ll be your pint-stoup!
and surely I’ll be mine!
And we’ll tak’ a cup o’ kindness yet,
for auld lang syne.

Chorus

We twa hae run about the braes,
and pou’d the gowans fine;
But we’ve wander’d mony a weary fit,
sin’ auld lang syne.

Chorus

We twa hae paidl’d in the burn,
frae morning sun till dine;
But seas between us braid hae roar’d
sin’ auld lang syne.

Chorus

And there’s a hand, my trusty fiere!
and gie’s a hand o’ thine!
And we’ll tak’ a right gude-willie waught,
for auld lang syne.

Chorus

Ah, now I’m ready to face 2021.

Malcolm

The Flooers of the Forest

My ancestors play this Scot’s lament for me on Memorial Day, and though it’s forever a reminder of the country’s loss to the English at the battle of Flodden, in September 1513, I cannot help thinking that after every battle in every war the flower of the nation’s youth will not be coming home.

Here’s the song as I hear it. I’ve added some translations at the end.

I’ve heard the liltin at oor yowe-milkin,
Lassies a-liltin before break o day
Now there’s a moanin on ilka green loanin –
The Flooers o the Forest are a’ wede awa

At buchts, in the mornin, nae blythe lads are scornin,
Lassies are lanely and dowie and wae
Nae daffin, nae gabbin, but sighin and sabbin,
The Flooers o the Forest are a’ wede awa

In hairst at the shearin, nae youths now are jeerin,
Bandsters are lyart and runkled and gray
At fair or at preachin, nae wooin, nae fleechin –
The Flooers of the Forest are a’ wede awa

At e’en at the gloamin, nae swankies are roamin
‘Bout stacks wi the lassies at bogle tae play
But ilk ane sits dreary, lamentin her deary –
The Flooers of the Forest are a’ wede awa

Dule and wae for the order, sent oor lads to the Border
The English, for aince, by guile wan the day
The Flooers of the Forest, that focht aye the foremost
The prime o our land, lie cauld in the clay

We hear nae mair liltin at oor yowe-milkin
Women and bairnies are heartless and wae
Sighin and moanin on ilka green loanin –
The Flooers of the Forest are a’ wede awa

yowe=ewe
ilka=every
wede=withered
buchts=cattle pens
dowie-sad
wae=woeful
daffin’=dallying
gabbin’=talking
leglen=stool
hairst=harvest
bandsters=binders
lyart=grizzled
runkled=crumpled
fleeching=coaxing
gloaming=twilight
swankies=young lads
bogle=peek-a-boo
dule=mourning clothes

–Malcolm