Election in a small town

After living in the Atlanta metro area for over 20 years, there are a lot of reasons why I was more than happy to move out of the sprawl into a small town some 60 miles away a few years ago. (As I saw the news stories yesterday for the giant cruise ship “Oasis of the Seas,” I thought, my goodness, my whole town will fit aboard that ship at one time.)

In contrast to the lines in Atlanta, there are seldom any election-day lines here. This morning I was in an out of the polling place in five minutes, and that counted the time I took chatting to the people I knew. I never saw anyone I knew at an Atlanta polling place.

Here, I know the mayor and the members of the city council. A friend is running for the city council, but even in a small town there are wards, and his seat doesn’t extend to this part of town. I know the city clerk and the city manager. I’ve worked with them, seen them at weddings and funerals, had them over for parties.

Of course, the close-knit nature of things here can lead to a strange apathy. A friend who ran for council two elections ago lost by six votes because a lot of people in her neighborhood didn’t vote. Each had an excuse–at kid was sick, car trouble, the boss made them stay late at work. But oddly, none of them worried about the vote because everyone assumed they were the only ones that were playing hooky from the election.

One way or the other, here you know you’re making a difference. You can see the fact that your vote counts; and you can see the consequences of not voting. I like that because none of us feel like we’re getting lost in the shuffle.

Malcolm

mybooks

‘big bad slam poet’ published

from Barry Campbell…

slamcover
Poetry by STRAT
A book of poetry, “big bad slam poet,” by Dave Campbell (aka STRAT) was released this month. Campbell, who died last year, is known to many in the Orlando area arts community and beyond as a talented poet and hip hop artist. He won numerous poetry slams and rap battles. He grew up in the Orlando area and refined his poetry and hip hop skills while working at various jobs.

Campbell’s book has insightful poems about relationships and life in general. In addition to the poetry book, a CD with the same name as the book and with Campbell performing 14 of his poems is expected to be released by the end of the year. The name of both the book and the CD are also the title of one of Campbell’s poems.

Curtis Meyer, a five time participant at the National Poetry Slam, said that “it was as if poetry possessed” Campbell. Campbell “oozed charisma and talent” and “epitomized spoken word as an art form” according to Meyer.

Click on the photo link for more information. The book should become available at additional online booksellers in the coming weeks.

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Hello North Georgia Readers

I’m happy to announce that “Jock Stewart and the Missing Sea of Fire” and “The Sun Singer” are both available at the Bookstand of Northeast Georgia in Commerce.

For those of you traveling through the area, that’s at exit 149 on I-85 about 60 miles north of Atlanta.

This bookstore is well organized with hundreds and hundreds of books grouped into easy-to-find categories. Great prices on used books! My books join some other cool books on the LOCAL AUTHORS shelf just a few feet past the register.

The store is on Pottery Factory Drive in Commerce Crossing shopping center, just across the parking lot from OUTBACK STEAK HOUSE.

Buy the book, then read it with a glass of Black Opal Cabernet while waiting for your dinner.

bookstand

Breaking Satire: FEDs Closing Down Cat Boot Camp

Albino County, October 20, 2009–Drill Instructor Boots Anderson slips quietly into barracks #3724 five minutes before Reveille on a cool Texas morning. The humidity is 68%, the pressure is 30.05 inches, the dew point is 56 degrees, and the 100 felines at the Albino County Rat Army Boot Camp are blissfully sleeping in the calm before the storm.

Anderson scowls at the mess, the random hairballs, the shredded up bunks, the tipped over litter boxes, the complete lack of military grade standards of cleanliness and ambiance, “as though a tornado hit the freaking place during the long hours between taps and dawn,” he muses poetically.

And then it hits. Anderson slings the open, CinchSak (R) 39-gallon lawn and leaf bag of empty cat food cans against the wall. Two hundred eyes pop open, one hundred pairs of ears go back, growls, snarls echo throughout the austere structure. Manx cats comprise company 816, so the denizens can’t turn tail and run, opting for caterwauling instead, the kind that makes Anderson’s skin crawl as though he’s covered in fire ants, the nasty buggers.

“Atten-HUH,” bellows Anderson, though it does little good. He hates himself when he resorts to trickery, but the corps demands it or Manx Company is not going to be wearing cat’s pajamas on graduation day. So, he puts a smile in his voice when he utters the disgusting words, “Food Time! Would my pretty little kitties like an itty bitty ditty bad of treats?”

The cats assemble smartly in the long center aisle between the rows of bunks. Their bearing is is straight and true like those perfectly posed goddess-style cats in art from ancient Egypt.

“So you’re not a lost cause after all, you lousy, good-for-nothing curs, you miserable excuses for ratters, you sloppy-as-dogs critters, you alleyway varmints. You Siamese.” He adds that for good measure, knowing it’s a low thing to say to a Manx.

At this moment (05:25 central), the emergency doors at the far end of the building are kicked open and the Feds, damn their lousy timing, crash into the room with assault rifles, mace, snarling dogs straining on leashes, and enough spotlights to make the cats’ eyes look like his chaotic collection of old marbles before his brother lost them to Dexter Smith in the school yard before the cat got his tongue.

“General Mark Sirius, Homeland Security SWAT Tsar,” shouts the dog-eared fat officer who rolls into the room like like a basset on a acid.

“Are you serious?” yells Anderson.

“If you don’t believe me, read my name tag, you wussie cat lover. We’re shutting down this operation until we sort through the litter and totally understand what kind of shit you people are into in this county.”

“Do you have a warrant?”

“Warrant, why would I need a warrant when I’ve got guns, dogs, mace and the Patriot Act backing me up? Stand down, I say, for Mark Sirius is sitting in the cat bird seat today.”

“It’s a little late for that, General, the cats bugged out when you busted in,” says Anderson.

“What the hell?” Sirius doesn’t look like a cute doggy in the window now. “How did they manage that?”

“Training, General, plus they got those little cat feet; they slipped out like fog.”

“Cats or no cats, we’re shutting you down. For one thing, it just ain’t right, even in Texas. I know what you’re thinking, Anderson. You’re thinking all we do at Homeland Security is make life difficult for honest, everyday people. Not by a long shot. We’ve been studying cats, from cat dancing to catamounts to catacombs.”

“So what,” says Anderson, grinning like a Cheshire cat that’s starting to fade into the woodwork.

“I’ll tell you what, mister smiley face, you organize cats, you gotta a catastrophe. You think you can control them, but you can’t. You whistle and they keep on disobeying your commands, telling secrets, spying, sneaking in under the radar. That’s just anarchy, the kind of cat’s cradle trap our enemies are waiting for us to get our fat paws stuck in while our pants are down.”

Sirius is stoked like a cat on a hot tin roof, but he’s not wagging his tail now because Anderson has faded away into the Texas morning, a morning when the winds are gusting to 23 mph, a morning when the old general should head to the dog house early and hang his head while his masters tell him Sirius is a bad puppy for not putting all those cats in a great big hat and bringing in for questioning.

Anderson laughs from a nearby tree. Once the FEDs leave, it will be back to business as usual. All he has to do is open a can of tuna and the troops will pass in review, soon, if not smartly, the sorry flea-bitten strays.

-30-

For more Jock Stewart absurdity, take a free peek at the first two chapters of “Jock Stewart and the Missing Sea of Fire” on Smashwordsseacover and see if that wags your tail for you.

Your favorite noir reporter is in hot pursuit of horse thieves, murderers and a full bottle of Scotch in this mystery/thriller with a dash of comedy.

Book Review: ‘Staccato’ by Deborah J. Ledford

Staccato Staccato by Deborah J Ledford

My rating: 5 of 5 stars
“Staccato” is staccato: sharp, crisp, almost percussive–like gun shots, like a cane tapping on the floor or striking a shoulder, like light reflected off a black Porsche Targa, like the piercing cold of a Great Smoky Mountains night.

Two years into his career as a world-class concert pianist, young Nicholas Kalman finds his absent father’s journal. It’s written as a warning to Nicholas, or perhaps a confession. “Beware of this man you call, Uncle,” it says.

The uncle is Alexander, the tyrannical, club-footed, cane tapping maestro and mentor. He’s crafted the talented Nicholas into a dazzling musician who crushes the competition in every venue. He drinks. He expects perfection. He lashes out when angry.

Alexander demands unquestioning obedience from Nicholas, the cloyingly submissive second-string pupil Timothy, the imposing butler Sampte, his niece Elaine, sheriff’s deputy Steven Hawk, and everyone else who dares enter his ten thousand square foot mansion in the Great Smoky Mountains.

Deborah J. Ledford’s thriller tears through mountains and music with a steady rhythm in perfect time with the maestro Alexander’s music room metronome. Nicholas finds a his lover’s body in his Porsche. Timothy perfects his Prokofiev to steal the limelight. Sampte does what he’s ordered to do. The metronome ticks and the cane taps as the bodies pile up, as Nicholas searches for a killer and runs for his life, as Hawk investigates a grim case, as Alexander orchestrates notes and lives, as readers turn “Staccato’s” pages, quickly, crisply, sharply throughout Ledford’s Toccata-like virtuoso performance.

View all my reviews >>

Tomorrow: A conversation with Pat Bertram, author of “Daughter Am I.”

Copyright (c) 2009 by Malcolm R. Campbell, author of “Jock Stewart and the Missing Sea of Fire.”

A note to the Nobel committee

“I would like to learn, or remember, how to live. I come to Hollins Pond not so much to learn how to live as, frankly, to forget about it. That is, I don’t think I can learn from a wild animal how to live in particular…but I might learn something of mindlessness, something of the purity of living in the physical senses and the dignity of living without bias or motive.” — Annie Dillard

Perhaps it as escaped your notice, but all “who shall have produced in the field of literature the most outstanding work in an ideal direction” are not European, and neither is their focus restricted to fiction.

That said, Annie Dillard’s literature invites your consideration.

Much has been written about the lack of precision in the passages in Alfred Nobel’s 1895 will outlining the scope and intent of the Nobel Prizes. Yet, within the world of fiction, nonfiction and poetry, outstanding work seeks (and finds) its own angle of repose, and there it sits like a beating heart within the body of all literature as that which best sustains the art within its time and place. Its pulse beat is unmistakable. Had Nobel been more precise, our definition of great literature might have had the clarity of a very small pond.

Much has been written about the great precision author Annie Dillard brings to her fiction and narrative nonfiction, including her Pulitzer Prize winning Pilgrim at Tinker Creek (1974) and her metaphysical exploration of God, pain and suffering, Holy the Firm.

In spite of Dillard’s well-developed powers of observation and the precision with which she describes that she sees, critics and other readers have not been able to pigeon-hole the author’s intentions and stance. Henry David Thoreau’s influence on her work is obvious; her work also calls to mind such nature writers as Aldo Leopold and Edward Abbey as well as the transcendent quality of anthropologist Loren Eiseley.

Yet, in an age where knowledge and respect for the natural world tend to go hand in hand with advocacy, Dillard’s focus is nonjudgemental. She observes and writes without bias and without prescription.

As Pamela A. Smith wrote in her essay The Ecotheology of Annie Dillard: A Study in Ambivalence, Dillard is hard to pin down in the realms of theology, ecology and ethics.

“Dillard dazzlingly and fearsomely expresses what most people never pause to notice. That facility with language and capacity for sitting still and remaining awake to detail constitute her great gift. Her central contribution to ecotheology is that she displays, in minutiae, what has been and what still exists in a number of significant bioregions. She also exhibits for the ecological thinker that familiar twentieth-century phenomenon: an inability to move from observation to ethic, a sense of personal insignificance and alienation, a tendency to let things alone,” writes Smith.

Dillard’s work returns again and again to the natural world and to man’s place within it. While critics and other readers might be more comfortable if her writings could be defined with a short, crisp, unambiguous statement, such a thing would greatly limit the scope of Dillard’s most outstanding work in an ideal direction.

In her New York Times review of Dillard’s 2007 novel The Maytrees, Michelle Green aptly sums up the author to the extent that that’s possible: “In the three decades since Pilgrim at Tinker Creek, the nonfiction debut in which she introduced a prose style so gorgeously precise that every sentence sang, this poet, essayist and journalist has written nine original volumes powered by spare but brilliant language.”

An ideal direction, to be sure.

A recent suggestion by critic Janice Harayda that I consider what nature writer might be worthy of the Nobel Prize was the welcome catalyst for this post.

Malcolm

COMING SOON

A discussion with author Pat Bertram

Spoken word poetry – a slam poet’s new book

Glacier National Park’s Centennial volume of stories

Is it Malcolm or is it Jock?

In an effort to reduce the amount of rampant confusion throughout the Internet, management offers the following clarifications to help you know whether you’re talking to Jock Stewart or Malcolm Campbell.

FAVORITE STATE

Jock: Inebriation
Malcolm: Montana

RELIGION

Jock: Chauvinistic Free-Range Presbyterian
Malcolm: Feminist Mystic

POLITICS

Jock: Libertarian
Malcolm: Libertarian

MARITAL STATUS

Jock: Single due to Monique and other circumstances
Malcolm: Married to former reporter

CAREER

Jock: Hardboiled, ass-kicking reporter
Malcolm: Scrambled writer

SECRET CRUSH

Jock: Ashleigh Simpson (because she looks like Monique did 20 years ago)
Malcolm: Amanda Righetti (because Ashleigh doesn’t return his calls)

CURRENTLY READING

Jock: Noir detective fiction by Linda L. Richards
Malcolm: A darned long book by Roberto Bolano

LOOKS LIKE

Jock: Viggo Mortensen on a good day
Malcolm: Clint Eastwood on a bad day

PSYCHOLOGY

Jock: Freudian, except for the whole cigar business
Malcolm: Jungian, but never on Sunday

POINT OF VIEW

Jock: People are products of their reality
Malcolm: Reality is created by people as needed

FAVORITE MOVIE

Jock: “Farewell My Lovely”
Malcolm: “The Natural”

IDENTIFIES WITH

Jock: Raymond Chandler
Malcolm: Joseph Campbell

MOTTO

Jock: You can always fool everyone
Malcolm: One begins life as a fictional character in books like “Jock Stewart and the Missing Sea of Fire”

Upcoming Posts

OCTOBER 19/20: A discussion with author Pat Bertram about novels, quests and gangsters.

NOVEMBER: Glacier National Park’s new centennial book of stories.

Up, Up and Away

One of the newer, permanent exhibits at the Conner Prairie Interactive History Park near Indianapolis is their “1859 Balloon Voyage” celebrating early aviation.
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The balloon is an interesting contrast to the period school house, doctor’s office, smithy, and other living history exhibits–complete with workers in character.
balloon1
balloon3
I found the balloon ride very interesting after having just read and reviewed Kris Jackson’s novel ABOVE THE FRAY. Jackson’s novel follows the exploits of Thaddeus Lowe and his Civil War balloon corps. I enjoyed experiencing at Connor Prairie the story I visualized while reading. Of course, nobody was firing artillery rounds at us during the flight.

Lowe used hydrogen for his tethered balloons. While some of his competitors preferred free flight, Lowe thought tethered balloons were easier to control; plus with the air-to-ground telegraph wire, he could provide real-time data about the locations and activities of Confederate troops. The free-flight balloons could easily be blown out over the camp of the enemy troops.

The Connor Prairie balloon rises up 350 feet on a cable during the 15-minute ride. Lowe took his balloons up to a thousand feet or more. Even so, I enjoyed experiencing for myself what I had just read about in the historical novel. I could also see why the generals Lowe took up in his balloons for a test ride quickly became believers in the value of aerial reconnaissance. At 350 feet in a helium balloon, the view was not only exceptional but exhilarating. Kudos to Kris Jackson for describing the process so well in his novel.

Malcolm

Book Review: Karen Harrington’s ‘Janeology’

JaneologyCoverJane Nelson “snaps” and tries to drown her two children in the kitchen sink. Her son Simon dies, her daughter Sarah survives, and Jane is placed in a mental institution after being found not guilty by reason of insanity. However, since society can neither understand nor tolerate flawed motherhood, it will go to great lengths to find extenuating circumstances to explain a mother’s crime.

Tom Nelson, the stunned and grieving husband and father, becomes a convenient scapegoat. As high-profile cases in recent years demonstrated, husbands are expected to know whether or not a wife under stress is a clear and present danger to her children. So Tom is charged with failing to protect his family from his wife.

In “Janeology,” as in life, Tom and his lawyer Dave take as a given that the evidence used in Jane’s trial to demonstrate that she was insane will be brought into Tom’s trial and used against him. The prosecution will argue that if Jane was crazy enough to kill her children, Tom should have noticed this fact and done something to keep Simon and Sarah out of harm’s way. How could he not have known?

Tom asks himself this question many times even before he is charged. He also wonders what happened to Jane, the loving wife and mother, to bring her to such a point. In her exceptionally well-written, carefully plotted and inventive novel, Karen Harrington considers where blame begins and ends and what, if anything, will bring us closure.

Note: I’m re-posting a review I wrote earlier this year as a response to the news that the novel’s publisher has closed its doors. Fortunately, its books will continue to be available on Amazon and other booksellers until the end of the year. See also my review of another wonderful Kunati book, Rosemary Poole-Carter’s Women of Magdalene set during and after the Civil War.

Malcolm
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