Jonathan Strange and Mr Norrell author to return after 16-year gap

Sixteen years after readers were introduced to the magical world of Jonathan Strange and Mr Norrell, Susanna Clarke is to publish her second novel.

Source: Jonathan Strange and Mr Norrell author to return after 16-year gap | Books | The Guardian

Her first novel seemingly came out of nowhere, sold four million copies, and then she was silent except for a short piece linked to Jonathan Strange and Mr. Norrell.

I can absolve 2020 for some of its crimes because of the upcoming publication of Piranesi.

Publisher’s Description

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house-a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

For readers of Neil Gaiman’s The Ocean at the End of the Lane and fans of Madeline Miller’s Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds.

Personally, I classify this book for lovers if magic and fantasy as a book not to be missed.

–Malcolm

Too much sex in novels is boring

When we were growing up, we occasionally heard about sex books that were banned everywhere. “Banned everywhere” meant those books were must-read novels. We were usually disappointed because they focused on a bunch of people having various kinds of scandalous sex for hundreds of words. Yawn

In some of these books, having sex was the plot. In some books, there was a plot–let’s say it was about the good guys vs. the bad guys–that was constantly interrupted by people stopping to have sex. Of course, when you’re in middle school or high school, you don’t care about the plot.

Since most of us didn’t have a lot of experience (sex-wise) in those days, people in the books were constantly doing stuff many of us couldn’t figure out. Needless to say, we couldn’t ask our English teachers or parents what those characters were doing. It would be like reading a book that mentions the Cardi B song WAP (go look it up if you haven’t heard about it) and then going to mom and saying, “Exactly what is WAP?”

There are a few popular novelists writing decent books that keep bogging things down with sex. These books have actual plots. Whenever the plot is about to take an important move forward, the protagonist gets an attack of lust and the action stops while s/he has a night to remember with somebody s/he just met five minutes earlier.

I want to write to the authors that do this and suggest they put the sex in the footnotes. I’m sure it’s there to sell books. But it really messes up the storyline. Maybe I’m just getting old and find no joy anymore reading about gratuitous sex in the back seat of a Buick or even in a $1000-per-night hotel room.

In high school, such things were WOW. Today, they’re as boring as watching a fly standing on the ceiling.  Occasionally, I find an author who knows how to write about sex and, well, it’s like a miracle. But those books are few and far between.

When I was a kid, I found it amusing whenever a book was banned to hear that a long line of educators, philosophers, priests, etc., had read the book and wanted to protect the rest of us from reading the book. The same thing is happening today with WAP. Important people keep “accidentally” hearing the song or seeing the video and telling the rest of us how appalled they were.

I’ve never figured out how somebody accidentally reads a scandalous book or sees a scandalous music video. Perhaps I should take comfort in the fact that those people are trying to shield me from the bad stuff.

Malcolm

 

 

Time machines really don’t cost that much

In 1960, one of my favorite movies was “The Time Machine” based on H. G. Wells’ novel. Perhaps it was the slight crush I had on Yvette Mimieux (unrequited love) or perhaps it was my attunement with old legends about time travel, but the film remains a favorite even though it’s very dated by now.

Now we’re learning more and more about how astronomers’ observations are verifying Einstein’s theories of space/time. My focus on time is more mystic and speculative than science, but I have always thought that one day we would figure out how to do it without breaking Star Trek’s Temporal Prime Directive that prohibits interfering with cultures in a time frame earlier than our own.

For now, though, I’m content to use my imagination as a time machine when I write as well as when I read. My work in progress is set in 1955. Whether it’s the writing or the ongoing research of the period, I feel like I’m bouncing back and forth between 2020 and the 1950s. I feel the same way when I read whether it’s Southern Gothic, which I like a lot, or mainstream historical novels.

I believe in past lives, though I do think they’re occurring simultaneously with our current lives and “future” lives. Aside from that, books do have a powerful ability to transport us to other times and places. How easy it is to fall under the spell of a book or film set in another time and (while reading/viewing) take everything we see and hear as a reality we want to experience.

Do you feel this way when you read? Do you suddenly “see” a period in our nation’s past (or some other nation’s past) as more real than you did before you began the novel? I usually do. It’s almost like magic.

Malcolm

 

Review: ‘The Ten Thousand Doors of January,” by Alix E. Harrow

On July 26, 2018, Alix E. Harrow–an award-winning author of short fiction, posted a blog entry called “Holy Cats, I sold my book” in which she called the pending publication: “Big, life-altering, universe-skewing, time-space-continuum-wrecking news.”

Her reaction also describes the book, a mix of magical realism and fantasy, with a delightful plot that bends time and space in upon themselves as–quite possibly–an illustration of the “many worlds” interpretation of quantum physics. Fortunately, you don’t need to know anything about quantum theory to follow the story.

What you do need is a wide-open, non-judgemental imagination because this story is quite a unique trip. No doubt, Harrow used that kind of imagination to write the book, to follow the world-leaping exploits of her main character January Scaller who learns–while looking for her parents and running from the bad guys–how to travel between worlds as easily as walking from here to there and (with luck) back again.

Her plotting, language, and tone are among the best I’ve seen through ten thousand hours of reading every book I could get my hands on. Each of those books was a door into a new world, a fact you’ll believe more firmly than ever by the time you finish “The Ten Thousand Doors of January.” In fact, you’re more likely than ever to discover new worlds after reading this beautiful (and beautifully written) debut novel.

It’s a big, life-altering, universe-skewing, time-space-continuum-wrecking novel.

–Malcolm

Malcolm R. Campbell is the author of magical realism and contemporary fantasy novels and stories.

If I Buy One Wrench, Should the Rest of the Set Be Free?

Look at this fine set of Craftsman Wrenches available at Ace Hardware. Now, using many online book buyers’ expectations, I should be able to walk into the hardware store, buy the ¾” wrench and get the rest of the set for free. This is the online mindset publishers and writers face these days.

This mindset is probably behind the fact that Audible wants to add closed captions to audiobooks without compensating the authors and publishers. Our agreements with Audible call for them to make available an audio copy of our books, a copy we must pay a professional narrator to produce.

Now, major publishers are suing Audible for copyright infringement, and well the should, for none of us–large and small publishers–have granted Audible the rights to a print version of the text. Many of us think that publishers should have an opt-in/opt-out choice. If we opt-in, Audible pays for essentially distributing a print and an audio version of the book.

Audible claims the captions will help the deaf and the hard of hearing. I don’t doubt it because I rely on closed-captioning to watch TV shows. But Audible cannot expect to offer the service without paying those who created the material.

Many readers will probably side with Audible because they think when you buy one edition, all the other editions of the book should be available at no charge. Well, for one thing, paperback and hardcover books don’t cost the same to produce, so I can’t imagine a publisher throwing in a free hardcover edition for everyone who bought the e-book or the paperback. All of these editions (e-book, paperback, hardcover, and audiobook) are not produced by a giant computer on demand. Each one has been created separately by the publisher or self-published author.

  • The formatting and cover requirements for e-books and physical books are different.
  • If you add a paperback edition, you need a high-res image for the printing, back-cover art, and you must consider how thick the book will be, based on the number of pages, in order to properly format the front cover/spine/back cover.
  • If you add a hardback edition, usually printed by a separate company for small presses, you also have to consider the dimensions of the dustjacket and what will be printed on the front and back flaps.
  • If you add an audiobook, you have to find a producer/narrator whom you can afford–or contract for a royalty/share provision–and then work with them to make sure they have pronunciations and ambience right. My Florida Folk Magic Series wasn’t easy for narrators because it had phrases in African American dialect and North Florida’s dialect. So, pronunciation lists must be compiled and every file must be listened to before it’s approved for publication.

Publisher expenses, actual or work hours, are incurred to produce every edition of every book. So, I side with the authors, printers, narrators, and editors who feel discounted when buyers say they are entitled to a free copy of every edition after buying one copy of one edition.

Right. Just try that nonsense with the people at Craftsman or Ace Hardware and see how it works out. Or, walk into an expensive restaurant and ask if buying an appetizer entitles you to an entire meal (Including cocktails and wine) at no extra charge.

Malcolm

Malcolm R. Campbell is the author of a whole bunch of stuff.

 

Creating ARC Copies: A How-To

Once upon a time, Publisher’s Weekly asked for a review copy of a children’s book our small press had in the works. We were new to the business then and had no clue how to accommodate them, so we lost the opportunity for a high-profile review. Ouch! Now that I know better, I won’t make the same mistake again. Better still, I’ll share what I’ve learned so you won’t, either.

Source: Creating ARC Copies: A How-To | Celebrating Independent Authors

I saw a post by author Hope Clark in which she said that she buys copies of her books and sends them out to her favorite readers prior to publication so that then her books go live, there’s a batch of reviews ready to go. (She’s at a mid-seized publisher and buys the books at cost because many publishers don’t send out review copies any more.)

For the same reason, think about creating advance reader copies (ARCs) of your books so that you can send them to review sites before your books are published. In fact, major review sites won’t look at a book after its publication date; many of them expect a copy four months in advance.

You may not get in Kirkus or Book List, but it’s worth the time an effort, I think, to try. This post at Indies Unlimited takes you through the basics. Reviews early on in a book’s life not only draw more readers but improve how your book is displayed on sites like Amazon or in book newsletters.

Malcolm

 

Review: ‘Redemption Road’ by John Hart

Redemption RoadRedemption Road by John Hart
My rating: 5 of 5 stars

There’s enough darkness in this book to cause an eclipse of the sun soon after you begin reading. Elizabeth, the protagonist is a good cop with a good heart that is filled with life-affirming love and infinite grit. Her past was cruel to her and it’s neither gone nor forgotten.

Her story in this thriller will carry you through the darkness stemming from multiple characters whose self-righteous evil is as unflinching as Elizabeth’s heart. Thirteen years prior to the beginning of the novel, a policeman was convicted of killing a young woman and leaving her body on the altar of the church where Elizabeth’s father preaches. Elizabeth, who was a rookie cop at the time thought he was wrongly convicted. As a cop, he has a hard time surviving prison. When he gets out, the killings start again with the same MO. This appears to prove that everyone else on the police force is right about him and that Elizabeth is naive.

Meanwhile, Elizabeth is having her own troubles with the authorities over a case she’s involved in. The plot is complex and well constructed, the writing is superb, and the characters have more dimensions, secrets, and agonies than you can shake a stick at. At all times, the notion of a redemption road out of this chaos seems to many as an unlikely nirvana or simply a dead end.

The story is adeptly told and highly recommended.

–Malcolm

View all my reviews

My granddaughters will have to wait a while for my ghost story book

My granddaughters are 11 and 6 years old, so I thought it would be cool to dedicate my new collection of stories (Widely Scattered Ghosts) to them so that when they are in their 50s they can take a copy to Antiques Road Show and learn that the book–at auction–is then worth $1000000000000.

This haunted Florida bridge is the setting for one of the stories.

They live in Maryland, so I’m going to mail the book. But I can’t address it to them because they love getting things in the mail, especially packages. But they’re way too young to read any of the stories. Even though none of the stories are the Stephen King variety, Freya and Beatrice will need to wait until they’re teenagers (I guess) before they get to see the book.

So, the mail is going to my daughter with instructions to hide the book and to remember where she hid it. My father was an author. I always thought it was neat to have copies of some of his books autographed for me. Maybe the girls will feel the same way even though I’m no James Patterson or John Grisham.

Four of the stories are about an inquisitive and highly intelligent teenager named Emily who talks to ghosts. She reminds me of my daughter (except for the talks-to-ghosts part). As a grandfather, I get to brag and say that I think my granddaughters will grow up to be smarter than Stephen Hawking.

That makes me wonder if they’ll correctly guess the endings to each of the stories before they get there.

Malcolm

 

 

A Few Creative Book Marketing Ideas

“I was talking with a class that I was teaching this past week about marketing strategies and realized we haven’t had a marketing post in a while. Twitter and Facebook are what I think of as old marketing standbys, but there are other, more creative ways to market. Of course, as the kids say, YMMV (your mileage may vary) with all of them. Below is a summary of what we discussed.”

Source: Creative Book Marketing Ideas – Indies Unlimited

As an author, I like reading posts about book marketing because there’s usually something new to me in each one. Plus, times change, and what worked five years ago may not be quite as effective now. Melinda Clayton is a publisher and a university teacher, so she sees more of what works and what doesn’t work than most of us.

She also includes links to other articles for writers at Indies Unlimited.

–Malcolm

Malcolm R. Campbell is the author of “Conjure Woman’s Cat,” “Eulalie and Washerwoman,” and “Lena.”