Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes. . .
from “Fern Hill” by Dylan Thomas
When I first explored the mountains of Glacier National Park, “time let me hail and climb golden in the heydays of his eyes.” I thought those trails and those days would go on forever even though I had read the Dylan Thomas poem many times and knew how it ended. Even though grandparents are around us when we are young, we still think we will always be young and, that if we won’t, old age is eons away in a future too far away to fathom.
When we’re young, it’s hard to imagine being old. When we’re old, it’s easy to remember being young just as I remember the first time I read “Fern Hill” and was concerned about the words: “ In the sun that is young once only, time let me play and be golden in the mercy of his means.”
As I write a novel now about a character following a trail near Piegan Mountain, I must rely on the videos and descriptions of younger men and women, those who are still healthy in time’s golden era. If I’d only known, some 50 years ago, that I’d be writing this novel, I would have taken a hundred photographs along the trail that led from Going to Sun Road to Many Glacier Hotel. But I was too enchanted within the moment to create a photographic diary on Ektachrome film. (Regrets, I’ve had a few.)
If there’s a learning experience in all this, it’s to push on with the writing using the resources I can find rather than wishing (a) I could be young again, (b) took 1000 photographs of everything, and (c) ruined my life experiences by slavishly documenting them for those old-age years when they would be beyond reach.
When we have finally followed time out of grace, our memories must suffice, all the more sweet because they are so tangled and unclear rather like a dream of once walking the high country when knees and ankles and breath were strong and the sky was blue and full of endless promise from side to side.
–Malcolm
Malcolm R. Campbell
Publisher: Thomas-Jacob Publishing
Online exchanges tend to lend themselves to a high number of misunderstandings. I’m not sure why this is. Maybe it’s because–other than private groups–10000000 people might be reading the exchange, something that adds a lot of pressure that isn’t there when two people talk over a cup of coffee in a Waffle House.


I cruised through the website and what I saw reminded me of the note cards, outlines, and other annoyances that English teachers used to force on us every time we wrote a paper. My answer to Plottr is the same as my answer to English teachers 50 years ago: Nobody thinks like this.
I have no such words, nothing personal to say that impacts the national discourse en route to the equality of all people. I’ve thought about writing a novel about 



This beautifully restored opera house, once home to Vaudeville, was built in 1890. The work on the building has been a labor of love–one that’s ongoing. Since I’ve been involved in historic preservation, I highly approve of those who have the vision and stamina to restore old buildings and keep them vibrant and in use in today’s world. A big plus for me is the 

Crime and courts reporter, columnist, and 15-year “What’s My Line” panelist Dorothy Kilgallen died on November 8, 1965. I remember when it happened because I watched “What’s My Line” in those days and thought that there was something odd about her death. I liked her because she was very good at figuring out contestants’ occupations on the show and, in a media world dominated by men, she was one of the best reporters in the business (Hemingway was among those who thought so).
There was never a formal police investigation even though the circumstances surrounding her death were odd and should have raised multiple red flags. Shaw wants the case to be re-opened, but that seems unlikely since most of the witnesses are gone and the crime scene in her home is gone. By the time I finished reading Shaw’s books (“Denial” is largely a rehash of The Reporter Show Knew Too Much) all I had was a long list of suspects.