Did you read ‘Flowers in the Attic’ or pretend that you read it?

Of course, I read it. After all, there was a war on, I was addicted to Southern Gothic by running with a bad crowd and was working for an employer who tapped my phone (not because I read the book, though I’m not sure about that).

I like the Wikipedia comments about the book: “A review in The Washington Post when the book was originally released described the book as ‘deranged swill’ that “may well be the worst book I have ever read”. The retrospective in The Guardian agreed that it is deranged but called it “utterly compelling.”

Sure, there were claims that it might have been based on a true story. I didn’t care. There were also claims that its author V. C. Andrews was as messed up as her novel. I saw that as a plus. People are still arguing about such things thirty-seven years after Andrews died. Where there’s smoke, there’s fire? I think people want there to be fire even though the evidence about real fire is rather slim.

Last year the New York Post said, “Real life of ‘Flowers’ author VC Andrews was as creepy as her gothic novels.” The post based that view on a book about Andrews: “While the new book “The Woman Beyond the Attic: The V.C. Andrews Story” (Gallery Books) by Andrew Neiderman may not be as salacious as “Flowers in the Attic,” it’s surely worth its own Lifetime Original Movie.”

I don’t think so, but the reporter never called me for a comment.

While one can hardly say the book is “just good clean fun,” everyone wants to find some reason anyone would write such a novel, and then follow it up with more or the same.

How or why it all happened seems irrelevant to me as an author.  The story stands for itself. What it means and/or what the author meant are the kind of swill we get from English departments that think novels must be explained–and possibly the authors as well.

Flowers in the Attic was, for me, a compelling story.

–Malcolm

Review: ‘Only Charlotte’ by Rosemary Poole-Carter

Only CharlotteOnly Charlotte by Rosemary Poole-Carter
My rating: 5 of 5 stars

Rosemary-Poole-Carter, an adept within the Southern Gothic genre, brings us a deliciously tangled post Civil War novel in Only Charlotte in which three intertwined lives–Leonore James, her brother Dr. Gilbert Crew, and Charlotte Eden–rise and fall like storm-tossed lily pads in the brackish waters of the swampy morals of New Orleans.

Thrice-married Lenore (who is now alone again) opens up her house to her younger brother who uses it as a base for establishing a medical practice. In sections narrated by both Lenore and Gilbert, we see that the young doctor has become infatuated with Charlotte while treating her children. At the outset, Lenore sees nothing less than catastrophe coming out of this while Gilbert sees a young wife whose troubles go deeper than is generally known.

Lenore and Gilbert grow in sense and sensibility throughout this novel. Lenore, who sees herself somewhat in the role of Paulina in Shakespeare’s The Winter’s Tale, is especially cautious about the problems Charlotte may or may not face because she is older than her volatile brother and well-schooled in the society’s rules and traditions. In a sense, Gilbert has a “damn the torpedoes, full speed ahead” approach that might be based on his obvious love for Charlotte more than on the actual dangers she faces.

The novel is perfectly paced in a manner befitting a southern gothic novel, brings us multi-dimensional characters who have the capacity for change in an era in which “stagnant” and “corrupt” are watchwords, and a twisted mystery that is like a spiderweb in the dark. The prose is lyrical and exceptional and historically well-grounded in this highly recommended novel.

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Malcolm