Car Shopping for My Characters

Cars are often one indicator of a character in a novel. Black ops characters usually drive something with many tactical advantages in a fight; other characters are often described by their sports cars or family cars, most of which cost more than the readers of the novels make in a year.

In my novel Lena, (set in 1954) I introduced a new character to the Florida Folk Magic Series named Pollyanna. The name made her sound like a spoiled brat who lived at the estate of wealthy parents. In fact, she grew up at a fish camp and knew her way around the business and everything that went with it. She needed a practical vehicle:

This is a 1949 Ford F-1, 1/2-ton Silvertone Grey pickup truck. It was the lowest of the line of Ford F-series trucks made between 1947 and 1952. Perfect for a fish camp, though Pollyanna would have gotten a 3/4-ton F-3 if she could have afforded it. Pollyanna always had a 1935 Smith & Wesson model 27 .357 magnum revolver in the glove box or in a thigh holster.

Since she lives near a small town, everyone recognizes her truck. This  isn’t helpful when she’s spying on bad guys. So, along with a blonde wig, different clothes, etc., she drives the family’s seldom used Blue 1949 Dodge Wayfarer coupe:

oldcaradvetising photo

When I visualize a character, I try to see what kind of car fits who they are. The town storekeeper drives a 1949 2R clover green Studebaker pickup. The Sanctified Church uses a Buick Roadmaster hearse. The fuel hauling company drives an Autocar surplus tanker truck. The police drive Chevrolet Bel Air squads.

Finding the right car for each character is sometimes a thrilling treasure hunt and sometimes an exasperating search when years and models seem to be missing from the Internet.

For me, tracking down cars is a heck of a lot more fun than trying to figure out what kinds of clothes my female characters would be wearing years ago.

–Malcolm

The Kindle edition of Malcolm R. Campbell’s contemporary fantasy novel The Sun Singer is FREE on Amazon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The NSA probably thinks I’m a women’s clothing designer

When I was a child, I was told that women wore dresses, skirts, and various kinds of things that I called trousers but that women called by magical names depending on the styles and fabrics. From snippets of conversation, I learned that dresses and skirts are not generic, that they had names/uses/purposes, that they came from different designers, factories, stores, were either last year’s fashion (no longer in use) or current fashion (in use).

The bottom line is this: I know that the women in my novels have to wear something, but I don’t know what it is. That is, I can’t just say, “Alice wore a dress.” If it’s a high-scale dress, then I’ll need to know a designer. I’ll need to know what kind of dress it is and under what circumstances it’s worn. I always assume that the kind of dress suitable for a PTA meeting isn’t suitable for a New Year’s Eve party aboard a royal yacht.

The NSA comes into play because not knowing anything about anything, dress-wise, I’m online a lot. Multiple clothing searches. The plot thickens, dress-wise, when I’m working on a novel (as I am now) set in the 1950s. Unless some kind of a retro fad is going on, dresses from the 1950s aren’t being worn today, even to a PTA meeting.

The good thing about searching on, say, women’s clothing of the 1950s, you not only come across articles discussing how fabrics/styles changed from the war years (if you’re young, I should tell you World War II on the homefront meant utilitarian clothes, rationing, etc.) to the 1950s. (For example, the Vintage Dancer site was a nice place to start. So was Fashion History Timeline.)

This gives me a general picture–including what the clothing was called. Moving on, I can then search on the names of the clothing, finding vintage ads, catalogue pictures, and even Etsy shops that specialize in retro clothing from certain eras. So, while Brad Thor, James Patterson, Tom Clancy, and other black ops novels are keeping up with weapons and tactics, I’m desperately trying to find out what my characters should wear and when.

People always ask why research takes longer than writing. It all comes down to the fact that I learned only the difference between a dress and a skirt, but none of the thousand styles or accessories. It was, I suppose, a lapse in my education and/or upbringing.

Malcolm

P. S. –  My older woman character named Sparrow wears a Kitty Foyle dress that was popular in the 1940s. If you’re not sure what the dress looks like, you can watch Ginger Rogers in the film “Kitty Foyle.” Rogers won an academy award and the dress she wore in the film endured.

 

 

Author’s error: violating your point of view choice

Very few authors these days use an omniscient point of view, so I find it quite jarring when an author writing in third person restricted suddenly tacks an omniscient sentence onto the end of a scene or chapter as a cheap way of creating suspense.

If the reader thinks your writing process looks like this, s/he might not finish the book.

When you’re writing in third person restricted, the reader only knows what the character knows. That said, it’s a foul to have the main character step out of a house, get in his car and drive off, and then follow that with Bob didn’t see the man in the woods across from his house taking pictures.

If Bob didn’t see it, it can’t be in the book.

I’m reading a black ops book by a name author who writes a lot of these novels, and he’s been cheating on his point of view with these kinds of sloppy POV deviations  throughout the book. I’m used to them, but I don’t like them. And I wonder why the line editor at his publishing house let them get into the published copy.

Malcolm

Developing a Writing Practice

The world is full of people who “want to write a book someday,” but few are those who manage to find the time to do so amid the myriad other commitments in their lives.

A lot of the people who genuinely want to write a book never do so, because they never find a reason to prioritize their writing practice. That was the case with one of my book-coaching clients—until one of his sons died from cancer.

Source: Developing a Writing Practice, Part 3: Important | Jane Friedman

Without a strong passion and/or a pragmatic approach to giving your writing the time it needs, those dreams of poems, novels, and plays will probably never come true. Passion might arise out of a tragedy in your life that subsequently sends you to the keyboard day after day until you’ve said what you want to say about it.

Yet, as the author says, “There’s no need to wait until life reminds you of your mortality. You can make writing a priority right now.” The suggestions in this article just might help you, I think because they don’t smack of discipline, like being forced to do fifty pushups a day or run ten miles, approaches that might create good soldiers by don’t allow much for a fresh breath of creativity as part of your prioritizing time and effort.

Worth a look–and even more, worth a try.

–Malcolm

A thousand characters: give me a break

I’m reading a novel–that shall remain unnamed for now–that has a lot of chapters, each with multiple subchapters, and all with thousands of characters with multiple names and aliases and Internet handles.

I have a vague idea most of the time about what’s happening–cyber warfare–and a feeling that there are multiple good guys in multiple alphabet soup federal agencies as well as multiple bad guys in a slough of nasty groups all of who are either trying to steal secrets and/or plant bombs OR who are trying to keep people from stealing secrets and/or plant bombs.

What I seldom know is which character is doing what. Sometimes characters are referred to by the first name, last name only, or code name.  Often, all in the same paragraph, as in “Johnson stopped his car in a no-parking zone and hung his FBI creds around his neck. As Bob edged closer to the barricades he noted a police helo hovering overhead, then, and incoming call, ‘Cyber 1,’ he answered.”

Ack. Are Bob and Johnson the same person? Yes, but it’s often hard to tell.

I looked up the reviews for this book on Amazon and the most common complaint was too many characters and the fact that new characters kept being introduced throughout the book.

No offense to the names in other countries, but a large number of foreign names, (first/last/pet/title only) doesn’t help the reader keep track of everyone, especially when some of these people are bad guys and are using phoney names.

I’m losing my patience with this and am surprised by the reader reviews on Amazon where people said, “Best book since sliced bread” and “Well written with a lot of character depth.”

Some people read the book while drunk or stoned and that probably accounted for the glowing, five-star reviews. Other people read the book because it was the only new book in the house (my situation) and just decided at some point it didn’t matter who was going what as long as what they were doing was really cool.

If you wrote this book, shame on you for an anal amount of complexity.

–Malcolm

No, I don’t need Khaki trousers

If you’re online a lot–including social networking–you’re probably used to the fact that if you ever mention (or think about) a product, you’ll suddenly see dozens of ads for that product. At present, Facebook is deluged with ads for toilet paper. Gosh, I wonder why? Those who checked out these ads, unfortunately, found that the projected ship dates were in June.

Writers see ads others don’t see because we’re always researching something. For the novel in progress, I checked on the kind of Khaki a middle-aged person might wear in the early 1950s. Now, Khaki ads are showing up on Facebook, on news sites, and everywhere else I’m going on the Internet. At least, on Facebook, you can make the ad go away if you say you’ve already bought the stuff.

(We go through a lot to bring you the most accurate books on the planet.)

When I was researching hitmen, I started seeing ads for contract killers until finally the FBI called up and asked if I wanted to kill anybody. I said “no” and they said, “fine,” but I wonder if they’ve really gone away. No doubt the NSA scoops up my telephone calls and searches for words like “rub out,” “concrete shoes,” and “kick the bucket.”

Some writers share Facebook accounts with their spouses and get in trouble when these kinds of ads appear: “Honey, why are we suddenly getting ads for brothels?” The proper response to that is “Somebody hacked into our account.”

When writers talk on forums about their research, they wonder how many watch lists they’re on for researching nefarious stuff for their novels. While the famous writers can visit the police department and learn everything they want to know, little-known writers are stuck with Internet searches.

“Honey, I got a letter from the FBI and they told me you want to know how to kill your spouse by putting a pinch of something in his/her coffee.”

“Don’t worry, sugar, I saw that in a movie called ‘Arsenic and Old Lace’ when I was a kid. The FBI has me mixed up with somebody else.”

“Whew.”

–Malcolm

Malcolm R. Campbell’s short story collection, Widely Scattered Ghosts, is free on Smashwords during the company’s “give back” sale.

 

 

StayHomeWriMo Rallies Writers 

Writers around the globe are gathering—virtually—to raise their spirits and keep creating through an initiative called StayHomeWriMo. Sponsored by National Novel Writing Month (NaNoWriMo), the organizers of the annual November write-a-thon in which authors pen a novel draft in a month, StayHomeWriMo invites writers to find comfort in their creativity and stay inside while the battle with COVID-19 continues.

Source: StayHomeWriMo Rallies Writers | Poets & Writers

What a great idea. One component of a writer’s well being is to write.

–Malcolm

Malcolm R. Campbell’s short story collection, Widely Scattered Ghosts, is free on Smashwords during the company’s “give back” sale.

Former Many Glacier Hotel Manager, Ian B. Tippet Dies at 88

Ian B. Tippet, former Many Glacier Hotel manager and a 63-year employee of Glacier Park, Inc. (now named Pursuit) died of natural causes March 9 at his home in Phoenix, Arizona. He was 88. In addition to serving as the innovative and popular manager of Many Glacier Hotel, Tippet was also the concessioner’s head of personnel. His funeral home obituary can be found here.

I apologize for the delay in posting this information. I have been waiting for a news story about Tippet’s passing to appear in a Montana newspaper such as the Hungry Horse News, The Daily Interlake, or the Flathead Beacon. Apparently, none of them seems to know that he died. I presume his former employer doesn’t know it either for they probably would have issued a news release and caught the media’s attention.

My frustration comes from the fact that people in Northwestern Montana who knew Mr. Tippet and/or who knew of his work on behalf of Many Glacier Hotel’s long-time music programs for guests, should be told that a major participant and leader in the Glacier National Park community has died. Yet, I have no official status as a spokesperson so cannot officially contact the press.

Ian B. Tippet hired me as a Many Glacier Hotel bellman in 1963 and 1964. His expertise got Many Glacier Hotel open on schedule in spite of the devastating Montana flood of 1964. I was part of a skeleton staff that arrived early that summer and got swept up in the clean-up effort while the hotel was cut off from the rest of the world due to a washed-out road. I last saw him in Glacier Park in 2013, the 50th anniversary of my arrival as a seasonal employee. We talked for quite a while in spite of his busy schedule at Glacier Park Lodge that year.

We didn’t agree on everything, but I believe he was Many Glacier Hotel’s best manager, both old school service and new-ideas innovative; I doubt we will ever see anyone with his vision and competence again at any of the park’s concessioners–perhaps forever.

–Malcolm

Finally, some news coverage: https://hungryhorsenews.com/news/2020/mar/18/ian-tippet-longtime-glacier-park-figure-dies/

 

 

 

 

 

Now folks can write but they aren’t (hmm)

But are you writing? I noted several remarks online where people are saying they are too worried and frantic to sit and write. They’re anchored to 24-hour news, waiting for the latest body count and what’s happening next.

So. . . let me get this straight. . . when things are busy and normal, you don’t have time to write. Then things are abnormal and locking you at home, you can’t make yourself write.  – Hope Clark

Wikipedia Graphic

It’s really an understatement to say that COVD-19 has disrupted a lot of things. We’re all curious about potential lockdowns and potential vaccines. But sitting in front of a 24-hour news channel watching for updates not only seems like a waste of time, but is the kind of behavior that probably creates more hysteria than what the nation is already coping with.

Frankly, I’m a little tired of people asking why we didn’t have 100000000 testing kits (much less a cure) in stock for a disease nobody knew anything about prior to December. I guess people are watching too many medical dramas on TV and are used to health issues that are solved within an hour.

I agree with Hope Clark, assuming that lockdowns aren’t making us broke or sticking us in long lines to buy toilet paper, we can use our self-quarantines and social distancing to get some other stuff done: tidy up the garden, clean out the garage, finish that novel.

–Malcolm

Many of Thomas-Jacob Publishing’s Kindle editions are on sale throughout March for 99₵. The sale includes two of my novels, “Conjure Woman’s Cat” and “Special Investigative Reporter.”

 

Those old continuity blues

Readers and professional critics get a real kick out of bashing films with continuity lapses. There’s a rose in a vase at the beginning of a scene that turns into a carnation at the end of a scene. A man is wearing a red tie when he starts kissing the girl and a blue tie when the kiss ends.

Those are continuity issues. A script supervisor is supposed to maintain documentation about what’s in the scene and what’s said to ensure that in the flurry of camera takes and other changes, ties don’t change color and flowers don’t change their species.

Do those earrings change color in the middle of the kiss?

Likewise in publishing, it was traditionally the job of a line editor to catch continuity lapses. Sue had green eyes in chapter one and blue eyes in chapter eight. Joe lives in a brick house in chapter three and a house with Vinyl siding in chapter fifteen.

Publishers are reducing the sizes of their staffs and may no longer have professional line editors, smaller publishers may rely on copyeditors and proofreaders and hope the author catches his/her continuity issues, and if you’re self-publishing, the buck stops at your desk.

Some authors create a dossier on each character before they begin writing: name, hair color, eye color, physical traits, habits, place of birth, typical expressions used, etc. Every time they refer to a character, they check the file. If you don’t do this–that is, you tend to make it up as you go–you can search your MS on the character’s name to see what you said about him/her earlier in the draft.

However, this becomes harder to do when you’re writing a novel that’s part of a series and have to laboriously search (if you can find them) the final manuscripts for prior books and/or search the Kindle editions for descriptions.

When I write, characters, houses, and other locations show up as needed. I’m not bothered about continuity at that point because the scenes are transient, meaning I don’t intend to use them again. But then, what if I do? I’ve spent the morning going through the Kindle editions of my Florida Folk Magic Series looking for the description of a so-called dogtrot house. At the time, I had no idea I’d write a subsequent novel that needed to have that house in it. Hell, I couldn’t remember what it looked like, so I had to find out what I said before.

I don’t have an answer for this problem. If you stop writing to record a bunch of info about a character/location/house, you can find it later. If you don’t stop, you’ll probably end up with a better scene because you won’t have interrupted it for “record-keeping.” While I’m writing a novel, I keep all kinds of notes on scraps of paper: but these get lost. I guess I need a better filing system.

Malcolm

The Kindle editions of “Special Investigative Reporter” and “Conjure Woman’s Cat” are on sale at Amazon for 99₵ until the end of March.