That book on the end of the shelf
I’ve written a lot of words on this blog during the past two years about my three magical realism, conjure and crime novels set in north Florida: Conjure Woman’s Cat, Eulalie and Washerwoman, and Lena. But what’s the book on the end of the shelf?
That book, Sarabande, was the most difficult novel for me to write. Previously, I’d written The Sun Singer, a hero’s journey contemporary fantasy told from a young man’s point of view. But the hero’s journey is only half of the world’s mythic cosmic story. I needed the heroine’s journey, a novel told from a young woman’s point of view.
The hero’s journey is a series of events out of comparative mythology developed by Joseph Campbell in The Hero With a Thousand Faces. While some authors have tried, the heroine’s journey cannot be shoe-horned into the hero’s journey scheme. It’s too different, more moon and seeds and underworld secrets than derring-do and sky-god stories and changing oneself while risking one’s life in the service of others.
As an author, it’s difficult for a man to put himself into a woman’s shoes and tell a woman’s story. While he may have worn such shoes in previous lifetimes, he doesn’t belong in those shoes in this lifetime. Fortunately, my main character, Sarabande also appeared in The Sun Singer and that meant I had known her for a long time, so there was a history there that was stronger than it would have been if I had used a new character.
I liked Sarabande in The Sun Singer and avoided writing a novel about her for many months because I didn’t want to see her go through the heroine’s journey, a journey that included a physical assault by a man and a vicious and life threatening sexual overture by a female denizen of the underworld. The book was a learning experience for me, though one that was most likely limited to the confines of the book rather than my coming anywhere close to truly knowing the trials and joys of women.
My happiest moment after the book was released was the comment by a female reviewer who said that the story was so real she had to keep reminding herself that it had been written by a male author.
Sarabande is a dark women’s story written primarily for women. The man’s hero’s journey, when it unfolds naturally, ends in transformation. Likewise, the woman’s heroine’s journey. Two paths, each undertaken out of the necessities of the real world, yet each ending in profound, spiritual changes on opposides of the male/female coin.
Sarabande is available in paperback, e-book, and audiobook.