Today’s guest post is provided by Worlds of Comfort on behalf of its founder. The site features spiritually oriented intuitive messages, poetry and advice by Sara Isabelle Marie. The organization’s blog can be found here.
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Please help and assist Sara Isabelle Marie with a donation, to be able to journey back home to Sweden and keep a roof over her head! Your support is deeply appreciated!
We have all been faced with personal and extreme difficulty at one point in our life, being forced to reach out, beyond our comfort zone. I ask that this situation is being met with understanding and compassion.
Sara Isabelle Marie is currently in Faliraki, Greece, and is such a wonderful and compassionate being, fully and completely here in service to humanity and the planet through her work of Worlds of Comfort, where she is sharing powerful and Healing Poetry and Words of Wisdom (healing messages) She is currently in Faliraki, Greece and because of the unfoldment of a recent event, her financial situation is at a breaking point, not knowing if there will be food on the table or a roof over the head, in a week, let alone, be able to journey back home to Sweden. She has not been in communication with her earthly family for several years, because of her spiritual awakening, and when she is able to journey back home to Sweden, life will begin at point zero, with no available assistance from the social structure or government in Sweden. She is completely dependent on every single donation, that is being received with a tremendous amount of gratitude, to be certain that she is able to keep a roof over the head and food on the table.
PLEASE donate if you are able to, through her website at: www.worldsofcomfort.com (She will be responding with a personal thank you, and when donating 50$, a powerfully healing poem will be sent, intuitively received from your Higher God Self.)
Take the time to read the powerful and Healing Poetry and Words of Wisdom on the website. She is a brave young woman and is determined, focused and willing, but in URGENT need of your and our help, assistance and support during this difficult transition.
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I do not know the story behind the financial reversals referred to in this message. But I am happy to turn today’s post over to Worlds of Comfort in the hope Sara will be able to take the next step in her journey.
Thomas-Jacob Publishing is releasing a new edition of Sarabande just in time for the 2015 holiday season.
The second book in the “Mountain Journeys” series, the novel sweeps a young woman along a dark and ill-fated trek from the high country of Montana to the prairie of Illinois to escape a ghost. While the novel’s official release date is November 1, the Kindle edition is available for pre-order on Amazon now.
Haunted by her powerful sister Dryad from beyond the grave, Sarabande leaves the world of Pyrrha from its hiding place within Montana’s Glacier Park, and travels on horseback to Illinois to seek the help of Sun Singer Robert Adams. Sarabande almost dies trying to reach him and it’s soon obvious that evil has followed her from the western mountains to Robert’s small town in a world of soybeans, corn, brick streets and old homes.
Click here to see the trailer on YouTube
Robert saved Sarabande’s life in the first book of the series, The Sun Singer. Truth be told, he doesn’t think he can do it again. His magic is weak, all but forgotten. Worse yet, he remembers Dryad’s moon magic and hypnotic voice and fears that he can’t resist her seductive charms another time.
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Sarabande, a contemporary fantasy, was written so that it can be read as a standalone novel about a woman’s perilous journey. It can also be read as a sequel to The Sun Singer, which was the story of Robert’s journey to Pyrrha. The Sun Singer ended on a positive note, but there were a few loose ends.
–Malcolm
Malcolm R. Campbell is also the author of “Conjure Woman’s Cat,” “Emily’s Stories,” and “Jock Stewart and the Missing Sea of Fire.”
When the Sun and the Moon are viewed within the arena of Western esoteric traditions, including alchemy and the Tarot, they represent opposites that approach and retreat from each other even though they are destined to be merged into one. In these traditions, the Sun represents fire, masculine, positive (polarity), rational, visible world, and the consciousness mind. The Moon represents water, feminine, negative (polarity), intuition, hidden world, and the unconscious mind.
It is said that the enlightened being, often called The Wonder Child or viewed as the Philosopher’s Stone, is born from the merging of these apparent father/mother, king/queen opposites as depicted in the old art work shown here.
One of the many ways of illustrating the steps on the path to enlightenment, the goal of the hero’s and heroine’s journeys, is through the sequence of Major Arcana (trumps) cards in a Tarot deck. The Major Arcana cards begin with “0 The Fool,” who is considered the innocent initiate at the beginning of the journey/quest and end with “21 The Universe,” which represents ascension. En route, the seeker finds “18 The Moon” and “19 The Sun.”
I like the description of the Moon and Sun cards in the ancient quests of knights for the Holy Grail. The Moon, then, is the Grail in the lake (beautiful water symbolism here) and the Sun represents the Grail lifted up into the pure light prior to completing the quest. Afterwards, the initiate/seeker reaches “20 Aeon” which is viewed as the rising of the Phoenix from the ashes prior to ascension.
Many Paths = One Destination
There are multiple layers of symbols here when we overlay the hero’s/heroine’s journey paths with all their traditional associations, including the Lesser Mysteries and Greater Mysteries, the cycles of the seasons around “the wheel of the year,” the Tree of Life, Tarot, alchemy and astrology. One need not study all of this, or even any of this, to understand seeker’s journey. The journey is who we are and what we are about. All of the paths to enlightenment are pointed toward the same end: transformation. Each of us focuses on the symbols we’re most comfortable with and attuned to.
Some experts say that we’re impacted by these symbols even if we are not consciously aware of them or understand the little we may have heard about them. I am a novice in using Tarot and understanding the cards’ many connections to the Tree of Life, spiritual alchemy and the cycles of the seasons. Generally, though, I like the symbolism of the Thoth Deck of Cards. The Moon and Sun cards shown here are from that deck and have a fair amount of symbolism.
Moon: The overall tone here is night. In the Book of Thoth, the Moon is called the “Gateway of Resurrection.” During night and Winter, the waiting Sun is diminished or absent. The landscape here is severe and the stream is mixed with blood. The sacred scarab holds the sun in its darkness while the moon occupies the mind and cosmos.
Sun: The overall tone here is light, with the twelve major rays standing for the signs of the zodiac. The light emanates from a rose-like sun, standing for the flowering of the solar influence. The children above the green and fertile earth are forever young and innocent. They represent the seeker’s and/or humankind’s next stage.
The Writer’s Raw Materials
moon
As a writer, I love the relationship of symbols and story ideas. They can strongly impact plots, themes and characters. There are many ways to characterize a journey. For example, readers of my hero’s journey novel The Sun Singer will find numerous references to light and the other aspects of the so-called solar journey. For more information, see the Journey Page on my website and explore the information on the Joseph Campbell Foundation site. The book’s Glacier Park setting reminds park visitors and fans of “Going to the Sun Road” and the expanse of light one sees from high mountain trails.
Likewise, readers of my heroine’s journey novel Sarabande will find numerous references to water and the other aspects of the so-called lunar journey. The Heroine’s Page and the Sarabande Page on my website have more details. While the book’s story begins in the mountain high country, the plot (which is oriented around the moon’s phases) becomes more focused on rivers, dreams and the so-called “Underworld.”
sun
For more information about Tarot cards in general, you might enjoy exploring one of my favorite sites: Raven’s Tarot Site. Here you’ll learn more about the Major Arcana (trumps), Minor Arcana (suits), and their correspondences with the Tree of Life, the classic elements, and astrology.
My first intention in both of these books is telling an exciting story. Both stories have many associations with myths and symbols. Those who know the myths and symbols will, perhaps, smile when they see the references. Those who do not consciously know the myths and symbols will still be subject to their spells.
As Rumi said, “What you seek, seeks you.” So, perhaps when you’ve finished reading the stories, you’ll be drawn into the “inner stories” behind the actions of Robert Adams (The Sun Singer) and Sarabande (Sarabande). When that happens, you’ll find that what you are looking for will begin to appear more often in your life in the form of books, websites and links, things you see on the way to work or on a hike, people who are interested in these subjects, and your dreams.
Meanwhile, as you read the novels, I hope you’ll enjoy the action while you are dancing with the Sun and the Moon—as they dance with each other.
“To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion.” — From Becoming Animal: An Earthly Cosmology by David Abram, quoted by Terri Windling in her recent series of posts.
The plots and imagery of my short stories and novels frequently evoke the powers of Earth and invite meditations on and respect for the natural world. This is especially true in my 2011 heroine’s journey adventure novel Sarabande.
The phrase heroine’s journey indicates that this is a woman’s adventure story and that the trials and tribulations will strongly test the main character. The story is written with a feminine point of view, that of Sarabande, the young title character. Since Earth and the forces of nature are often viewed as feminine, the title character’s adventure is supported by “Earth language.”
Sarabande is attracted to rivers, the earth’s life blood and she is healed by an Indian’s Earth-centric approach. And, for a short period of time, she truly experiences becoming animal when she merges with Coyote, a magical creature in the mountains where she finds the ghost who has been haunting her.
I’m attracted to David Abram’s books because they place humans back into nature rather than as creatures at odds with nature. In Sarabande, the title character’s interactions with nature are important to her physical survival and to her inner growth. As readers will soon discover, her life is in danger quite often: knowing “Earth Language” will be essential.
David Abram suggests that rather than describing nature, we should listen to and talk to nature. He relates the story of a man who has trained himself so well to understand “the dialects of trees” that he can be taken blindfolded to any location in the Pacific Northwest. Once there, he will tell you who the nearby trees are. Perhaps our best contemporary fantasies can lead readers back to an appreciation for such skills.
In Sarabande, I hope readers will not only enjoy the adventure, but will take away a bit of Earth language.
Today’s Writing Links
Why We Have Both “Color” and “Colour” by Mignon Fogarty for Grammar Girl – “Have you ever wondered why the British spell “color” with a “u” and Americans don’t? Or why the British spell “theater” with an “re” at the end and Americans spell it with an “er” at the end? We all know that these spelling differences exist, but not everyone knows why they exist.”
The Stephen King Guide to Marketing by Jason Kong for Jane Friedman’s blog – “…you need both good writing and good marketing. Many writers see this as two steps. Write first, then worry about marketing once the words are published. The belief is that the writing and marketing processes are distinct.”
Quote: I am obsessive about titles. Even for my second and third book in the series, I couldn’t move forward until I had the right title for it. With Crewel, I didn’t want it to be so sewing-based that it would be off-putting. I stumbled upon “crewel,” and I thought, obviously this is the title. I take liberties with it. There’s someone out there who does crewel who’s going to say, “There isn’t one crewel work in the book.” – Gennifer Albin, author of “Crewel” – from Shelf Awareness
In February 20121, McFarland released a new book for authors and readers interested in the heroine’s journey in fiction and myth and for fans of the Buffy the Vampire Slayer movie (1992) and the subsequent television series (1997 – 2003). A well-researched book, Buffy and the Heroine’s Journey is a natural extension of Valerie Frankel’s work in From Girl to Goddess: The Heroine’s Journey through Myth (McFarland, 2010).
On her website, Frankel writes that “Though scholars often place heroine tales on Campbell’s hero’s journey point by point, the girl has always had a notably different journey than the boy. She quests to rescue her loved ones, not destroy the tyrant as Harry Potter or Luke Skywalker does. The heroine’s friends augment her natural feminine insight with masculine rationality and order, while her lover is a shapeshifting monster of the magical world—a frog prince or beast-husband (or two-faced vampire!). The epic heroine wields a magic charm or prophetic mirror, not a sword. And she destroys murderers and their undead servants as the champion of life. As she struggles against the Patriarchy—the distant or unloving father—she grows into someone who creates her own destiny.”
A new era in film and fiction for three-dimensional female action characters?
Frankel’s new book appears at a time when readers, authors and reviewers are discussing whether or not Lisbeth Salander (in Stieg Larsson’s Millennium series) and Katniss (in Suzanne Collins’ The Hunger Games series) represent a positive trend in the development of female protagonists that are more than male-gaze eye candy. That is, can authors and film makers step away from the patriarchal idea that women—whether they kick ass or not—are little more than sex objects?
Unfortunately, Frankel—along with author Maureen Murdock (The Heroine’s Journey)—appear to represent a minority view. Most film makers are still trotting out female characters in mini-skirts and bikinis fighting alongside male counterparts who are dressed in normal uniforms or SWAT team gear, while many authors and screenwriters are arguing that the heroine’s journey is no more than a female character following Joseph Campbell’s hero’s journey sequence.
As the author of a contemporary fantasy novel featuring the hero’s journey (The Sun Singer) and another that features the heroine’s journey (Sarabande), I find it refreshing to find another author/researcher who sees a difference between solar and lunar journeys. While I think my heroine’s journey story would make a great film, I don’t want Hollywood to turn my title character into a male-gaze Lara Croft-style protagonist transported to the mountains and plains of Montana in a tight and/or skimpy outfit.
Publisher’s Description: The worlds of Percy Jackson, Harry Potter, and other modern epics feature the Chosen One–an adolescent boy who defeats the Dark Lord and battles the sorrows of the world. Television’s Buffy the Vampire Slayer represents a different kind of epic–the heroine’s journey, not the hero’s. This provocative study explores how Buffy blends 1990s girl power and the path of the warrior woman with the oldest of mythic traditions. It chronicles her descent into death and subsequent return like the great goddesses of antiquity. As she sacrifices her life for the helpless, Buffy experiences the classic heroine’s quest, ascending to protector and queen in this timeless metaphor for growing into adulthood.
The paperback edition, for reasons that are not readily apparent, is priced considerably higher ($35.00) than other paperbacks of a similar length (226 pages ). However, at $9.99, the Kindle edition is more in line with today’s prices.
I bought the Kindle edition even though I didn’t see the Buffy the Vampire Slayer television series or feature film. I liked From Girl to Goddess: The Heroine’s Journey through Myth and am finding Buffy and the Heroine’s Journey to be another very readable and credible look at the heroine’s journey.
While I was working on my recent contemporary fantasy Sarabande, I found a lot of helpful references about the heroine’s journey. The heroine’s journey has fewer Internet links, so perhaps you’ll find some of mine helpful if you are experiencing, reading about or writing about the journey.
There seem to be two schools of thought about the journey. One is that the heroine’s journey is the same as the hero’s journey, potentially with a few modifications.
While that concept approach works for many people, I don’t agree with it because the hero’s journey is a solar journey and the heroine’s journey is a lunar journey. My novel’s research materials tend to reflect the lunar approach.
The Mythopoeic Society – The Mythopoeic Society is a national/international organization promoting the study, discussion, and enjoyment of fantastic and mythopoeic literature through books and periodicals, annual conferences, discussion groups, awards, and more.
The Heroine’s Coach, the website for Susanna Liller’s journey-oriented coaching services. The site includes an e-mail newsletter for women following their own paths called “Journey News.”
