“As you may have heard, Createspace is being absorbed by KDP Print. Many folks expressed interest in finding a different publisher/distributor for their print books. Indies Unlimited has had articles comparing different paperback options and explaining how to move books from CreateSpace IngramSpark, but we haven’t had one yet that shows you how easy it is to publish directly to IngramSpark.”
This post offers a helpful step-by-step tutorial for uploading your manuscript, including screenshots. If you’re looking for a viable alternative to CreateSpace, this post is well worth checking out. My publisher uses Ingram and I’m happy with the way my books are printed. The option of offering standard bookstore discounts and returnability is a strong point, in my view, for using this platform.
“I heard a rumor that some authors were wondering about the rules regarding quoting reviews of their books. Whether you’re doing this in a tweet, a post on Facebook or your blog, or using the quote as a blurb in an advertisement or on the back cover of a paper book, the same basic rules apply. The considerations fall into two groups: those that are legal issues and those that are more a matter of etiquette.”
I liked seeing this article because it helps clarify points about quoting and copying that have gotten rather fuzzy with our online world. Most people, including authors, don’t seem to grasp the fact that there are rules and those rules really don’t allow somebody on Facebook (for example) to copy an entire article or poem and then say “infringement not intended.”
That makes about a much sense as busting into a store and claiming “breaking an entering not intended.”
A good review is a godsend, so as authors we really don’t need to step over the line when deciding how to use them or cite them. This article will help keep us out of trouble.
I mentioned in yesterday’s post that we’ll be seeing the fourth Comoran Strike novel from J. k. Rowling this fall. I like the series and will be looking forward to the release.
Here’s some more news for your Monday.
Viewpoint: The Amazon Algorithm Myth – “A problematic feature of the world in 2018 is that the social networks we have built seem to spread misinformation faster and wider than its more accurate counterpart, and this can lead authors to make decisions counter to their interests. One of the enduring myths surrounds “’The Amazon Algorithm.’” David Gaughran
Review: We Don’t Eat our Classmates, written and illustrated by Ryan T. Higgins, ages 3-7 – “When a young T. Rex named Penelope starts school, she learns some lessons about her classmates; most importantly, they are not for eating…Fans of macabre, tongue-in-cheek humor (and twist endings!) will enjoy time spent with Penelope.” Kirkus Reviews
News: Cooking and Sci-Fi Are the Hot Print Segments This Year So Far, by Jim Milliot – “The cooking/entertaining and science fiction categories had the strongest print unit sales gains among the adult categories in the first half of 2018 compared to the first six months of 2017, according to NPD BookScan. On the downside, religion had the largest decline among the adult fiction categories, with units dropping 50%.” Publishers Weekly
Interview: A Particularly Potent Brew, Sam Hawke with Noah Fram – “I love a good assassin story but I wanted to write the kind of inverse to that: the tale of the spoiled and pampered officials being targeted, rather than the tale of the assassins themselves. What I particularly love about Robin’s books, and what makes them stand out from other assassin romps, is that the poisonings and manipulations performed are never presented in a glorified or glamorous way.” BookPage
Essay: Reading Raymond Chandler in the age of #MeToo, by Megan Abbott – “And yet, even reading Chandler’s harsher passages, I find myself not turning away but moving closer. Trying to understand something. Am I still entranced? Even as I resist the faintly gendered connotations of the term, its suggestion of female helplessness in the face of male potency, I still feel the pull. What fascinates and compels me most about Chandler in this #MeToo moment are the ways his novels speak to our current climate. Because if you want to understand toxic white masculinity, you could learn a lot by looking at noir.” Slate
Review: Clock Dance, by Anne Tyler reviewed by Barbara Lipkien Gershenbaum – “”CLOCK DANCE is a riveting and wholesome story of family, relationships, humanity and self-discovery…. [Anne Tyler] is at the top of her writing game in this outstanding novel.” Book Reporter
News Source: Indie Author Newsbreak, This news feature will offer author, publishing news, and tips every Friday. I found the Amazon Algorithm (item 1) story link here. Should be a good information source from the popular authors’ website. Indies Unlimited
Quotation: “Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things–childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves–that go on slipping , like sand, through our fingers.” – Salman Rushdie
Interview: Don’t Make Me Pull Over by Richard Ratay, with by Randy Dotinga – “I came up with the idea while on a family vacation. I found myself on a beach chair, looking at my young sons, who were then aged 6 and 8, and I thought about traveling 1970s America at that age with my own parents and siblings. It hit me how profound those experiences really were. They gave me some of my fondest childhood memories, they broadened my horizons in so many ways, and they profoundly shaped my relationships with my parents and my siblings for a lifetime. But I knew little about how the great American road trip experience developed.” Christian Science Monitor
Book Bits is compiled randomly by Malcolm R. Campbell, author of the upcoming novel “Lena” from Thomas-Jacob Publishing. Click on the book title to see the trailer.
“A series can be great for authors because it can draw in readers and keep them. If they like your first book and its characters, they’re likely to forge ahead and buy more books in the series. This is why there are so many series out there.”
The number one problem we run into during the vetting process here at Indies Unlimited is a book’s description, also sometimes known as the book sales pitch or the book blurb. Too long, too short, too detailed, too vague, too too too, blah blah blah. What it comes down to is: many authors cannot write a book description on their own.
K.S. Brooks thinks it might be okay if a writer doesn’t automatically know how to write a pithy, industrial strength description for his/her book. We’ve lived with the manuscript for months, possibly years. We “know too much” about it to create the best 250 or 500 words of description the book needs to sell.
Her article on Indies Unlimited includes links to related how-to articles along with a list of considerations. If you’re publishing your books yourself or going through a small press that relies on you to write the description for Amazon and the back cover, this article will give you a running start.
“I was recently tasked with putting together a publishing workshop for my local library. As I researched and gathered information, I realized everything they needed to know was available right here, on IndiesUnlimited.com.”
As author Melinda Clayton says, there’s a wealth of information stashed under the Knowledge Base and Resource Pages menu selections on the Indies Unlimited main screen. Sometimes I think we become so accustomed to the menu selections on blog-oriented sites, we forget they’re there and miss out on the links and other information they lead to. We read the posts of the day and move on.
In case you’re not aware, Amazon’s Author Central is a FREE service. If you missed our very first tutorial on setting it up, see that HERE. If you haven’t already, read it. Do it. Then come right back here and I’ll show you how to merge your books. I heard that grumble. Yes, you need to merge your books. Here’s why.
Here’s a handy tip for using Author’s Central. If you’re an author and don’t have an Amazon author’s page, you’re missing a free opportunity for publicity. The page displays when a prospective reader clicks on your name on any of your book’s listings. The page not only shows readers all your books, but bio information and your latest blog post.
Naturally, as K. S. Brooks suggests, if you have multiple editions of a book, it helps to link them together on the page.
“A note before we begin: All of the sites request some of the same information, so you will need to have it handy. They will ask for your name, your address, your email address, the password(s) you want to use, and some very basic financial information: your Social Security number for US residents, and the routing number and account number for the bank where you want them to deposit your royalties. And okay, another note – each will have different requirements for
book covers, so make sure to read those on the respective sites.”
“I ran across this question recently in a Facebook group, and noted there was a lot of opinion on it. Some authors are vehemently opposed to using chapter titles, while others adore them. So, what’s best?Well, the simplest answer is that it’s entirely up to the author. However, chapter titles do tend to be more prevalent in certain genres, so if that’s one you write in, you may want to adopt them.”
R. J. Crayton provides tasty food for thought about the use of chapter titles, noting that some genres tend to use them more than others. I tend not to use them because I don’t like to tip off readers about what’s coming up.
Fortunately, Crayton doesn’t suggest a return to old fashioned chapter titles of the sort that were (a) long, and (b) spoilers, such as: Chapter Three – Where Bob Learns That When His Ship Goes Down Near Cuba, There Are Real Sharks in the Water.
Indies Unlimited offers another good post for writers.
The trouble with dreams is that the defy logic. Last night, I dreamt I was at a Shriners convention. When I woke up, I knew it wasn’t true.
When a fast-talking, dirt bag of a publisher says they’ll give you the moon, the sun and the stars, waking up often takes longer. Sure, there can be misunderstandings about contract standards and terms as well as what a new author can reasonably expect. But fraud and almost-fraud are something else.
If you have a book and think it’s ready to publish, do some Google searches (if you think you’ve found a publisher) and see if anything negative turns up. In fact, do a search on “publishing scams” as well. I did a search on that phrase and got 850,000 hits. That alone suggests there’s enough badness out there to curl your hair even if you don’t want it curled.
If you’re unsure about publishing practices and terminology, check Writers Write. They’re a good resource.
If you think you’ve found a publisher, check Writer Beware. In addition to positive resources, the site features a solid list of publishers and problems. Or, as they put it: Writer Beware’s mission is to track, expose, and raise awareness of the prevalence of fraud and other questionable activities in and around the publishing industry. They do a good job keeping their data updated. Looking here might save you a lot of time, money and heartache, while keeping your dream of track.
Another site with good writing resources is Indies Unlimited. They have a staff of seasoned experts who have been there, done that, and survived to tell the tale–and offer some advice as a bonus.
But there’s more. IU is currently running a series of blog posts called FOULED! written by people have been scammed. Dream-wise, these are sob stories. In many cases, fraud was involved. Unfortunately, fraud is hard to prove and most beginning writers don’t have the money to hire a lawyer, much less travel to the state where the publisher is headquartered and initiate a court action.
Nightmare on Editing Street
Today’s post by Brenda Perlin tells a nightmare story about the author’s experience with an online editing company. The company promised a beautiful manuscript and delivered, well, pond scum (my term for it).
Such companies can take advantage of a problem most writers face: if the publisher doesn’t hire in-house editors to clean up a manuscript, then the writer has to do it. Unfortunately, the cost for editing, say, a 70,000-word book might well be more than most of us can afford; and, statistically, it also may be more than most debut, small-press or self-published novels are likely to earn. This is a sensitive area for writers because they get dinged by reviewers for typos.
Most of us are the last people to copy edit or proofread out own work.
Previously, on Fouled
If you want to read these in the order that they appeared, start at the bottom of the list and work up.
Writing is hard work. Finding the right publisher and then promoting the book is almost harder work. In Blue Highways, one of my favorite books, the author William Least Heat-Moon talks to many people along the road, asking one of them: “Dreams take up a lot of space?”
“All you can give them,” was the reply.
This is how dreams are. How dreams are makes them dangerous because logic and good intentions don’t always mesh well with our journey to make dreams come true. So, as the site says, Writer Beware.
Otherwise, how dreams are is also their magic and wonderment.