The road on the cover of Conjure Woman’s Cat is an artist’s conception of an unpaved piney woods road and yet, I have driven down that road hundreds of times.
For most children in my growing-up world, nothing of consequence happened inside a building. Play, and the imagination that fueled it, was our true reality. Authors and other artists tend to hold onto that belief longer than most, often for a lifetime.
So, when I write, I’m sitting in a time machine that takes me back, as all country roads do, to the roads of my coming-of-age reality, a world outside the claustrophobic confines of the house where I lived in a middle-class white neighborhood to the great freedom of the woods, rivers, swamps, and Gulf coast far away outside the front door.
Life actual, the consensus reality inside the buildings, featured me dutifully sitting in a classroom or church pew, doing homework and chores, taking tests, and in every way that mattered to the establishment, acting like a normal kid en route to becoming a drone when it came time to go off to war or go off to the office.
Life in truth, where imagination is more important than cold, hard facts, is the fabric of my books, coming from a world where I camped and hiked in the piney woods, sailed between Florida’s barrier islands, and drove hundreds of miles a week along unpaved roads in my unreliable 1954 Chevy. In this world, I learned who I was as opposed to life actual where I didn’t want to be.

Writing the books in the Florida Folk Magic Series takes me back to the part of my childhood and young adult years where the “real me” lived and breathed and learned the magic that would sustain me (even inside buildings).
Some say you can’t go home again. What a crock. I go home every time I write. Home is like that picture with the egret in it. I knew every nook and cranny of the Florida Panhandle because I hiked, drove, and variously wandered through it when I escaped from my house and my schoolroom. The events in the stories are “fiction.” Nonetheless, I was there to the extent that even to this day I find the world of piney woods and conjure more real than my life in school, home, and church.
Writers are often hard to get to know because of their split personalities, 10% based within consensual reality and 90% based within the realm of dreams. In general, we prefer the world of dreams, dreams that include our stories and the characters that appear in them. We’re not easy to know or to live with because we’re always somewhere else and because we think consensual reality is an illusion.
–Malcolm
ystems of new age and/or old wisdom often include exercises designed to enhance one’s imagination, “see” things at a distance and determine diseases and other problems others may be suffering.
Now we’re learning more and more about how astronomers’ observations are verifying Einstein’s theories of space/time. My focus on time is more mystic and speculative than science, but I have always thought that one day we would figure out how to do it without breaking Star Trek’s Temporal Prime Directive that prohibits interfering with cultures in a time frame earlier than our own.
If one looks at our stories with the combined eye of a mystic, a shaman, a conjurer, an alchemist, and a quantum scientist, the tapestry of the world’s people becomes a little clearer. We see synchronicities rather than coincidences. We toss out the idea of fate, if not destiny, and maybe on nights when the moon is bright and the flowers and birds are quiet, we glimpse the whole of the world’s stories.

I used to tell people I was raised by alligators near the town of Immokalee, Florida and that my dad, Papa Gator, was the inspiration for the section of road through the Everglades called Alligator Alley.
I didn’t like staying inside the house. So, during an evening when I said I was swinging by the library–which was the gospel truth of the matter–my 1954 Chevy and I were likely to be a hundred of miles away from home, usually following sandy roads through national forest lands and visiting places with multiple meanings in their names like the River Styx, Tate’s Hell Swamp, and Florida Garden of Eden.
When my brothers and I cleaned out our parents’ house after they died, among the memories we found were boxes and boxes of our childhood books. Our parents’ generation inscribed books they gave as gifts, so the dates told us when the books first came into our consciousness. At one point, I thought my granddaughters might like them.

I have included a quotation here about alpha waves because they represent the level of relaxed brain activity used for intuition. As the 