In the early 1960s, Tallahassee, Florida where I grew up was the site of multiple lunch counter sit-ins and movie theater protests. Many of these were organized by CORE and drew a fair amount of participation from students at the primarily black Florida A&M University. I was attending high school and college (FSU) in Tallahassee during these protests, but I wasn’t there.
My excuses for not being there are many, including:
Tallahassee Police, who sided with the angry white on-lookers, we physically and verbally abusive.
Protesters’ eyes were damaged by the use of tear gas.
Protesters were fined and/or put in jail for violating a restraining order.
The KKK threatened not only the Blacks but the scattering of whites who joined the picketing and lunch counter sit-ins. Burning crosses appeared in people’s front yards.
Picketers were assaulted around town and once a person was identified, picketers were likely to have their yards filled with angry people.
I wasn’t ready to take on the backlash that I’d be subjected to from high school and college students who had been my friends.
I was sure I’d be fired from my jobs and that my participation would cause trouble for my father who was an FSU professor.
As FAMU student and CORE organizer Patricia Stephens Due–who was tear-gassed and ended up with permanent eye damage–said in her book Freedom in the Family–most Blacks weren’t there either even though the common perception is that they were a united front. Not so.
When I was working for Western Union across the street from the Florida Theater, it would have been easy to walk over there and join the pickets or sit at that lunch Woolworth’s lunch counter while on break. There’s an empty seat in the foreground of that lunch counter photo. Logically, it would have been easy to sit there, but when fear of the consequences takes over, it becomes emotionally impossible to sit there.
Looking back today, I’m embarrassed by my excuses and lack of courage.
Malcolm R. Campbell’s novel The Sun Singer is currently free on Kindle.
In some parts of the county, searching for autumn-leaves color is not only a regional pastime but a tourist experience. Spring wildflowers are another large attraction, though I don’t hear as much about timing and destinations as I do for fall color.
In the Florida Panhandle, we have a scenic byway (State Route 65) that runs north and south through Liberty County (where I’ve set my conjure and crime Florida Folk Magic Series) that’s a beautiful road that becomes a bit congested in the spring as the cameras come out to “capture” wildflowers. Florida’s carnivorous pitchers, when found en masse, are referred to as “pitcher plant prairies.”
According to Missouri Botanical Garden, “Sarracenia leucophylla, commonly called white-topped pitcher plant or white trumpet, is native to mucky soils of sandy bogs and pine savannas in coastal plain areas from south western Georgia, southern Alabama and the Florida panhandle. This is a stemless herbaceous perennial that grows in full sun.”
It’s also a carnivorous plant. When I lived in Florida, I used to tell out-of-state visitors that these flowers were worse than alligators and could strike like a snake and consume a 200-pound man in a nanosecond. They normally eat insects, considering people off limits most of the time. Goodness knows how many of my exaggerations got ferried back to the rest of the country!
You can see pitchers during April and May, and to a lesser extent in the fall. Don’t pick any of them: you might end up in jail. In addition to pitchers, you’ll find a spectacular display of color from the False foxglove, Rayless goldenrod, Hairy chaffhead, Bristleleaf chaffhead, Flattop goldenrod, Narrowleaf Sunflower, Blazing star, and White rosegentian.
If you live in Florida or are traveling to West Florida during the blooming season, you’ll find this tour guide to be a handy reference.
The 1952 murder trial of Ruby McCollum in Live Oak, Florida had a very strong impact across the state, even catching the attention of those of us who were in grade school at the time. The story was in the newspapers. Adults talked about it. The consensus among many of us was that she didn’t get a fair trial in part because she wasn’t allowed to speak, to tell her story about being continually raped by a prominent white doctor over a six-year time frame.
I mention this trial in Eulalie and Washerwoman because it’s the kind of thing Eulalie, the conjure woman, would have things to say about. I’ve mentioned the case previously on this blog. Today, I decided it was time (probably far past time) to update my website’s In the Spotlight page which I use for announcing new books and commenting about places and events mentioned in the books. So as of today, the spotlight is now “The Case of Ruby McCollum.”
Florida residents and others interested in civil rights history should find this subject fascinating, angering, and sad.
Eulalie and Washerwoman is the second book in my “Florida Folk Magic Series”
University of South Florida forensic anthropologist Dr. Erin Kimmerle will be back at the former Dozier School for Boys on Monday, the same place where she spent four years researching and unearthing the remains of boys buried on the massive 1,400-acre site in Marianna, located about 60 miles (96 kilometers) northwest of Tallahassee.
I was struck by the synchronicity of events about Dozier school as researchers return to investigate more prospective graves at the time Colson Whitehead’s new novel, based on that school, The Nickel Boysis released.
That school hung like a spectre over our high school in Tallahassee because it was touted as the ultimate punishment for disobeying school rules. I think I knew people who were sent there, but I’ve never been able to verify it. The reason the school scared people had nothing to do with the later revelations about it, but by the fact it was an overkill solution for seemingly minor infractions.
Years ago, parents and other authorities used various folklore stories about goblins and gremlins to keep kids in line. We were threatened with, “If you’re bad, they’ll send to Marianna.” That threat was worse than saying we’d go to hell.
“In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame.
On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.” ― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance
Interstate highways accentuate the problem. They take you past the real territory whether it’s small towns with local character or countryside made up of differing ecosystems that all blend together outside the car window with the same unreality as the background in cheaply made theater/tv cartoons. Even the exits look alike, featuring the same chain gas stations, fast food restaurants, and hotels as the exits one saw five hundred miles ago.
I remember my first trip through the peninsula part of Florida. Looking back, the homespun roadside attractions all seem rather tacky and low grade when compared to the destinations everyone’s racing to see in and around Orlando or Tampa or Miami. All that homespun was real and very different from town to town when compared with today’s tourist destinations. Even now, I prefer the numbered U.S./State/County roads where one can experience the local cultures and local environments. I’d rather eat at Mom’s Diner than another Applebee’s or another Cracker Barrel.
Chain restaurants offer a bit of security, I guess. When you walk into an Applebee’s or a Cracker Barrel, you already know what you’re getting. With Mom’s Diner, you don’t. When a see chain restaurants, I think of the old Pete Seeger song “Little Boxes,” a slam against suburbia, and I think, yes, all these buildings are made of ticky tacky and look just the same.
When you race through Florida on I-4, I-10, I-75, and I-95, you’re really out of alignment with the territory and can no longer say (obviously) that the journey is more important than the destination. Using the contents page of one of my favorite books about Florida’s wetlands, when you travel an Interstate you don’t see, much less differentiate, between seepage wetlands, interior marshes, interior swamps, coastal intertidal zones, and mangrove swamps. Likewise, hardwood hammocks, pine flatwoods, and savannahs fly past your car window (like TV) at a mile a minute.
I see that Disney World and other theme parks are raising prices again. So, there goes a hell of a lot of money, long lines, crowds of people bumping into each other, submerged within Orlando’s ticky-tacky sprawl, and then home again via Delta Airlines or the Interstate. Missing from this experience is, of course, the real Florida. You missed the whole thing except for the so-called Magic Kingdom that features everything but real magic.
I’ll admit that when my daughter was little, we took her to see Seaworld and Disney World. And we recently went back again with her family so that my granddaughters could see the best of the best at Universal and Disney. Yes, we had fun. Probably, the kids had even more fun. I hope the kids will grow up and discover the real Florida someday, that is to say, a beach other than Daytona with its crowds and condos and hotels, the real magic of grasses, wildflowers and trees in one of the state’s diverse environments.
One Interstate is pretty much like another, but the stuff outside the car window isn’t the same from state to state. It’s too bad the good stuff gets passed by. It’s even worse when you realize most people don’t think anything’s outside the car window.
Now that I’ve finally promised my publisher a new novel and floated the general premise past her (she liked it), it’s time to do some research.
Like the Florida Folk Magic Stories, this novel will be set in the Florida Panhandle, so I already know the area. This is one of the benefits of writing a series, or doing a standalone novel that uses the series as a starting point: you have a lot of location information on file that wasn’t used in the previous novels.
Since my main character is a bag lady in 1955, I’ve been looking at clothing manufactured during the 1940s. Needless to say, a bag lady isn’t going to be wearing the latest thing from Paris or even from Sears Roebuck. There’s a lot of material available about 1940s women’s clothing inasmuch as it was greatly influenced by rationing and shortages. A lot of people were mending old clothes, making do with fewer fabric selections, and knitting socks for the troops (and themselves). So, I think I know what my bag lady’s going to wear.
While the novel isn’t historical, I want the cultural references to be right. So, what was happening in Florida in 1955? I already know that the KKK was strong in those years. And I know that educator and activist Mary McLeod Bethune died in 1955 in Daytona Beach. My bag lady would know that because even though 1955 is part of the Jim Crow era, the story would be covered by the press.
My bag lady is–for reasons I won’t divulge now–an expert bow hunter. This means checking on the kinds of bows and arrows used by hunters in those days. I had good luck with this. I found information about the most widely known brand of bow at the time along with a selection of arrows.
Now, since this novel starts where the series ends, I have to make sure that I don’t contradict anything that happened in the series. So, I’m researching my own stuff to make sure there aren’t any continuity problems. For example, if a bad guy was killed in the series, I don’t want him showing up in the new book fit as a fiddle. By the way, “fit as a fiddle” is the kind of thing my bag lady would say–checking the slang of an era is part of the process. I’m surprised at the number of TV series that have characters from years ago using modern slang such as “whoa!” (meaning “wow!”) and other phrases that nobody said twenty or thirty years ago.
When Diana Gabaldon (Outlander) and I were both in an ancient CompuServe literary forum, we found that we had one thing in common that a lot of writers weren’t understanding. The research has an impact on the story the writer is about to tell because it tips him/her off to things s/he didn’t know and is responsible for altering the plot of a novel in ways the writer wouldn’t have considered before the research phase began.
I didn’t care for research projects in school–often for the purpose of writing “themes” as they were called in those days–but I enjoy them now. I once read that writers like Nora Roberts have a staff that includes researchers. While there are times when I wish I could pick up the phone and ask an assistant a question and get an immediate answer, I feel much more in touch with my characters and my story when I have to look up all the stuff myself.
“Along Florida’s coasts, oysters play a vitally-important role in supporting healthy estuaries. Oyster reefs provide multiple benefits, from providing habitat and food for wildlife, to filtering water, removing nitrogen, and stabilizing eroding coastlines. Oysters are also a favorite cuisine for people and Florida once had robust oyster fisheries in many areas throughout the state.
“’Oysters are the quiet, unsung heroes of our estuaries, working hard every day to protect our coasts, clean our waters, feed and shelter fish, birds, crabs, shrimp and other wildlife,’” said Anne Birch, marine program manager for The Nature Conservancy in Florida. “When we help to restore and conserve oyster habitat and support the fishery we’re also helping our estuaries and our coastal communities flourish.”
Storms, reduced river water flows, and pollution are taking their toll on oysters, including those along the Florida Panhandle’s gulf coast where I grew up and where I’ve set many of my books. I’m happy to see that the Nature Conservancy chose to study and solve this problem–one that’s worldwide, actually.
“Magnolia, Florida was a thriving river port town in southern Wakulla County, Florida (until 1843, Leon County, Florida), established in the 1820s and is classified as an “extinct city” by the State Library and Archives of Florida. All that remains of the city is the rundown cemetery – the last known burial was in 1859. The cemetery is on land now owned by the St. Joe Paper Company. The town was located near the small city of St. Marks, Florida.” – Wikipedia
When I was little, the old-timers in Tallahassee, Florida spoke of the extinct town of Magnolia, south of town on the St. Marks River, that developers once hoped would be a port city for cotton and other products.
There was nothing left of the town but a small cemetery that local ghost enthusiasts claimed was haunted. If you live in Tallahassee now and have been around for a while, you might recall that between 1963 and 1977, Elizabeth F. Smith captured the spirit of the area in her publication “The Magnolia Monthly” out of Crawfordville, Florida.
Magnolia–not to be confused with Magnolia Springs in Florida’s Clay county–was well-planned, but failed because the Railroad needed for its survival bypassed it and went to St. Marks instead. The town was founded by the Ladd family which you can learn more about here.
The remains of that railroad came up for sale when I was younger, and I thought then that it would make a nice tourist attraction. Never happened, for better or worse, though it might have improved the financial status of Wakulla County.
But my fascination for the town, the river, and the slash pine forests owned by the paper company stayed with me. I mention the town in my short story “Sweetbay Magnolia” in my new short story collection Widely Scattered Ghosts. In fact, the grandmother in the story had a house in Magnolia and the sweetbay magnolia in her back yard reminds her of old days and old loves.
As always, it’s the real places that get my attention.
The Florida Panhandle, an informal, unofficial term for the northwestern part of the U.S. state of Florida, is a strip of land roughly 200 miles long and 50 to 100 miles wide (320 km by 80 to 160 km), lying between Alabama on the north and the west, Georgia also on the north, and the Gulf of Mexico to the south. Its eastern boundary is arbitrarily defined. – Wikipedia
My books are set in the Florida Panhandle because that’s where I grew up, learned the lay of the land, and heard the old stories. I lived in Tallahassee which is sometimes considered part of the panhandle and sometimes considered part of the “Big Bend.”
The panhandle is often viewed as more like Georgia than the peninsula part of the state. Panhandle residents often think the peninsula with its tourist attractions has been ruined by overdevelopment and destinations that either don’t belong there or are caricatures of the once wild land they displaced.
The Panhandle features white sandy beaches, often called The Redneck Riviera, but now generally in advertising and promotion are referenced as “The Emerald Coast.”
If you sample the beaches of the Emerald Coast and the Atlantic Coast, you’ll notice that most of the Emerald Coast isn’t covered with the kind of excessive development such as that found around Daytona Beach and other cities. (Gosh, I hope I don’t sound biased.) You’ll also notice the sand, is pure white, in fact blindingly white making sunglasses highly desirable. This sand is much different than the coarser sand of the Atlantic Coast.
According to Wikipedia, “The Apalachicola River /æpəlætʃɪˈkoʊlə/ is a river, approximately 112 mi (180 km) long in the State of Florida. The river’s large watershed, known as the ACF River Basin, drains an area of approximately 19,500 square miles (50,505 km2) into the Gulf of Mexico. The distance to its farthest head waters in northeast Georgia is approximately 500 miles (800 km). Its name comes from the Apalachicola people, who used to live along the river.”
The river is not only a recreation spot, but highly important in the watershed’s environment as well as the oyster industry in the Gulf Coast town of Apalachicoa. Water usage of the river between Georgia and Florida has been under dispute for years, with Florida saying that Atlanta draws off too much water at Florida’s expense.
According to the Florida Forest Service, “The natural resources found on Tate’s Hell State Forest are very diverse due to the unique and various natural community types. At one time Tate’s Hell State Forest supported at least 12 major community types, which included wet flatwoods, wet prairie, seepage slope, baygall, floodplain forest, floodplain swamp, basin swamp, upland hardwood forest, sandhill, pine ridges, dense titi thickets and scrub. Currently, the forest contains approximately 107,300 acres of hydric communities such as wet prairie (contains a vast diversity of plant species), wet flatwoods, strand swamp, bottomland forest, baygall and floodplain swamp.”
The area is under restoration to repair damages from the forest’s long-time usage by the a timber industry that logged out many of the older trees, disrupted natural waterflows throughout the region by constructing roads that served as dykes, and a rape the land style of forest management.
The logging industry also had very poor stewardship over the Panhandle’s once ubiquitous wiregrass and longleaf pine forsts, cutting out the old trees and either not replacing them or replacing cut areas with slash pines. Many native species have been threatened by this policy. The forest service was very slow to understand what Native Americans and early residents understood: longleaf pine forests need fire to survive. For years, fires were extinguished before natural processes could be completed.
These boats still exist, but I see the 1950s as the heyday of the cabin cruiser. Most of us knew somebody who owned one, and fortunately those people liked to cruise the rivers, head to obscure beaches, and visit the barrier islands (St. George Island and Dog Island).
The Garden of Eden was once a tourist attraction near the small town of Bristol with signs pointing to places where Biblical events purportedly occurred. A local minister worked out a rather complex theory that sought to prove this spot along the Apalachicola River was the real garden of Eden. The signs are gone now, though a Garden of Eden trail still exists. The unique habitat is managed by the Nature Conservancy as the Apalachicola Bluffs and Ravines Preserve.
The St. Joe Paper Company was a major economic player in the economy of the Florida Panhandle and probably the area’s largest landowner. Like the Florida East Coast Railway (the old Flagler system route to Key West), the company was owned by Dupont. The tracks that remain are now used by a shortline railroad (Apalachicola Northern) between Port St. Joe on the Gulf coast the town of Chattahoochee near the Georgia Border.
This is where I grew up. You can see the barrier islands just south of Carrabelle and Apalachicola. My friends and I sailed boats between beaches near the junction of highways 319 and 98 to those islands, and my scout troop camped there and in many spots in the Apalachicoa National Forest. The wildlife refuge near St. Marks was a favorite family day trip. My Florida Folk Magic Novels are set near the towns of Hosford and Telogia. The area is rich in history, myths, habitats, recreation, and experiences perfect for a kid growing up who loved being out doors more than indoors.
I appreciate the 486 people who have entered the GoodReads giveaway for a paperback copy of Lena. The giveaway runs through November 10th. I enter these kinds of giveaways, too, and have won a free book several times. So, winning is possible.
If you win, I hope you enjoy the book. Lena is the third and final novel in my Florida Folk Magic trilogy.
Meanwhile, my publisher and I are putting together a collection of ghost stories to be called Widely Scattered Ghosts. I’ve been writing another story for the collection, this one set in an old theater. The story is based on a real theater in Florida that those in the ghost hunter business claim is haunted. The main character is named Emily. She appeared in my collection called Emily’s Stories, now out of print except in translation and audiobook editions.
If you haven’t read any of the Lena and Eulalie stories, you might consider buying the three novels in a boxed set. This is cheaper than buying Conjure Woman’s Cat,Eulalie and Washerwoman, and Lena separately. The edition is available in Kindle, Nook, iTunes, and Kobo.
I’m hopeful we will find a narrator for a Lena audiobook. Meanwhile, I hope you enjoy the collection of all three novels in this recently released e-book.
As for those who have been asking, there isn’t going to be the fourth book in this trilogy. There might be a related story, but I think the Lena and Eulalie stories have reached a natural conclusion. Authors always have to figure out when they’ve written all they need to write with one group of characters or another. What we don’t want to do is write a story too far; that is to say, writing past the stories we intended to tell.