Publishing via IngramSpark 

“As you may have heard, Createspace is being absorbed by KDP Print. Many folks expressed interest in finding a different publisher/distributor for their print books. Indies Unlimited has had articles comparing different paperback options and explaining how to move books from CreateSpace IngramSpark, but we haven’t had one yet that shows you how easy it is to publish directly to IngramSpark.”

Source: Publishing on IngramSpark Is Easy ‹ Indies Unlimited ‹ Reader — WordPress.com

This post offers a helpful step-by-step tutorial for uploading your manuscript, including screenshots. If you’re looking for a viable alternative to CreateSpace, this post is well worth checking out. My publisher uses Ingram and I’m happy with the way my books are printed. The option of offering standard bookstore discounts and returnability is a strong point, in my view, for using this platform.

–Malcolm

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Can an author quote from a review?

“I heard a rumor that some authors were wondering about the rules regarding quoting reviews of their books. Whether you’re doing this in a tweet, a post on Facebook or your blog, or using the quote as a blurb in an advertisement or on the back cover of a paper book, the same basic rules apply. The considerations fall into two groups: those that are legal issues and those that are more a matter of etiquette.”

Source: Book Reviews: Can You Quote Me on That? – Indies Unlimited

I liked seeing this article because it helps clarify points about quoting and copying that have gotten rather fuzzy with our online world. Most people, including authors, don’t seem to grasp the fact that there are rules and those rules really don’t allow somebody on Facebook (for example) to copy an entire article or poem and then say “infringement not intended.”

That makes about a much sense as busting into a store and claiming “breaking an entering not intended.”

A good review is a godsend, so as authors we really don’t need to step over the line when deciding how to use them or cite them. This article will help keep us out of trouble.

–Malcolm

Book Bits: Amazon algorithm, ‘We Don’t Eat Our Classmates,’ Sam Hawke, Anne Tyler, Indies Unlimited

I mentioned in yesterday’s post that we’ll be seeing the fourth Comoran Strike novel from J. k. Rowling this fall. I like the series and will be looking forward to the release.

Here’s some more news for your Monday.

  1. Viewpoint: The Amazon Algorithm Myth – “A problematic feature of the world in 2018 is that the social networks we have built seem to spread misinformation faster and wider than its more accurate counterpart, and this can lead authors to make decisions counter to their interests. One of the enduring myths surrounds “’The Amazon Algorithm.’” David Gaughran
  2. Review: We Don’t Eat our Classmates, written and illustrated by Ryan T. Higgins, ages 3-7 – “When a young T. Rex named Penelope starts school, she learns some lessons about her classmates; most importantly, they are not for eating…Fans of macabre, tongue-in-cheek humor (and twist endings!) will enjoy time spent with Penelope.” Kirkus Reviews
  3. NewsCooking and Sci-Fi Are the Hot Print Segments This Year So Far, by Jim Milliot – “The cooking/entertaining and science fiction categories had the strongest print unit sales gains among the adult categories in the first half of 2018 compared to the first six months of 2017, according to NPD BookScan. On the downside, religion had the largest decline among the adult fiction categories, with units dropping 50%.” Publishers Weekly
  4. Interview: A Particularly Potent Brew, Sam Hawke with Noah Fram – “I love a good assassin story but I wanted to write the kind of inverse to that: the tale of the spoiled and pampered officials being targeted, rather than the tale of the assassins themselves. What I particularly love about Robin’s books, and what makes them stand out from other assassin romps, is that the poisonings and manipulations performed are never presented in a glorified or glamorous way.” BookPage
  5. EssayReading Raymond Chandler in the age of #MeToo, by Megan Abbott – “And yet, even reading Chandler’s harsher passages, I find myself not turning away but moving closer. Trying to understand something. Am I still entranced? Even as I resist the faintly gendered connotations of the term, its suggestion of female helplessness in the face of male potency, I still feel the pull. What fascinates and compels me most about Chandler in this #MeToo moment are the ways his novels speak to our current climate. Because if you want to understand toxic white masculinity, you could learn a lot by looking at noir.” Slate
  6. Review: Clock Dance, by Anne Tyler  reviewed by Barbara Lipkien Gershenbaum – “”CLOCK DANCE is a riveting and wholesome story of family, relationships, humanity and self-discovery…. [Anne Tyler] is at the top of her writing game in this outstanding novel.” Book Reporter
  7. News Source: Indie Author Newsbreak, This news feature will offer author, publishing news, and tips every Friday. I found the Amazon Algorithm (item 1) story link here. Should be a good information source from the popular authors’ website. Indies Unlimited
  8. Quotation: “Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things–childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves–that go on slipping , like sand, through our fingers.” – Salman Rushdie
  9. Interview: Don’t Make Me Pull Over by Richard Ratay, with by Randy Dotinga – “I came up with the idea while on a family vacation. I found myself on a beach chair, looking at my young sons, who were then aged 6 and 8, and I thought about traveling 1970s America at that age with my own parents and siblings. It hit me how profound those experiences really were. They gave me some of my fondest childhood memories, they broadened my horizons in so many ways, and they profoundly shaped my relationships with my parents and my siblings for a lifetime. But I knew little about how the great American road trip experience developed.” Christian Science Monitor

Book Bits is compiled randomly by Malcolm R. Campbell, author of the upcoming novel “Lena” from Thomas-Jacob Publishing. Click on the book title to see the trailer.

–Malcolm

 

 

Do You Want to Write a Series?

“A series can be great for authors because it can draw in readers and keep them. If they like your first book and its characters, they’re likely to forge ahead and buy more books in the series. This is why there are so many series out there.”

Source: So, You Want to Write a Series? – Indies Unlimited

Very helpful post for authors, beginning with whether there’s one plot that continues throughout all the books or whether a character or a setting remains the same while the plots change.

When done well, a series will make for a continuing use of a great plot or a great protagonist and engage readers for (possibly) many years.

There’s a lot to consider, and R. J. Crayton does a great job with this thorough post.

–Malcolm

How’s your book’s description working for you?

The number one problem we run into during the vetting process here at Indies Unlimited is a book’s description, also sometimes known as the book sales pitch or the book blurb. Too long, too short, too detailed, too vague, too too too, blah blah blah. What it comes down to is: many authors cannot write a book description on their own.

via Book Description Basics – Indies Unlimited

K.S. Brooks thinks it might be okay if a writer doesn’t automatically know how to write a pithy, industrial strength description for his/her book. We’ve lived with the manuscript for months, possibly years. We “know too much” about it to create the best 250 or 500 words of description the book needs to sell.

Her article on Indies Unlimited includes links to related how-to articles along with a list of considerations. If you’re publishing your books yourself or going through a small press that relies on you to write the description for Amazon and the back cover, this article will give you a running start.

–Malcolm

Excellent Source for Self-Publishing Help

“I was recently tasked with putting together a publishing workshop for my local library. As I researched and gathered information, I realized everything they needed to know was available right here, on IndiesUnlimited.com.”

via Everything You Need to Self-Publish – Indies Unlimited

As author Melinda Clayton says, there’s a wealth of information stashed under the Knowledge Base and Resource Pages menu selections on the Indies Unlimited main screen. Sometimes I think we become so accustomed to the menu selections on blog-oriented sites, we forget they’re there and miss out on the links and other information they lead to. We read the posts of the day and move on.

Self-publishing can seem like a daunting process when an aspiring writer first decides to take the plunge. In addition to Indies Unlimited, you can find helpful resources on sites such as Poets & Writers, Association of Writers and Writing Programs, Jane Friedman, and Writers Digest.

The information is “out there.” Half the battle is knowing where to look.

–Malcolm

Linking Book Editions on Amazon’s Author Central

In case you’re not aware, Amazon’s Author Central is a FREE service. If you missed our very first tutorial on setting it up, see that HERE. If you haven’t already, read it. Do it. Then come right back here and I’ll show you how to merge your books. I heard that grumble. Yes, you need to merge your books. Here’s why.

via How to Link Book Editions on Amazon’s Author Central ‹ Indies Unlimited ‹ Reader — WordPress.com

Here’s a handy tip for using Author’s Central. If you’re an author and don’t have an Amazon author’s page, you’re missing a free opportunity for publicity. The page displays when a prospective reader clicks on your name on any of your book’s listings. The page not only shows readers all your books, but bio information and your latest blog post.

Naturally, as K. S. Brooks suggests, if you have multiple editions of a book, it helps to link them together on the page.

–Malcolm

Getting Started with KDP, Smashwords, and CreateSpace

“A note before we begin: All of the sites request some of the same information, so you will need to have it handy. They will ask for your name, your address, your email address, the password(s) you want to use, and some very basic financial information: your Social Security number for US residents, and the routing number and account number for the bank where you want them to deposit your royalties. And okay, another note – each will have different requirements for

Don’t be afraid. We’re here to help.

book covers, so make sure to read those on the respective sites.”

Source: Indie Author 101: How to Get Started with KDP, Smashwords, and CreateSpace – Indies Unlimited”

Good information here for authors who are just starting out in the often-confusing world of self-publishing.

Kindle, CreateSpace, and Smashwords are basic to your sucess.

–Malcolm

My novels and short stories are primarily released by Thomas-Jacob Publishing. However, with information such as Lynne Canwell discusses in the post, I send some of my work directly to Kindle.

Should Authors Use Chapter Titles? 

“I ran across this question recently in a Facebook group, and noted there was a lot of opinion on it. Some authors are vehemently opposed to using chapter titles, while others adore them. So, what’s best?Well, the simplest answer is that it’s entirely up to the author. However, chapter titles do tend to be more prevalent in certain genres, so if that’s one you write in, you may want to adopt them.”

Source: Should Authors Use Chapter Titles? ‹ Indies Unlimited ‹ Reader — WordPress.com

R. J. Crayton provides tasty food for thought about the use of chapter titles, noting that some genres tend to use them more than others. I tend not to use them because I don’t like to tip off readers about what’s coming up.

Fortunately, Crayton doesn’t suggest a return to old fashioned chapter titles of the sort that were (a) long, and (b) spoilers, such as: Chapter Three – Where Bob Learns That When His Ship Goes Down Near Cuba, There Are Real Sharks in the Water.

Indies Unlimited offers another good post for writers.

–Malcolm

Don’t let a bad publisher derail your writing dream

The trouble with dreams is that the defy logic. Last night, I dreamt I was at a Shriners convention. When I woke up, I knew it wasn’t true.

When a fast-talking, dirt bag of a publisher says they’ll give you the moon, the sun and the stars, waking up often takes longer.  Sure, there can be misunderstandings about contract standards and terms as well as what a new author can reasonably expect. But fraud and almost-fraud are something else.

writerbewareIf you have a book and think it’s ready to publish, do some Google searches (if you think you’ve found a publisher) and see if anything negative turns up. In fact, do a search on “publishing scams” as well. I did a search on that phrase and got 850,000 hits. That alone suggests there’s enough badness out there to curl your hair even if you don’t want it curled.

If you’re unsure about publishing practices and terminology, check Writers Write. They’re a good resource.

If you think you’ve found a publisher, check Writer Beware. In addition to positive resources, the site features a solid list of publishers and indiesproblems. Or, as they put it: Writer Beware’s mission is to track, expose, and raise awareness of the prevalence of fraud and other questionable activities in and around the publishing industry. They do a good job keeping their data updated. Looking here might save you a lot of time, money and heartache, while keeping your dream of track.

Another site with good writing resources is Indies Unlimited. They have a staff of seasoned experts who have been there, done that, and survived to tell the tale–and offer some advice as a bonus.

Click on the graphic for the March 25 post about an author's experience with an editing company.
Click on the graphic for the March 25 post about an author’s experience with an editing company.

But there’s more. IU is currently running a series of blog posts called FOULED! written by people have been scammed. Dream-wise, these are sob stories. In many cases, fraud was involved. Unfortunately, fraud is hard to prove and most beginning writers don’t have the money to hire a lawyer, much less travel to the state where the publisher is headquartered and initiate a court action.

Nightmare on Editing Street

Today’s post by Brenda Perlin tells a nightmare story about the author’s experience with an online editing company. The company promised a beautiful manuscript and delivered, well, pond scum (my term for it).

Such companies can take advantage of a problem most writers face: if the publisher doesn’t hire in-house editors to clean up a manuscript, then the writer has to do it. Unfortunately, the cost for editing, say, a 70,000-word book might well be more than most of us can afford; and, statistically, it also may be more than most debut, small-press or self-published novels are likely to earn. This is a sensitive area for writers because they get dinged by reviewers for typos.

Most of us are the last people to copy edit or proofread out own work.

Previously, on Fouled

If you want to read these in the order that they appeared, start at the bottom of the list and work up.

This is how dreams are

Writing is hard work. Finding the right publisher and then promoting the book is almost harder work.  In Blue Highways, one of my favorite books, the author William Least Heat-Moon talks to many people along the road, asking one of them: “Dreams take up a lot of space?”

“All you can give them,” was the reply.

This is how dreams are. How dreams are makes them dangerous because logic and good intentions don’t always mesh well with our journey to make dreams come true. So, as the site says, Writer Beware.

Otherwise, how dreams are is also their magic and wonderment.

–Malcolm

Malcolm R. Campbell is the author of Conjure Woman’s Cat.