Rosemary-Poole-Carter, an adept within the Southern Gothic genre, brings us a deliciously tangled post Civil War novel in Only Charlotte in which three intertwined lives–Leonore James, her brother Dr. Gilbert Crew, and Charlotte Eden–rise and fall like storm-tossed lily pads in the brackish waters of the swampy morals of New Orleans.
Thrice-married Lenore (who is now alone again) opens up her house to her younger brother who uses it as a base for establishing a medical practice. In sections narrated by both Lenore and Gilbert, we see that the young doctor has become infatuated with Charlotte while treating her children. At the outset, Lenore sees nothing less than catastrophe coming out of this while Gilbert sees a young wife whose troubles go deeper than is generally known.
Lenore and Gilbert grow in sense and sensibility throughout this novel. Lenore, who sees herself somewhat in the role of Paulina in Shakespeare’s The Winter’s Tale, is especially cautious about the problems Charlotte may or may not face because she is older than her volatile brother and well-schooled in the society’s rules and traditions. In a sense, Gilbert has a “damn the torpedoes, full speed ahead” approach that might be based on his obvious love for Charlotte more than on the actual dangers she faces.
The novel is perfectly paced in a manner befitting a southern gothic novel, brings us multi-dimensional characters who have the capacity for change in an era in which “stagnant” and “corrupt” are watchwords, and a twisted mystery that is like a spiderweb in the dark. The prose is lyrical and exceptional and historically well-grounded in this highly recommended novel.