So, you think Art Fleming was the first host of Jeopardy!

Or, possibly, you don’t think that because you weren’t yet born during the years 1964 to 1975 when Fleming was the host or you’ve just assumed that Alex Trebek has always been the host going back to the days when the Psalms were being written.

Actually, Laurence R. Campbell (my dad) was the first host of the show even though we never could find a network to pick it up. Word is, Merv Griffin created Jeopardy!  in 1964, and that’s true. What’s left out of the story if the fact that Merv stopped by our house in Florida for dinner when we were playing a spirited round of “Questions” (as we called it) around the dinner table.

We had a pot roast that day. And Parker House rolls. And Merv taking a lot of notes and phoning in ideas to the network brass. So, he went down in history as the originator of the show first called “What’s the Question?” and we didn’t even get into the credits.

Dad asked all the questions. They were random. My two brothers and I shouted out answers. Mother occasionally answered a question when it was obvious none of us knew the answer. There were no winners or losers. There were no prizes. Just a rollicking good time.

Dad was a university professor. It occurred to me that “Questions” was more than a good time. It was homeschooling before the term became popular and it was Jeopardy! before Art Fleming began the televised show as the host. The family watched Jeopardy! in those days, and we tuned in almost every night, but it was never quite the same as answering questions around the dinner table while eating pot roast and Parker House rolls.

For those of you who don’t know what Parker House rolls are, I’m sorry, but that information is classified.

Malcolm

Malcolm R. Campbell is the author of “Fate’s Arrows,” released a few days ago by Thomas-Jacob Publishing.

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Maybe there will be fewer Memorial Day sales this year

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them. – Robert Laurence Binyon

My wife and I see our reflections in the Vietnam War memorial as I find the name of a high school classmate two died there.

Memorial Day Sales

These anger me because merchants raking in money and shoppers getting a good deal on the latest electronics equipment are not the purpose of this day.

Must we commercialize everything, including the day set aside for remembering our dead?

I’m by no means a hawk–just the opposite, actually. So, I do not see Memorial Day as part of the misbegotten notion that there are glory and honor in war.

Some say we should use the day to visit military cemeteries and memorials. That’s a better idea than heading over to Walmart and filling up a shopping cart. We could spend a quiet day at home or walking a favorite trail through the forest: such things allow us time to attune with the universe, ourselves, and our fallen soldiers.

‘All Quiet on the Western Front’

Reading this book at a relatively young age was a strong influence on my becoming a pacifist. The novel is graphic, shows the dying, the dead, and the battle-weary in ways that leave no space for saying “isn’t this glorious?” Not that I’m suggesting we all stay home and read military history, battlefield novels, or watching films like “Saving Private Ryan” or episodes from the old TV series “China Beach.”

You Don’t Need to Become a Pacifist to Remember

The fallen were doing their duty as they saw it, sometimes against their will (at times of conscription), whether we agreed with the need to fight a particular war or not. Those who came home from those wars have not forgotten the fallen. Those who came home and those who did not and the families and friends of both often supported the wars and the need to enlist, heart, body, and soul. Those who supported the cause and those who did not have an opportunity to come together on Memorial Day and remember those no longer with us whom we loved.

I’ve written somewhere in one of my novels that the true casualties of war are those who come home with or without PTSD. They need our support and understanding and, on Memorial Day, our solemn regard for those who were killed. There’s no support available from us while we push and shove through the crowded aisles on a big box store.

The stores I respect are those that close on Memorial Day out of reverence for the meaning of the day.

–Malcolm

 

 

‘I Got it Bad (And That Ain’t Good)’

That’s my favorite song title, an oldie but a goodie that premiered in Duke Ellington’s Jump for Joy review in 1941. While the review never made it to Broadway, this song (which is jazz) was sung by dozens of singers.

Those of you who’ve read any of the novels in my Florida Folk Magic series, know that I’m partial to the blues. Jazz was a close second, followed by folk songs and a smattering of country music. Rock usually didn’t speak my language.

In yesterday’s post (Rainy Day Memories), I wrote about the kinds of events that add fuel to an author’s work over and over. We often write a story or a poem because we got it bad and that ain’t good. When an author’s feeling the blues (and great jazz), s/he’s connected to himself/herself at a deep level and assuming s/he’s not drunk, can often write some very good stuff. The emotion and power are there, and they fuel the story even if the story has nothing to do with the song the author is listening to.

Rainy day memories work that way, too. We replay them again and again. They may never appear in a story as they happened, but–happy or sad–they are the power that connects us to what our characters are feeling and living through. The memories in my previous post have snuck into many of my stories. When we return to such memories, we return for a reason, I think. As Dr. Phil might say, they were often defining moments. So they have power. So they’re something within us we still need to figure out, perhaps solve or get past. Our fiction helps us to that.

As an author, I often hope that when “I’ve Got It Bad (And That Ain’t Good,” that my fiction or nonfiction finds people who are feeling that way and helps them get past it–or, at least, understand it. You’ve probably heard stories out of Hollywood where child actors were told their dog had died in order to get them to shed real tears for the scenes they were about to film. I don’t think most authors need to conjure up the worst that’s even happened to them in order to write. When we connect with the characters as “real people,” we feel what they feel.

Nonetheless, rainy day memories often help us get to that point whether we feel like we got it bad or we feel like jumping for joy.

Malcolm

In addition to magical realism and contemporary fantasy, Malcolm R. Campbell is the author of the recently released satirical mystery “Special Investigative Reporter.”

 

Have we met before?

“You meet the one you meet amongst thousands and tens of thousands of people, amidst thousands and tens of thousands of years, in the boundless wilderness of time, not a step sooner, not a step later. You chance upon each other, not saying much, only asking softly, ‘Oh, you are here, also?’”

–“Love,” by Eileen Chang, translated by Qiaomei Tang

Countless times, I’ve wanted to say, “Oh, you are here, also?”

But I usually don’t because I don’t want to argue or freak people out. I want to say, “The world is vaster than we know and so are we,” but again, that scares people even though it speaks of a wondrous, seemingly infinite unity and breadth of the soul to me.

Some early Christians believed in reincarnation, but that belief–like many others–ended up on the cutting room floor. During my more volatile youth, I said that I thought the church where I grew up was–without malice–leaving out most of the big picture. This caused me no end of trouble. Outside my fiction, it has, more often than not, been better to keep silent since then.

In the old days, there was a fair amount of malice and politics destined to police what people thought and felt. I’ve read a lot of historical accounts of this, but frankly, I’ve never understood the uproar about differences in beliefs and interpretations. Such feelings have come around again in today’s political arena in left vs. right debates. So I understand how mob mentality works, but I don’t understand how one’s fear can be so great they need to join the political or religious mob.

But, I digress.

It seems likely to me that the people who are important in my life now might well have been important in another lifetime many years or centuries ago. If so, this would make us a timeless extended family whether we recognize each other or not. I think a lot of people ponder this, though many of them discount it because they don’t consider the idea might be true.

Knowing whether it’s true or not probably isn’t required for us to live spiritual, highly moral lives. If I knew you in ancient Rome, I’ll still treat you fairly today even if I’m consciously ignorant of our previous friendship or previous discord. Our decisions are based on who we are right now. Or, at least, that’s how I see it. However, I think people tend to communicate with each other at an unconscious level or even in their dreams and that this impacts many of their “real world” decisions and ideals.

But maybe not. It has always seemed better to me to believe that what I don’t know about the true workings of the universe will always be greater than what I know about them. I don’t like the word “impossible” because it doesn’t seem true to me even though I don’t know why it isn’t true to me. Have we met before?

Maybe so, but I don’t know where or when. Perhaps we can say, ““We’ll always have Paris.” We might have had something, somewhere. Odds are we did.

Malcolm

Malcolm R. Campbell writes magical realism novels (are you surprised?), the next one of which (“Lena”) will be released August 1 by Thomas-Jacob Publishing.

 

 

 

 

Vietnam

Wikipedia photo

Some said we were killing commies for Christ, some said we were killing babies, some said we were killing civilians in a Sherman-takes-war-to-the-people style, some said collateral damage was to be expected, and some said we should be proud of what we were doing while others said we were supporting the wrong side.

Vietnam was the first war brought into our living rooms. Ken Burn’s Vietnam documentary has brought it back though some people say the war never left us even if we were born years after the April 29, 1975 photo was taken of an American helicopter at 22 Gia Long Street in Saigon evacuating civilians as the North Vietnamese advanced on the city. Some say we killed those we left behind.

Pro-Vietnam war and anti-Vietnam war Americans saw in this evacuation photograph a sad and sobering epitaph for the two million civilians, 1.1 million North Vietnamese and Viet Cong soldiers, 250,000 South Vietnamese soldiers, and 58,200 Americans who were killed during the war. The picture smacks of defeat, though the U.S. was not defeated: it left Vietnam based on the 1973 peace settlement. Nonetheless, what happened in Vietnam seemed like defeat because our political and military objectives were not met and, in fact, were impossible to achieve. Much of the anti-war anger comes from the fact that as the United States sent in more and more troops, its leaders knew that losing the war (by whatever definition one chose) was a foregone conclusion.

My wife and I see our reflections in the Vietnam War memorial this past summer as I find the name of a high school classmate two died there.

Those of us who were against the war wondered, with singer Bob Dylan’s “Blowing in the Wind,”. . . “how many deaths will it take till he knows that too many people have died?”

There’s no point in rehashing the arguments here about whether we should have been there or not. I served two years and three months in the navy before leaving as a conscientious objector. The summer before joining the navy under the threat of being drafted into the army, I was in the Netherlands with one foot on the gangplank of a ferry that would take me to the safe haven of Sweden when I changed my mind and came back to the U.S. I regretted that for a long time. Burns’ documentary, which seems balanced to me, has brought back all the images and doubts and regrets and angers of those days of war and protest.

I’ve never felt comfortable saying I am a veteran, much less taking advantage of any prospective veterans’ benefits, because, while a pacifist, I still experience survivor’s by suggesting that I “fought” in the Vietnam War. I was on a aircraft carrier one hundred miles off the coast, a far cry from the terror and danger of those who served in-country. I was in Da Nang for only 24 hours as I flew back to the states for a change of duty assignment. I feel this guilt all over again as I watch Burns’ series.

Burns takes us back many years prior to the United States’ involvement, background which I think is necessary. He tells us that the U. S. initially supported Ho Chi Minh via covert ops in his fight against the French. I don’t think we knew that during the 1960s. He shows us images we want to forget. He makes us (well, some of us, I guess) wonder just what the hell we were thinking or if going there was really the right thing to do. Either way, we paid for it with a lot of blood.

Personally, I don’t think we’re past Vietnam as a country because we’re doing the same things again in Iraq, Afghanistan and elsewhere. I know I might be wrong about all this, but I don’t see the point of it. Ken Burns’ series has added a lot to the discussion about military intervention and national policy even though I could have done without the memories becoming energized again.

–Malcolm

Malcolm R. Campbell is the author of “At Sea” based on his experiences aboard the aircraft carrier USS Ranger during the Vietnam War. His novel “Eulalie and Washerwoman” was nominated for a Readers Choice Award in the fantasy category. Click here to vote.

 

 

 

 

STRAT

“I’m a boyfriend, father, musician, server, scientist, engineer, martial artist, carpenter and friend. When I feel like I don’t have anyone to turn to, I don’t. I just sit down, listen to the best music I can possibly find and I write. I write so much that I wanna fall in love with adjectives while twisting concepts in the sound of church bells accompanied by a metaphor. I write for me and you. Hopefully you get that I’m trying to give.” – David R. Campbell (STRAT) March 17, 1982 – August 5, 2008

Today, I celebrate my nephew’s memory and the power of his slam poetry and his rap.

He was, some said, at his articulate best with freestyle poems, poems that took off from the springboard of a word or a thought shouted out by somebody in the audience. It’s hard to capture such spontaneity on the printed page or even in a CD or DVD. The place and the moment were all wrapped up in what was being created and what was being given. It was, as we said in the 1960s “a happening.”

He was a rare talent and a continuous happening, gone much too soon, but never forgotten.

Malcolm

Other posts…

On Writer’s Notebook: Keeping the Place in the Story

On Eyeblink Fiction: a tempting snippet from Jock Stewart and the Missing Sea of Fire

On Sun Singer’s Travels: Waiting for Jock Stewart