Story – the power of words

“The only thing that changes people is storytelling. If you tell a story then it’s either going to change somebody not at all, fundamentally or more often than not just at the edges and imperceptibly and maybe even enough so people will take it.” – Ken Burns

From a different perspective, Neil Gaiman has a strong view of the power of words when they’re shaped into a story, saying (for example), “Stories may well be lies, but they are good lies that say true things, and which can sometimes pay the rent.”

Wikipedia writes that “Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own stories or narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term “storytelling” can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.”

One primary focus after a funeral is telling stories about the dearly departed. Through them, we not only share our memories, often with smiles and laughter. Doing this is universal and so patently human. Unless the deceased is famous, these stories represent the last time many of the tales will be told, and the memories are put on display for younger generations. It’s a sweet time.

We tend to share a lot of “remember when” yarns when we talk in bars, barbecues, reunions, and company picnics. Morals, history, events, and points of view are all part of the mix. If you look through the comments in an old high school or college yearbook, you’ll find a lot of history about the students and faculty.

Without all this sharing of events from our shared past, I think most of us would feel disconnected and alone. It’s as though stories flow through our veins. In many episodes of “Finding Your Roots” with Henry Louis Gates, a fair number of people appear on the show with no idea about their ancestries. Sometimes they never know their parents, much less their grandparents. Or, for a variety of reasons, their parents never shared any stories about grandparents and great-grandparents. So they were adrift in time and space.

I know who my grandparents were because I met them and heard stories about them and read their letters to my parents. What a pity that so many people have no stories to connect them to their familial past. So much of what should be close to us remains unknown due to the lack of stories.

Ken Burns’ story in last night’s episode about the slaughter of the buffalo in the years prior to the 1890s, wasn’t a story we wanted to hear. But we had to hear it. It’s our heritage, our past, and a defining period in our history. Once you hear this story you will be changed. That’s what stories do for better or worse.

Malcolm

Potpourri for 10-15-23

  • “This film will be the biography of the continent’s most magnificent species, an improbable, shaggy beast that nonetheless has found itself at the center of many of our nation’s most thrilling, mythic, and sometimes heartbreaking tales. It is a quintessentially American story, filled with a diverse cast of fascinating characters. But it is also a morality tale encompassing two important and historically significant lessons that resonate today.” – Ken Burns Website.  I’m looking forward to this October 16 and 17.
  • It upsets me to read that “progressive” university students support the terrorist organization Hamas which is backed by Qatar and Iran under the pretense that it’s the real government of Palestine. The reports of Hamas’ attack against Israel read as war crimes, not legitimate protests against Palestinian problems. I stand by Israel against these barbaric terrorist organizations that won’t leave it alone.
  • I continue to enjoy the Kathy Reichs “Temperance Brennan” series of novels, having just ordered the 12th book in the series 206 Bones. I started reading these novels to learn more about the inspiration behind the “Bones” TV series and have not been disappointed. They read well, often put Temperance in danger when she goes into the field on her own recognizance, and have plenty of humor.
  • Temperatures are falling in the South and I very much approve of that since I don’t like the summer heat. As a Leo, I know I should like sunshine, but I much prefer falling leaves and snow storms. I must admit, though, that as I grow older, cold weather bothers me more.
  • As I fight against the stomach infection I got in June from unknown sources, I see that even after two rounds of antibiotics (along with green tea), the old medication Tagament that cured my stomach when this first happened years ago may prove to be the most effective. When I first had it, it was a prescription drug. Now it’s OTC. I’m feeling better.
  • It’s been interesting noting the difference between “Chicago Fire” and the older series “Emergency.” The fire trucks on “Emergency” hit the burning structure with water immediately while “Chicago Fire” sends firefighters into the burning building first to search for those trapped and/or injured without charging up a hose. The “Chicago Fire” approach makes for good drama but intuitively looks like a wrong-headed way to fight fires. My own experience comes from a hands-on Navy fire fighting school. And yes, we learned that water will put out an oil fire.
  • I’m happy to see that Hope Clark, a long-time force behind the site Funds for Writers, is maintaining a high-impact novelist career with her books, The Carolina Slade Mysteries,  The Edisto Island Mysteries, and The Craven County Mysteries. The books are compelling and well-written, If you haven’t found them yet, you have gems awaiting you. I enjoy these books that are set in the South where Hope lives with her husband who was in law enforcement. Each of the series has believable characters fighting against real problems.

–Malcolm

Yes, I still watch ‘Survivor’

If you’re still watching “Survivor,” then perhaps you’ll understand that since I did not grok Yam Yam that meant, according to my experience with this show, he would end up winning. And now we read that the next season will feature 90-minute episodes instead of one-hour episodes. I’m not sure I can cope with that much “reality.”

However, I want to quickly point out that we do watch quality programs like the three-day documentary about FDR. The producers and directors did, I think, a great job capturing many hours of a man’s Presidency and the years leading up to it. We learned about him many years ago in school, but documentaries with actors playing the lead roles clarify those dusty memories from history class.

Upcoming is another Ken Burns film.  I think we’ve seen all of them because we enjoy the superb storytelling and great cinematography.  The “American Buffalo” will air on October 16 and 17. According to Burns’ website, “This film will be the biography of the continent’s most magnificent species, an improbable, shaggy beast that nonetheless has found itself at the center of many of our nation’s most thrilling, mythic, and sometimes heartbreaking tales. It is a quintessentially American story, filled with a diverse cast of fascinating characters. But it is also a morality tale encompassing two important and historically significant lessons that resonate today.”

I don’t think American TV is all schlock even if we watch some of that. If you have some guilty TV-watching pleasures, feel free to confess them in your comments.

–Malcolm

Malcolm R. Campbell is the author of the four-book series of novels that focus on Florida Folk magic, i.e., hoodoo. Save money by purchasing all four novels in one Kindle volume.

‘I Love Little Baby Ducks’

I don’t think “I Love Little Baby Ducks” (1973) has been played on Ken Burns’ Country Music mini-series, but Tom T. Hall has appeared frequently. That forces me to think of this song.

When the song first came out, I was working at Northwestern University and discovered I was part of a group who couldn’t get the song out of my head once it was played on the radio 100000 times. With therapy, I finally got rid of it. Now it’s come back.

So, I’ve had a relapse. When I told my wife what happened, she said I better not tell her what song it is, or she’ll be stuck with it, too.  My hearing is so bad that even if the song had been played on Burns’ documentary, I wouldn’t have been able to hear it. So, I thought I was safe. But then Hall showed up and the song came to mind.

Burns’ documentary does, however, display the song lyrics in its closed captioning. A lot of old memories there from “Ode to Billie Joe” to “Coal Miner’s Daughter.” Porter Wagoner looked just as goofy in the old clips as he did in real life when we used to watch his syndicated variety show.

Burns has done a wonderful thing for those of us who like music, who care about it in some depth, including how disparate genres are interwoven.

Now, if I could just take a pill and forget the ducks.

Malcolm

Malcolm R. Campbell is the author of “Conjure Woman’s Cat,” a story about a 1954 conjure woman fighting the KKK in the Florida Panhandle. The novel is available in e-book, audiobook, paperback, and hardback editions. The audiobook was an Ear Phones Award Winner on AudioFile Magazine.

Ken Burns’ Documentary Brings Back Many Memories

Like most people my age, I listened to the primary performers covered in Ken Burns’ Country Music documentary as well as the stars who were 15-20 years before my time. Our popular American music is a mix of blues, jazz, folk, gospel, bluegrass, country, ragtime, and rock. I liked everything but rock when I was in high school, but tended toward folk, though it’s hard to say where one form began and another ended.

I liked Joan Baez and Patsy Cline, among others. The episode of Burns’ documentary that ended with the death of Patsy Cline was difficult for me to watch, especially with her voice over the closing credits. I remember when it happened. I took it hard then, and Burns’ documentary brought it all back. When Cline sang, it felt like she was in the room with me. Yes, I know, a million other people thought the same thing because her voice was personal and perfect.

As I watched the documentary, I knew we were leading up to the 1963 plane crash that killed Cline. I hoped they would leave that until the next episode. And I hoped maybe knew evidence would show the crash never happened or, if it did, that everyone survived. No such luck.

No, I didn’t have a crush on Patsy Cline. I just liked her music from her recordings to the shows we heard on the clear-channel radio station WSM from the Grand Ole Opry. My wife and I once heard Gordon Lightfoot sing from Nashville’s Ryman auditorium. He’s a favorite of mine, too. As we sat there in those church-pew style seats, I could imagine what the place would have been like in the days when the Opry originated there.

I’ve listened to the music of almost every performer who’s appeared in Burns’ documentary. Seeing it all again has been a trip back in 4/4 time.

Malcolm

Vietnam

Wikipedia photo

Some said we were killing commies for Christ, some said we were killing babies, some said we were killing civilians in a Sherman-takes-war-to-the-people style, some said collateral damage was to be expected, and some said we should be proud of what we were doing while others said we were supporting the wrong side.

Vietnam was the first war brought into our living rooms. Ken Burn’s Vietnam documentary has brought it back though some people say the war never left us even if we were born years after the April 29, 1975 photo was taken of an American helicopter at 22 Gia Long Street in Saigon evacuating civilians as the North Vietnamese advanced on the city. Some say we killed those we left behind.

Pro-Vietnam war and anti-Vietnam war Americans saw in this evacuation photograph a sad and sobering epitaph for the two million civilians, 1.1 million North Vietnamese and Viet Cong soldiers, 250,000 South Vietnamese soldiers, and 58,200 Americans who were killed during the war. The picture smacks of defeat, though the U.S. was not defeated: it left Vietnam based on the 1973 peace settlement. Nonetheless, what happened in Vietnam seemed like defeat because our political and military objectives were not met and, in fact, were impossible to achieve. Much of the anti-war anger comes from the fact that as the United States sent in more and more troops, its leaders knew that losing the war (by whatever definition one chose) was a foregone conclusion.

My wife and I see our reflections in the Vietnam War memorial this past summer as I find the name of a high school classmate two died there.

Those of us who were against the war wondered, with singer Bob Dylan’s “Blowing in the Wind,”. . . “how many deaths will it take till he knows that too many people have died?”

There’s no point in rehashing the arguments here about whether we should have been there or not. I served two years and three months in the navy before leaving as a conscientious objector. The summer before joining the navy under the threat of being drafted into the army, I was in the Netherlands with one foot on the gangplank of a ferry that would take me to the safe haven of Sweden when I changed my mind and came back to the U.S. I regretted that for a long time. Burns’ documentary, which seems balanced to me, has brought back all the images and doubts and regrets and angers of those days of war and protest.

I’ve never felt comfortable saying I am a veteran, much less taking advantage of any prospective veterans’ benefits, because, while a pacifist, I still experience survivor’s by suggesting that I “fought” in the Vietnam War. I was on a aircraft carrier one hundred miles off the coast, a far cry from the terror and danger of those who served in-country. I was in Da Nang for only 24 hours as I flew back to the states for a change of duty assignment. I feel this guilt all over again as I watch Burns’ series.

Burns takes us back many years prior to the United States’ involvement, background which I think is necessary. He tells us that the U. S. initially supported Ho Chi Minh via covert ops in his fight against the French. I don’t think we knew that during the 1960s. He shows us images we want to forget. He makes us (well, some of us, I guess) wonder just what the hell we were thinking or if going there was really the right thing to do. Either way, we paid for it with a lot of blood.

Personally, I don’t think we’re past Vietnam as a country because we’re doing the same things again in Iraq, Afghanistan and elsewhere. I know I might be wrong about all this, but I don’t see the point of it. Ken Burns’ series has added a lot to the discussion about military intervention and national policy even though I could have done without the memories becoming energized again.

–Malcolm

Malcolm R. Campbell is the author of “At Sea” based on his experiences aboard the aircraft carrier USS Ranger during the Vietnam War. His novel “Eulalie and Washerwoman” was nominated for a Readers Choice Award in the fantasy category. Click here to vote.