The Improbable Wonders of Moojie Littleman, by Robin Gregory ( Mad Mystical Journey Press, December 14, 2015), 294 pp.
Moojie has so many strikes against him that survival of any kind seems improbable. He’s born with physical disabilities; is slow to talk and when he finally does, he stutters; he loses his mother and his father won’t have him; almost everyone taunts him; and he’s sent to live with a cantankerous grandfather at a place called St. Isidore’s Fainting Goat Dairy. If being named “Moojie” was the first curse, being sent to the dairy was just about the last straw.
But were more last straws to come.
His grandfather drinks, curses, works Moojie hard in spite of the young man’s weak legs and weak arms, constantly threatens to send him to an orphanage, and passionately has it out for the so-called “hostiles” who live in the surrounding forests.
While the hostiles first appear to have come from the land of faerie, Moojie discovers they’re a magical race tasked with demonstrating harmony in our world. He hopes their clan will accept him because, among other things, he has no true family to call his own. But will they trust him? He can scarcely trust himself. But he’s learning, and the realism of this process is well handled by the author.
Moojie, his grandfather, his meddlesome aunt, the clan members, and the townspeople are defined in spot-on detail. They have depth, though Moojie believes he’s shallow and inept at the beginning of this well-crafted and beautifully told tale. The book’s magical realism accentuates the abilities of the off-world clan family as well as the dormant gifts Moojie has been blessed (or possibly cursed) with.
Many will call this a coming-of-age novel. Yes it is. But that assessment is much too stale for such a fresh, rich story. The story is about making choices and the probable transformations that follow them. Other than a bit of sentimentality at the end, Robin Gregory’s novel is a wonder about wonders and highly recommended.
–Malcolm
Malcolm R. Campbell is the author of magical realism and contemporary fantasy novels and short stories.
At the same time, the article has prompted others to say that just having their books “out there” is all they need to feel successful. They feel that if they do a great job of writing a story, have a great editor and a wonderful cover artist/designer, they are fine with the results of their avocation. Far be it from me to criticize that view. One might have similar feelings about creating music, making art, sewing quilts and other creative arts and crafts.


If you live closer to the gulf coast and haven’t been to Carrabelle, go take a look, and while you’re there, climb to the top of the 


What’s more likely for novelists is writing about a wonderful character or an exciting event in novel manuscript that never gels as a whole. Perhaps we write the entire novel, but see that it doesn’t quite work. Unlike the couplet that comes out of the blue without a poem to go with it, the pure gold scenes in unfinished or unsubmitted novels might not have originally caught our attention when we viewed them as part of a larger work.
I’m thinking of this idea because I have some older books that are out of print that include a few scenes I happen to like a lot. Fixing them up was a lot more fun than I expected. Characters I liked when I wrote the original, suddenly emerged more fully formed in the revision. If they were evil, they became really evil in the short story. Or, if they were funny, they turned into first class hoots.







