Review: ‘A Girl is a Half-Formed Thing’
“For you. You’ll soon. You’ll give her name. In the stitches of her skin she’ll hear your say. Mammy me? Yes you. Bounce the bed, I’d say. I’d say that’s what you did. Then lay you down. They cut you round. Wait and hour and day.”
Riverrun of words, past church and family and worse, from swerve of hope to bend of knee, you might think you’re reading “Finnegan” again as you start Eimear McBride’s streamOFconsciousness novel A Girl is a Half-Formed Thing. James Joyce leaves early on, though when you reach the novel’s final words, you might agree this story is a wake.
It’s also a mental letter of sorts, an interior monologue, from a rebellious sister to a brother with a brain tumor, within.the.tight.confines of a dysfunctional household, abuse and other perversions, rape and WorseThanRape, and the protagonist’s desperately destructive behavior. We are INside her head. Too much for simple syntax there, though sin is a constant theme, and prayers, too, so when James Joyce leaves the book by the back door, Virginia Woolf arrives at the front door. Figuratively speaking. You should be afraid, for this book will wreck you as though you yourself are violating the protagonist page by heartbreaking page, you bastard.
It’s also a raw poem, laced with the worst muck of life, the flotsam any free-flowing river carries along with sunlit ripples of lyr(within lyrics)ics more beautiful than anyone other than the doomed brother deserves to hear. The flow of words, blood, semen, vomit and other prayers are dAZZling to experience. The book’s un-named characters lead sad lives that would be sad if McBride had told the story through a conventional approach. Yet the fractured prose fits all that’s broken in the story and the poetry of the riverrun of words accentuates every vile UNformed and 1/2Formed thing.
Mammy is a single parent who is randomly holy.past.all.understanding, loving, vicious, and blind to everything but her son in her unkempt house in this small Irish town. Daddy is absent, resting in hell or elsewhere. Uncle is perverted. Schoolkids are cruel. Men have one thing on their minds. Brother is slow. Sister is wantonly searching for herself. And fate is relentless. Life inside this story, and inside the protagonist’s head, is difficult, difficult to read in half-formed thoughts, and impossible to set aside.
You won’t forget this story even though you will try.