Publishing via IngramSpark 

“As you may have heard, Createspace is being absorbed by KDP Print. Many folks expressed interest in finding a different publisher/distributor for their print books. Indies Unlimited has had articles comparing different paperback options and explaining how to move books from CreateSpace IngramSpark, but we haven’t had one yet that shows you how easy it is to publish directly to IngramSpark.”

Source: Publishing on IngramSpark Is Easy ‹ Indies Unlimited ‹ Reader — WordPress.com

This post offers a helpful step-by-step tutorial for uploading your manuscript, including screenshots. If you’re looking for a viable alternative to CreateSpace, this post is well worth checking out. My publisher uses Ingram and I’m happy with the way my books are printed. The option of offering standard bookstore discounts and returnability is a strong point, in my view, for using this platform.

–Malcolm

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Book Bits: Workplace abuse, In memoriam, literary forums,’Wrinkle in Time’ movie, stolen books

It’s getting more and more difficult to talk about books, publishing, and authors without straying into political issues that often have a very polarized reader-base.  Some people believe CNN 100%, while others believe FOX 100%. I’ve more or less stopped posting anything political on my Facebook page because it always ends up with people shouting at each other. Sexual harassment is one of those issues. I mention this here because Publishers Weekly ran into a few snags with a recent article about sexual harassment in our business (Item 1). Maybe they’ll get it sorted out this time.

  1. IssuesLetter from the Editors: Covering Sexual Abuse in the Book Business, By Jim Milliot, Rachel Deahl, and John Maher – “The difficult nature of covering the subject hit home on December 5, when we ran a story announcing the resignation of Giuseppe Castellano, executive art director of Penguin Workshop, following claims of sexual harassment by actress and comedian Charlyne Yi. The article we published was intended to be a balanced account based on verifiable facts. Not everyone agreed that it was. Some readers expressed frustration that we put too much emphasis on Castellano’s account over Yi’s.” Publishers Weekly
  2.  News: Notable Literary Deaths in 2017, by Emily Temple – “This has not been the best year. In addition to, well everything, we lost a number of literary luminaries in 2017: beloved novelists, champions of the written word, legendary editors, and genre-defining journalists.”  Literary Hub
  3. One of the new forums focusing on book and writers.

    News: The Tale of Two Literary Forums, by Malcolm R. Campbell – “If you were out on the Internet in the 1980s, you probably remember that CompuServe was a major ISP, providing e-mail and forums for millions of users. In those days, almost every hi-tech company, whether hardware or software, had a forum staffed in part by representatives of the company to help people with bugs, usage issues, and other information. In addition to these forums, CompuServe also maintained forums for pets, religion, political discussions, hobbies, and literature.” Malcolm’s Round Table

  4. Film: Hollywood’s Once and Future Classic, Hollywood’s Once and Future Classic, Why it took 54 years to turn A Wrinkle in Time into a movie, By Eliza Berman – “A Wrinkle in Time, a Disney movie based on Madeleine L’Engle’s 1962 novel of the same name, will come out on March 9, 2018. The film brings to life the story of Meg Murry, a gangly adolescent who travels across dimensions to rescue her scientist father. Meg is guided by a trio of guardian angels collectively called “the Mrs.” The book, and the movie, is about what it means to be a source of light in a world in which darkness seems only to proliferate. It also makes the case for thinking independently when conformity is the norm.” Time Magazine
  5. Quotation: “When I see a store, I MUST GO IN. I’m a sucker for books, but indie bookstores take that up a few levels because they’ll curate for me. I go in saying I want to learn about some obscure topic and they won’t look at me as if I’m from Mars! Instead it’s almost as if I see my own curiosity reflected back at me, and they share it instantly. I’ve had that same experience happen in multiple cities, so I think it’s common to independent bookstore owners and I love them for it.” – Author Jessee Mecham Shelf Awareness
  6. Review: THE ICE HOUSE – Home is a long way from here, by Laura Lee Smith, reviewed by Thane Tierney – “The Scots didn’t invent stubbornness, but they perfected it, raised it to a high art where irresistible force and immovable object are sometimes locked like two neutron stars in a perilous dance. So it is with American immigrant Johnny MacKinnon and his Scottish son, Corran, in Laura Lee Smith’s second novel, ‘The Ice House.'” Book Page
  7. Lists: The Ultimate Best Books of 2017 List, by Emily Temple – “It’s the end of the year, and everybody has an opinion. And of course, where there’s an opinion, there’s a listicle. The river of Best of 2017 lists can be exhausting this time of year, so as a public service, and because my math skills are always in need of a little exercise, I’ve created a streamlined master list of the books that the most people loved this year.” Literary Hub
  8. News: Cat Person author’s debut book sparks flurry of international publishing deals, by Alison Flood – “Following her viral short story hit, Kristen Roupenian’s You Know You Want This has been sold to Cape in the UK, with the US auction said to be topping $1m.” The Guardian
  9. ReviewLITTLE LEADERS: Bold Women in Black History, by Vashti Harrison ; illustrated by Vashti Harrison (Age Range: 6 – 12) – “Visual artist Harrison introduces 40 trailblazing black women from United States history in this inspiring volume for young readers…Perfect for exploring together at bedtime or for children to browse independently, a gorgeous invitation for children of all backgrounds, and especially for black girls, to learn about black women who were pioneers.” Kirkus Reviews
  10. News: Indie Bookstores Tell Us About Their Most Stolen Books – Which volumes walk out the door most often, and why? by Jo Lou – “Independent bookstores are magical, endangered places. Stealing from these small, often struggling establishments is a mortal sin and the Book Gods will smite you. If you must kidnap books (which you shouldn’t, because libraries exist) then steal from big box stores instead.” Electic Lit

Book Bits is compiled randomly by Malcolm R. Campbell, author of paranormal, contemporary fantasy, and magical realism novels and short stories.

Getting Started with KDP, Smashwords, and CreateSpace

“A note before we begin: All of the sites request some of the same information, so you will need to have it handy. They will ask for your name, your address, your email address, the password(s) you want to use, and some very basic financial information: your Social Security number for US residents, and the routing number and account number for the bank where you want them to deposit your royalties. And okay, another note – each will have different requirements for

Don’t be afraid. We’re here to help.

book covers, so make sure to read those on the respective sites.”

Source: Indie Author 101: How to Get Started with KDP, Smashwords, and CreateSpace – Indies Unlimited”

Good information here for authors who are just starting out in the often-confusing world of self-publishing.

Kindle, CreateSpace, and Smashwords are basic to your sucess.

–Malcolm

My novels and short stories are primarily released by Thomas-Jacob Publishing. However, with information such as Lynne Canwell discusses in the post, I send some of my work directly to Kindle.

You might just win a Kindle Fire Tablet if you sign up for my publisher’s newsletter

tjlogoThomas-Jacob Publishing is starting a newsletter to help its adoring readers keep up with upcoming books and events. Since this is my publisher, I hope the readers are adoring. I’m proud of our catalogue, featuring books by:

  • Malcolm Campbell
  • Melinda Clayton
  • Tracy Franklin
  • Michael Franklin
  • Robert Hays
  • Smoky Zeidel.

Okay, moving onto the Kindle Fire Tablet. Click on the graphic below to go to the newsletter signup page. Just a few fields to fill out and then you’re done.

The first place winner of the tablet and the two second place winners of a free paperback from Thomas-Jacob’s list will be selected in a random drawing August 17th.

TJnewsletterpromo

Good luck in the drawing!

–Malcolm

 

Do Million Dollar Debuts Give Writers Hope?

Nope.

Sure, if we were the ones getting a million dollar advance from a major publisher, we would feel hopeful about our future.

Otherwise, the feeling is one of despair.

bestsellerSure (sorry to use the word again), there may be some sour grapes behind our feelings when we read articles like Betting Big on Literary Newcomers.

After all, with the promotion, glitz, buzz and hoopla behind a book with a million bucks behind it, we could skip all the years of being anonymous, of writing novels many people like but that still don’t have the clout to get editorial reviews, of being asked what we’ve written and then getting a blank stare when we list a few of our novels.

As Jennifer Maloney writes in the Wall Street Journal article about betting big, “Social media sites such as Twitter, Facebook and Goodreads have contributed to a culture in which everyone reads—and tells their friends about—the same handful of books a year. It’s increasingly a winner-take-all economy, publishing executives say. ”

That’s the why behind our despair when we read about such huge advances. If your book is not one of these books, or if you’re not already a big name author, you book basically doesn’t exist in spite of all the blog tours, Amazon sales days, and GoodRead giveaways.

Our argument–as the writers down in the steerage section of the publishing ocean liner–has always been that literature would be better served if that million bucks were dedicated to the promotion of, say, ten books for one hundred grand each, or maybe twenty books at fifty grand each rather than being lavished in an advance to one person. That million doesn’t include the advertising budget.

Sometimes BIG BOOKS turn out to be really good, even wonderful. But they’re bad for literature because–like black holes–they suck all of publishing’s efforts into a small minority of what’s out there. We understand, of course, that publishers claim that the profits from big books help fund little books. Maybe, but I never see any evidence of it.

The authors who write the books that jump into the stratosphere like this worked just as hard as the authors who didn’t. But their work is being turned into a fabricated event. Big advance = lots of buzz = justified large promotional and advertising budget = high sales and many articles and book reviews. The publisher has paid to put the book on top from the starting gate.

Yes, I read these books when the critics have good things to say about them. I’m tempted like everyone else to the books I hear about. Unfortunately, like everyone else, I miss the books I don’t hear about because no advertising or promotional budget brought them to my attention.

What a shame.

–Malcolm

 

Just starting out? Beware of Magical Realism

Once upon a time, when teachers said “You can’t do XYZ in your writing,” I listed famous authors who did it all the time. The teachers’ responses were all the same: “When you’re famous you can do that.”

MRbloghop2015Some publishers also have this theory and, I’ll stipulate that they’re not totally wrong. If you’re thinking about magical realism as your prospective genre of choice, be careful. Some publishers abhor the label and claim it’s merely an uppity name for fantasy and/or that it means the author has “literary fiction pretensions.”

In general, except when we’re talking big names and/or big advertising budgets, fantasy finds more readers than magical realism and commercial fiction finds more readers than literary fiction (or fiction perceived as literary).

What happens if you’ve written a magical realism novel? Don’t let the publisher sell it as fantasy. Fantasy readers expect certain things. Most genre readers do. So, if your magical realism novel is slotted into the fantasy genre, it probably won’t sell. Readers will either be disappointed or stay away in droves. Others will post negative reviews that are hard to survive.

It’s a catch-22 thing. Yes, magical realism is typically listed as a subset of fantasy. That’s a mistake, but “they didn’t ask me.” Magical realism uses magic that the characters don’t see as unusual or out of place in a setting that is otherwise very realistic. Fantasy readers aren’t going to buy that as fantasy. So, what do you do?

I guess if HarperCollins has given you a $100,000 advance, you keep your mouth shut. Otherwise, get another publisher or publish the book yourself. Or, if you want a slightly easier career, you might consider writing fantasy and then shifting into magical realism before you become to typecast as a fantasy writer only.

Three of my novels are out of print because the publisher not only sold them as fantasy but removed the more subtle magical realism in favor of the more overt magic of fantasy. I don’t have the stamina to re-write them. Of course, they might have been a dead horse: they might have crashed and burned no matter what genre we put them in.

I love the art and craft of writing and that means I write about the world the way I see the world. I see the subtle workings of magic in daily life. Am I a shaman? Am I psychic? Am I crazy? Am I in need of stronger medications?

Who cares?

breathoflifeThe late, highly creative Brazilian author Clarice Lispector (“A Breath of Life”) said, “I write as if to save somebody’s life. Probably my own.” Now that’s true of most of us who write. The reader doesn’t care whether we’re crazy as long as they’re getting a wonderful story.

Only you know how your writing ends up the way it does. That’s between you and your muse. Sure, others can help you make it better. They’re called editors and publishers (if you pick the right ones). But when the cows finally come home–and they will–you have to be happy with it because it is a part of you.

If you see magic in the world, don’t let anyone else say that you don’t and turn your novel into something it isn’t. You have to be who you are and let the spirits and spells fall where they may.

–Malcolm

 

–Malcolm

This post is part of the Magical Realism Blog Hop. About twenty blogs are taking part in the hop. Over three days (29th – 31st July 2015) these blogs will be posting about magical realism. Please take the time to click on the button above to visit sit them and remember that links to the new posts will be added over the three days, so do come back to read more.The button should go live on or after 12:01 a.m. July 29th.

 

KIndle cover 200x300(1)Malcolm R. Campbell is the author of “Conjure Woman’s Cat,” a magical realism novella folk magic in the Jim Crow era of the Florida Panhandle where granny and her cat take on the Klan.

Don’t let a bad publisher derail your writing dream

The trouble with dreams is that the defy logic. Last night, I dreamt I was at a Shriners convention. When I woke up, I knew it wasn’t true.

When a fast-talking, dirt bag of a publisher says they’ll give you the moon, the sun and the stars, waking up often takes longer.  Sure, there can be misunderstandings about contract standards and terms as well as what a new author can reasonably expect. But fraud and almost-fraud are something else.

writerbewareIf you have a book and think it’s ready to publish, do some Google searches (if you think you’ve found a publisher) and see if anything negative turns up. In fact, do a search on “publishing scams” as well. I did a search on that phrase and got 850,000 hits. That alone suggests there’s enough badness out there to curl your hair even if you don’t want it curled.

If you’re unsure about publishing practices and terminology, check Writers Write. They’re a good resource.

If you think you’ve found a publisher, check Writer Beware. In addition to positive resources, the site features a solid list of publishers and indiesproblems. Or, as they put it: Writer Beware’s mission is to track, expose, and raise awareness of the prevalence of fraud and other questionable activities in and around the publishing industry. They do a good job keeping their data updated. Looking here might save you a lot of time, money and heartache, while keeping your dream of track.

Another site with good writing resources is Indies Unlimited. They have a staff of seasoned experts who have been there, done that, and survived to tell the tale–and offer some advice as a bonus.

Click on the graphic for the March 25 post about an author's experience with an editing company.
Click on the graphic for the March 25 post about an author’s experience with an editing company.

But there’s more. IU is currently running a series of blog posts called FOULED! written by people have been scammed. Dream-wise, these are sob stories. In many cases, fraud was involved. Unfortunately, fraud is hard to prove and most beginning writers don’t have the money to hire a lawyer, much less travel to the state where the publisher is headquartered and initiate a court action.

Nightmare on Editing Street

Today’s post by Brenda Perlin tells a nightmare story about the author’s experience with an online editing company. The company promised a beautiful manuscript and delivered, well, pond scum (my term for it).

Such companies can take advantage of a problem most writers face: if the publisher doesn’t hire in-house editors to clean up a manuscript, then the writer has to do it. Unfortunately, the cost for editing, say, a 70,000-word book might well be more than most of us can afford; and, statistically, it also may be more than most debut, small-press or self-published novels are likely to earn. This is a sensitive area for writers because they get dinged by reviewers for typos.

Most of us are the last people to copy edit or proofread out own work.

Previously, on Fouled

If you want to read these in the order that they appeared, start at the bottom of the list and work up.

This is how dreams are

Writing is hard work. Finding the right publisher and then promoting the book is almost harder work.  In Blue Highways, one of my favorite books, the author William Least Heat-Moon talks to many people along the road, asking one of them: “Dreams take up a lot of space?”

“All you can give them,” was the reply.

This is how dreams are. How dreams are makes them dangerous because logic and good intentions don’t always mesh well with our journey to make dreams come true. So, as the site says, Writer Beware.

Otherwise, how dreams are is also their magic and wonderment.

–Malcolm

Malcolm R. Campbell is the author of Conjure Woman’s Cat.

 

 

Vila SpiderHawk’s Books Reflect a Love of the Natural World

Vila SpiderHawk is the author of three magical novels that follow the coming-of-age adventures of protagonist Judy Bauman in the disputed German-Polish border territories prior to and during World War II: Forest Song: Finding Home (2008), Forest Song: Little Mother (2009) and Forest Song: Letting Go (2010). Vila is also the author of the Forest Song Cookbook (2009), featuring recipes from the series, and Hidden Passages: Tales to Honor the Crones (2007), a collection of stories about old women and their celebration of life and wisdom. Vila and her husband live in a log house in the Pennsylvania forestland.

Malcolm: Welcome to Malcolm’s Round Table, Vila. You introduced readers to protagonist Judy Bauman in Forest Song: Finding Home set in 1929 to 1933 in territory claimed by both Germany and Poland on the eve of World War II. What attracted you to this time and place for your novel’s setting?

Vila: Thank you for your hospitality and thoughtful questions, Malcolm. It’s very kind of you to do this interview with me.

Why the World War II era in the Polish-German Corridor? I am of German descent and was born in 1945. I grew up in careful silence about the horror of the Holocaust. We didn’t even learn it in school, since it was still too new to be in the history books. It wasn’t until I went to high school that I got my introduction to the period, and that was very sketchy. Nonetheless, I have always felt a pull to the time and place. Call it racial guilt. Call it something else. Whatever it is, I needed to know what caused a people to do such terrible things. And so I studied the era in college.

However, I was never satisfied with the answers the books gave for that terrible time, and so I have carried this need around all these years. Therefore, when I met Judy and she turned out to have lived in that time, I invited her in to tell me her story.

You see, I do not create my characters. They come to me, fully formed and talkative. Judy is downright overbearing sometimes. In any case, I channeled her, since she, too, cares deeply about the “whys” of things.

But there is an additional reason. I worry that our country could become the Germany of the Holocaust. I worry about Guantanamo and the attitude we generally have about Muslims just now. While I am sure some Jews in Germany fit the Nazi stereotype, since all stereotypes have a glimmer of truth to them, I believe and indeed have found that most Jews were just hardworking people trying to live decently and to raise their children well while keeping the bills paid. And, while some Muslims fit the stereotype we have created for them, most, I believe, are like the majority of German Jews. All they want is to live decent lives, to raise moral and educated children, and to pay the bills. It’s not rocket science. People are people. Most are, at bottom, very conscientious.

Malcolm: As I read Forest Song: Finding Home, I discovered an interwoven mix of history, German and Polish life and culture, Craft traditions and rituals, and faerie magic. When prospective writers ask what you write about, how do you describe the Forest Song books’ genre and overarching themes?

Vila: Oh boy it’s really difficult for me to place the Forest Song series into a tidy little box. I have classified it as historical fiction, since it has elements of that. I have also classified it as fantasy, since it has aspects that people like to call fantasy. But in truth, it doesn’t really fit tidily into any single category.

When people ask me what I write about, I usually tell them I write about life, in all its complexities. As is true of all of us, Judy’s is a creature of her culture and her era. Her spirituality is an important aspect of her attitudes as well, as it is with most of us. Sometimes she believes she’s going from point A to point B and she ends up at point H, as often happens in life. My stories are not straightforward, because life isn’t straightforward. This becomes more obvious in the later volumes of the Forest Song series but is already visible in Finding Home.

Malcolm: Fairy tales and myths frequently use the forest outside the city gates as a dangerous and/or magical realm of non-ordinary reality where characters go for heroes’ adventures and seekers’ coming of age stories with a strong focus on the protagonist’s transcendent or psychological “the inner journey.” Did a life-long appreciation of myths and folktales greatly influence your approach to Judy’s story and her drive to leave the claustrophobic and limiting world of her parents’ farm for the freedom of the forest?

Vila: Fairy tales are highly allegorical. The forest in fairy tales usually symbolizes the darkness and the space in which people reflect and learn, acquiring wisdom. Thus Persephone goes into the Underworld as a child and emerges with a woman’s wisdom and responsibilities. The forest is our Underworld.

Having said that, I did not grow up reading and loving fairy tales. That came later. But I have always felt the pull of the woods. I always felt I would not satisfy my destiny until I had escaped the clatter, stench, and hustle of the city and had moved into the green serenity of the trees. And, in truth, I didn’t. Though I have always written, it wasn’t until I had moved here and had explored my inner wisdom that I finally felt ready to write for publication.

Malcolm: I am amazed at the breadth and scope of the Forest Song books insofar as the author’s personal knowledge and research required for the plot and setting. How did you approach and organize the books’ details so that they fit hand in glove with recorded history, actual trees and plants available (and seasonally, when they bloomed) in the disputed territories, local customs, Craft traditions specific to Germany and Poland at that time, relevant folktales, and even kinds of clothing, furnishings and products available in a typical farm family’s house?

Vila: I don’t organize my books. My characters do that. They tell me their basic stories in bare bones language. Then it’s up to me to make art of their tales. Once I have the basic facts, I spend a great deal of time researching. One of the reasons I am such a slow writer is that I try to check every little detail to be sure it’s true. Judy opens herself up to me. She lays herself bare. That requires a great deal of trust. I need to be worthy of that trust. That means that I have to be sure that every detail I include in her story is true. I read many books before I sat down to write this series, and I have read many more along the way.

Malcolm: Your pseudonym combines “Vila,” a goddess, with “Spider” and “Hawk.” How did you choose this unique pseudonym and how does its meaning correlate with the intentions and perspectives behind your writing?

Vila: I chose Vila SpiderHawk very carefully. Vila is an eastern European Goddess of the woods. She is a shape shifter and the protector of the forest and all who live there. She heals with herbs. I identify with all that. She also dances hunters to death. There are times when I really identify with that as well, since I am a vegan. I chose the name long before I realized I’d be telling Judy’s story, though.

Spider is a contemplative creature. Spider spends her time between earth, the concrete, and air, inspiration. She chooses not to hunt. Instead she waits for food to come to her. She is patient. She knows that the Universe will provide her daily needs. She reminds us to see the importance of patience and spirituality. She reminds us to see the divine in all creatures, however small, however mundane.

Hawk, on the other hand, is aggressive. Her vision is sharp, and her reflexes are quick. She is a merciless hunter. She soars. She spreads her wings and touches the clouds. She is as free as it is possible to be in this life.

I am both Spider and Hawk. I am contemplative and introspective. I understand that the Universe will provide what I need as long as I have the wit to ask for it and the patience to accept that it will come in its own good time. But I am also Hawk. I can be aggressive and merciless. I tend to see sharply. And there are times when I positively soar. The Spider in me tempers the Hawk. The Hawk in me reminds me that sometimes it is necessary to be aggressive and to see sharply. And, while it’s wonderful to experience a meditative state, it is such a delight to soar.

Malcolm: In addition to exciting stories, what memories, dreams and reflections do you hope your readers will carry away with them after reading the Forest Song novels?

Vila: What the reader takes away from my books is really up to the reader. Each person brings her own experience, her own baggage, her own spirituality, and her own longings to the books she reads. Each person will take away an individual package of dreams and reflections. I don’t feel I can dictate or even suggest the “right” hopes, the “right” insights for the reader. I simply hope that each book sings to each individual in a way that feeds her soul.

Malcolm: The use of the word “crone” in your Hidden Passages collection of stories straddles a paradox. In mainstream society, the seldom-used word is generally used to malign and discount older women in a patriarchal society. Yet, in historical matriarchal societies and in the Craft and goddess traditions, the word is used as a reverent term of endearment and respect. Did you have any second thoughts or concerns about using the word “crone” in your title or was it especially appropriate to the book’s theme and intent in spite of some mainstream connotations?

Vila: I was very adamant about using the word “Crone” in the title of Hidden Passages. I deeply resent the fact that we dismiss old women in particular but old men too as useless dead weight when, given their experience and wisdom, they have so very much to offer. I think we would be a better society if we actually respected more the feminine principle of giving and nurturing life and if we understood down to the marrow of our bones how very much we owe those wonderful women who raised us.

I grew up in the company of old women. I have always treasured them. And now that I am one, I value old women even more. I understand now that, while those wonderful women who raised me were old and wise and generous and dear, they still had all the eagerness and, yes, insecurities of youth. To me the word “Crone” encapsulates all that is woman—the maiden who is brash and flirty, fearless yet vulnerable; the mother who will sacrifice anything to give her child a better life, the woman who teaches and nurtures and worries and rejoices in and about her children; and the creature we see superficially as the Crone who knows pain, who has experienced death and loss and has endured anyway. The word Crone to me is not simply a title of respect. It is, in my opinion, the finest appellation anyone can call a woman.

Malcolm: Your characters use a lot of herbs found growing naturally in the woods where they live. If one chanced by your log cabin, would they find you out in the woods gathering and drying herbs, and then using them in the teas and meals you serve at your table?

Vila: Oh boy would they ever! Of course, I have an herb garden. Well, I wouldn’t exactly call it that. I’m not sure it’s organized enough to warrant the name “garden”. But I grow all kinds of culinary and other herbs as ground covers instead of grass. And I do cut from the herbs for cooking and other purposes during growing season. I dry herbs in autumn for winter use as well. My house smells like vegetable soup through the autumn with all the herbs drying. But I also harvest herbs from the woods. Mostly that’s just an excuse to go out into the trees and to feel the woodland energy all around me. But yes, herbs are very important to me. Not only do they make food taste fantastic, they have enormous healing power that many European countries still recognize. Hopefully, we’ll get back to more natural healing methods in this country too.

Malcolm: Thank you so much for stopping by and chatting today.

Malcolm