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Don’t Let Your Publisher Become Your Worst Enemy

I have a wonderful publisher, in Thomas-Jacob, and couldn’t be happier. One of the positives of a small (some say boutique) publisher is that the author and the publisher can actually talk to each other about what the best approach to the book.

Larger publishers often make decisions about books that come from heavenly heights and cannot be questioned.

A long-time online friend of mine is an acclaimed Canadian author. I’ve read most of her books. What bothers me about her publisher’s decision making is the fact that those books have different Canadian and U.S. Titles. Sometimes this is necessary. But in her case, those differing titles cause a lot of reader confusion about what book they’re buying. Frankly, I don’t think the U. S. and Canadian audiences are so different that a book requires separate titles for Amazon and Amazon.ca. I think this kind of thing hurts the author.

I just finished reading a novel by one of my favorite U.S. authors that is set in New Orleans just after the Civil War. I considered posting a review today, but then saw that on Amazon the book was listed as Political Fiction. Those who like southern gothic fiction and historical fiction will never find it there. Pardon my exasperation, but who the hell came up with those genre classifications for this novel?

From what I hear, if one of the major U.S. publishers releases your novel, you may have to put up with some stuff you don’t like. I guess that’s called “paying your dues” or pretending that “the publisher knows best.”

Book genres aren’t perfect. Neither are titles. But they do tend to steer prospective readers toward an author’s book. If you can, I hope you can discuss such things with your publisher before the historical novel you titled “Tough Women” is released as “Porn Babes” in the “How To Repair a Flathead 6 Engine” genre.

I’d say that if you cannot agree on the title and the genre, you have a problem.

Malcolm

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