“Tarot reading is an excellent way to learn more about one’s self, have a closer look at your inner self or to examine your very own intentions and ambitions.”
I’ve been tinkering with the I Ching and the Tarot since I was in high school. I don’t do readings for other people. In fact, most people don’t know that I know anything about these divination systems because once they know, they walk on the other side of the street whenever they see you.
I was happy that C. LaVielle contributed a Tarot and storytelling guest post on January 11th because she focused one of the reasons I like both the I Ching and the Tarot: understanding the characters in my stories.
Like Joseph Campbell’s Hero’s Journey, both the I Ching and the Tarot present ways of looking at the world. The Tarot, of course, is closely linked to the Tree of Life of the Kabbalists. The future isn’t fixed. At least I don’t think it is. So I don’t use any of these ways of looking at the world for predicting the future. In fact, they tell me what I know that I don’t know that I know. That is to say, they tell me what the unconscious part of me knows to be true even though the conscious part of me hasn’t figured it out yet.
My sun sign is Leo and the card representing me in the Tarot is the Knight of Swords (called King of Swords in most decks). This is why the URL for this site includes “knight of swords.” When I do Tarot readings for myself, the knight is me. When I do readings about novels I’m writing, the knight is always the logic of the story, cruel at times, to be sure, but nonetheless the fiery part of air as the card is described.
As a character in one of my novels said, he doesn’t want to see the future because that would spoil the surprise. It would also impact what he (or any of us) choose to do right now. Our power is always in the now. I see that, but the characters in my stories don’t always notice it. Plus, seeing the future would give us the false idea the whole shebang out there is engraved in stone when, actually, nothing except epitaphs are engraved in stone.
As a knight of swords, I’m a trickster (among other things), so that means I’m always stirring things up. That’s one reason I write fiction–to stir things up. That’s also why I like my Tarot deck: it shows me that even when I don’t consciously know I’m doing it, I’m stirring things up–and creating ideas that I let other people carry out to completion after I’ve wandered off to something new.
I see this as the author’s first duty–sowing seeds, suggesting things that bother people while making them think, suggesting that things aren’t what they appear to be, telling people that whatever goes bump in the night is real, finding the story inside everything that happens.
It’s one hell of a thing to do, but somebody’s got to do it. Fortunately, my Tarot deck “advises me” when it’s time to step back before the mob shows up on my door step.
–Malcolm
I really liked this post Malcolm!
Thanks, Montucky.
One of my sisters reads Tarot cards. She’s done readings for me now and then, but I always think her readings are tainted by our relationship–that what she tells me is based as much (or more) on her love and hopes for me as it is on whatever the cards might be saying. Not sure. I know nothing about reading the cards, though I find them interesting. Maybe I need to learn a little or ask someone who doesn’t love me to read mine.
Your description of the knight of swords does sound perfect for a writer of fiction!
It’s probably an attribute of the knight of swords, but I can seldom use the cards or my intuition to learn more about anyone I know or even myself–except very indirectly.
My logic always gets into the mix. If somebody is missing or late or lost, my writer’s “what if?” and my logical sense of probabilities come to mind so fast that anything the cards tell me becomes lost in a sea of things I’ve already thought about.
But the cards are still fun to tinker with.