Category: writing

Libertarian Delegates Select Chase Oliver as Presidential Nominee at the Libertarian National Convention

On By Malcolm R. CampbellIn Politics, writing

Washington, DC, May 26, 2024 —

Delegates at the 2024 Libertarian National Convention voted to select Chase Oliver as the 2024 party nominee for president, and Mike ter Maat as his vice-presidential running mate late Sunday night on May 26th, 2024.

From a field of more than ten candidates, through several rounds of voting, Mr. Oliver emerged as the favorite to take on GOP presidential candidate Donald Trump, who spoke at the convention the previous evening, Robert F. Kennedy, who addressed the convention Friday, and Democrat incumbent Joe Biden.

Candidates on the ballot for delegates to choose from included: Michal Rectenwald, Mike ter Maat, Joshua Smith, Art Olivier, Charles Ballay, Joshua “Toad” Anderson, Lars Mapstead, Jacob Hornberger, and Robert F. Kennedy Jr.

“I am proud and honored to accept the Libertarian nomination for president,” said Chase Oliver, 38, of Atlanta. “Voters across the country need a voice that is distant from the two-party system. In particular, Generation Z needs a voice that loudly and firmly opposes war around the world and supports peace and individual rights both at home and abroad.”

Presidential candidate Mike ter Maat was nominated on the floor for Vice President after the presidential nomination was ceded to Mr. Oliver and was voted into that position. Unlike most political parties, the Libertarian Party selects both POTUS and VP through delegate voting.

–

There is a third option if you don’t like Trump or Biden.

Good Plants: Goldenrod

On By Malcolm R. CampbellIn plants, writing

“Goldenrods take the blame for a lot of allergies, but most of it’s undeserved. There are people allergic to goldenrod and they should not use the plant. However, most of the allergies are caused by ragweed and other similar flowering plants. Goldenrod are pollinated by bees and don’t release pollen into the air like ragweeds.  ” – “The Lost Book of Herbal Remedies.”

Solidago nemoralis, old field goldenrod

Goldenrod has medicinal uses or is eaten in salads, however, you need to make sure you can tell the difference between them and similar plants such as groundsel and ragwort before consuming them. Please don’t take any natural remedies without consulting an herbalist.

According to Healthline, “To reap its benefits, people consume the parts of the plant that grow above ground — particularly the flowers and leaves You can buy goldenrod as a tea or dietary supplement as well. The tea may have a somewhat bitter aftertaste, and some prefer it lightly sweetened.”

Goldenrod adds nitrogen to the soil, so it makes a good plant to place at the edge of your yard, if not in the garden.

Web MD reports that “Goldenrod contains chemicals that might increase urine flow and reduce swelling. It might also kill bacteria and fungi. People use goldenrod for enlarged prostate, kidney stones, urinary tract infections (UTIs), tooth plaque, and many other conditions, but there is no good scientific evidence to support these uses. “

Goldenrod, which blooms in the fall, is a native Florida wildflower whose scientific name (Solidago) means “to make whole.”

—Malcolm

John Huston’s final film

On By Malcolm R. CampbellIn Film, writing2 Comments

John Huston was dying while working on “The Dead,” a 1987 film closely based on James Joyce’s 1914 short story in The Dubliners collection. The film won a post-humus Best Director Oscar for Huston and a Best Supporting Actress award for his daughter Anjelica.  I was drawn to the film because I was a fan of the Hustons and, most definitely of James Joyce.

According to Wikipedia, “The film takes place in Dublin in 1904 at an Epiphany party hosted by two sisters and their niece. The story focuses on the academic Gabriel Conroy (Donal McCann) and his discovery of his wife Gretta’s (Anjelica Huston) memories of a deceased lover. The ensemble cast also includes Helena Carroll, Cathleen Delany, Dan O’Herlihy, Marie Kean, Donal Donnelly, Seán McClory, Frank Patterson, and Colm Meaney.”

I was happy that my favorite passage from Joyce’s story–often cited as among the most beautifully written in the English language from, perhaps the best English story story–was included in the film as a voice-over reading:

“It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.”

The New York Times review began:

”’ONE by one we’re all becoming shades,’ says Gabriel Conroy, looking out into Dublin’s bleak winter dawn. Gretta, the wife he loves and suddenly realizes he has never known, lies asleep on the bed nearby. His own life now seems paltry:  ‘Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.’

“These words are spoken toward the end of ‘The Dead,’ John Huston’s magnificent adaptation of the James Joyce story that was to be the director’s last film.

“Some men pass boldly into that other world at 17. Huston was 81 when he died last August. He failed physically, but his talent was not only unimpaired, it was also richer, more secure and bolder than it had ever been. No other American filmmaker has ended a comparably long career on such a note of triumph.”

 Pauline Kael wrote that “The announcement that John Huston was making a movie of James Joyce’s ‘The Dead’ raised the question ‘Why?’ What could images do that Joyce’s words hadn’t? And wasn’t Huston pitting himself against a master who, though he was only twenty-five when he wrote the story, had given it full form? (Or nearly full—Joyce’s language gains from being read aloud.) It turns out that those who love the story needn’t have worried. Huston directed the movie, at eighty, from a wheelchair, jumping up to look through the camera, with oxygen tubes trailing from his nose to a portable generator; most of the time, he had to watch the actors on a video monitor outside the set and use a microphone to speak to the crew. Yet he went into dramatic areas that he’d never gone into before— funny, warm family scenes that might be thought completely out of his range. He seems to have brought the understanding of Joyce’s ribald humor which he gained from his knowledge of Ulysses into this earlier work; the minor characters who are shadowy on the page now have a Joycean vividness. Huston has knocked the academicism out of them and developed the undeveloped parts of the story. He’s given it a marvelous filigree that enriches the social life. And he’s done it all in a mood of tranquil exuberance as if moviemaking had become natural to him, easier than breathing.”

Wikipedia Noted: “The Japanese filmmaker Akira Kurosawa cited The Dead as one of his 100 favorite films. The Dead received mostly positive critical reviews. The film holds a 94% rating on Rotten Tomatoes, based on 31 reviews.”

As a work of love and a work of art, the movie wasn’t a blockbuster. But that doesn’t matter. It doesn’t need any validation other than the appreciation of those who saw it and saw it for what it was.

–Malcolm

Malcolm R. Campbell is the author of “Conjure Woman’s Cat.”

DISPROPORTIONATE USE OF FORCE AGAINST PEACEFUL STUDENT PROTESTERS IN FLORIDA CANNOT STAND, COALITION SAYS

On By Malcolm R. CampbellIn issues, writing

FOR IMMEDIATE RELEASE

May 22, 2024
PEN AMERICA
(MIAMI)— A coalition of Florida and national organizations replied to a letter from the State University System of Florida (SUS) today, again urging Florida university leadership to adhere to constitutional obligations by rejecting the use of disproportionate police force and harsh tactics against student protests.The coalition first wrote to the presidents of Florida’s colleges and universities on May 3, raising alarm about the disturbing use of force against pro-Palestanian student protests on campuses, and expressing concerns about safety and basic free speech rights. In his response on May 9, Chancellor Ray Rodrigues alleged that Florida’s response was appropriate and within constitutional boundaries, applauding Florida’s “unapologetically partnering with law enforcement.”

Today, the coalition responded to Chancellor Rodrigues, challenging the justification offered for the use of force, and noting the worrisome mischaracterization of constitutionally protected student speech as violence or harassment. The coalition raised concerns about evidence of viewpoint-based discrimination seen in statements by senior administration officials, and emphasized the importance of preserving academic freedom and free speech on campuses amid rising student unrest. Coalition members also invited SUS leadership to meet to discuss these concerns and their resolution.

Katie Blankenship, director of PEN America Florida, said: “Student protests on Florida campuses have rarely been met with this level of unnecessary hostility and violence. Even when it involves civil disobedience, peaceful protest should be met with a proportional response that does not physically harm students or suppress their constitutionally protected speech. Under a governor who has incited hostility towards peaceful student demonstrators and called for their expulsion, the actions of many Florida universities have been worrisome and dangerous, posing  risk to student and faculty safety. We hope the SUS will take our response as an opportunity for productive conversation about how to protect all students and their free speech rights.”

—Malcolm

‘A Skeleton Key to Finnegans Wake’ by Campbell and Robinson

On By Malcolm R. CampbellIn books, writing

When the comic, mythic, and dream-like epic Finnegans Wake was released in 1939 after a 17-year effort by James Joyce, most readers–including top reviewers–dismissed it as gibberish.  Four years later, Joseph Campbell (The Hero With a Thousand Faces) and Henry Morton Robinson (The Cardinal)  explained Joyce’s novel so well that for years A Skeleton Key to Finnegans Wake was the only book that covered the entire novel rather than simply annotating “difficult” references in its text.

The Joseph Campbell Foundation (JCF), which maintains all of Campbell’s published and unpublished materials, has kept a skeleton key in print with a new introduction. I appreciate the work of JCF and while its website has evolved over the years, I enjoy spending time there where Campbell’s mythic look at the world is kept alive along with books like A Skeleton Key that are still viable long after their publication.

James Joyce is my favorite author and Finnegan’s Wake is my favorite novel, in part for its humor and scope and in part because it’s a vital component of linked novels that constituted his life’s work. Suffice it to say, the work of Campbell (March 26, 1904 – October 30, 1987) and Henry Robinson (September 7, 1898 – January 13, 1961) made my frequent journeys through the Wake much more easier. Like carrying a strong flashlight in a dark cave.

Edmund Wilson of “The New Yorker” said, “Campbell and Robinson deserve a citation from the Republic of Letters for having succeeded in bringing out their Skeleton Key at this time….The chance to be among the first to explore the wonders of Finnegans Wake is one of the few great intellectual and aesthetic treats that these last bad years have yielded.”

Max Lerner of “The New York Times” said, “Joyce has found in Mr. Campbell and Mr. Robinson the ideal readers who approach his book with piety, passion, and intelligence, and who have devoted several years to fashioning the key that will open its treasures.”

From the Publisher

“Countless would-be readers of Finnegans Wake — James Joyce’s 1939 masterwork, on which he labored for a third of his life — have given up after a few pages and dismissed the book as a perverse triumph of the unintelligible. In 1944, a young professor of mythology and literature named Joseph Campbell, working with novelist and poet Henry Morton Robinson, wrote the first guide to understanding the fascinating world of Finnegans Wake. Page by page, chapter by chapter, A Skeleton Key to Finnegans Wake outlines the basic action of Joyce’s book, simplifies and clarifies the complex web of images and allusions, and provides an understandable, continuous narrative from which the reader can venture out on his or her own. This edition includes a foreword and updates by Joyce scholar Dr. Edmund L. Epstein that add the context of sixty subsequent years of scholarship.”

From the Book

“Running riddle and fluid answer, Finnegans Wake is a mighty allegory of the fall and resurrection of mankind. It is a strange book, a compound of fable, symphony, and nightmare–a monstrous enigma beckoning imperiously from the shadowy pits of sleep. “

As they say, it’s a monomyth, not just about residents of Dublin “but the dreamlike saga of a guilt-stained, evolving humanity.”

The festivities begin when laborer Tim Finnegan gets drunk, falls off a ladder, and dies, but then comes to back to life during his wake when whisky gets splashed on him. This sets the tone for the novel with its cycles of death and rebirth.

—Malcolm

Strange Fruit on Florida Trees

On By Malcolm R. CampbellIn Florida, writing

“A 1993 study indicates that between 1882 and 1930, one out of every 1,250 African Americans in Florida was lynched. A black person was almost twice as likely to be lynched in Florida as in Georgia, and seven times more likely in Florida than in North Carolina. ” – Florida Historical Society

The title of this post refers to the Billy Holiday song “Strange Fruit” about the African American lynchings that begins: “Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the Southern breeze
Strange fruit hanging from the poplar trees”

Scholars are argue about whether or not Holiday’s career ended prematurely after the recorded this song. I don’t know if it did, but I wouldn’t be surprised. It’s not easy to listen to–just reading the lyrics is repulsive, especially to those of us who grew up in a Florida that had the most lynchings per capita of all states.

Tallahassee put up this marker in in 2021, better late than never

This song has been on my mind as I debate whether or not to include a lynching in my novel in progress, one described in some detail. The research has made me sick. Growing up in Florida during the Jim Crow era, I heard and read about lynchings in the news. They weren’t stories from one hundred years ago, but from “today and last night.”  Saying anything in private conversations, much less in public, was dangerous because the Klan and its sympathizers were everywhere, next door perhaps or at club and church meetings. Express displeasure about a lynching, and you  might be next. Or you might find a cross burning on your lawn and then find our friends disappearing to avoid being seen associating with you.

Suffice to say, I have good reason to include a lynching in a novel because strange fruit, although not part of the citrust industry, was part of the scenery. 

I should, but I don’t think I can.

–Malcolm

 

 

‘Your Face in the Fire’ by Naomi Ruth Lowinsky

On By Malcolm R. CampbellIn books, writing

I’m pleased to see the release of Lowinsky’s sixth poetry collection on June 1. A Jungian analyst, Lowinsky creates poetry I greatly appreciate, including Adagio and Lamentation in 2010 from Fisher King Press.

From the Publisher

“Naomi Ruth Lowinsky’s soul was shaped by deep impressions made on her by India, where she lived for two years in the 1960s. It was there the Goddess claimed her. It was there that myths began singing to her. It was there her soul remembered other lives. It was there her stars insisted she learn to tend her fire. And the fire spoke: I am the heat of your passion. It is I who will show you your way.”

Blurb

“Naomi Ruth Lowinsky’s book of poetry: Your Face in the Fire, speaks with an impassioned voice which opens us up to that vast space which we find in Jung’s Red Book. It is a vibrant standpoint from which she encounters the mysteries of the psyche. Through her poetic imagination, we get to participate in her vision-making process. Nourished by her dreams that invite us to imagine with her as she expresses a lifetime of creating, engaging, reflecting, and reworking while showing us how her process is not only transformational for her but for anyone who opens up to the reality of their experiences of psyche’s being. The archetypal dimension shines through this book.” – Sam Kimbles

—Malcolm

Malcolm R. Campbell is the author of magical realism short stories and novels.

Watching ‘Friendly Persuasion’ Again and Still Enjoying the Story and Performances

On By Malcolm R. CampbellIn Film, writing

“Friendly Persuasion is a 1956 American Civil War drama film produced and directed by William Wyler. It stars Gary Cooper, Dorothy McGuire, Anthony Perkins, Richard Eyer, Robert Middleton, Phyllis Love, Mark Richman, Walter Catlett and Marjorie Main. The screenplay by Michael Wilson was adapted from the 1945 novel The Friendly Persuasion by Jessamyn West. The movie tells the story of a Quaker family in southern Indiana during the American Civil War and the way the war tests their pacifist beliefs.” – Wikipedia

My pacifist beliefs were in their formative stages when this film was released, so I had many reasons for wanting to see it. I liked the film when I saw it in 1956 in the shadow of the Korean War and during an era when the Southern States still took a great deal of pride in their fight against the Union in the Civil War.

For those of my generation, I think “Friendly Persuasion” still holds up well, though I’m fair certain the light-hearted touch–rather a Disney-like approach–would be criticized today for its reliance on humor within the Quaker family more than its portrayal of more true-to-life battle scenes.

The film was drawn from the 1945 novel of the same name by Jessamyn West, a Quaker who wrote a plotless novel story about Quaker life. She was drawn into the making of the film through her willingness to pull together materials from her novel about the Civil War era that would make a cohesive story for the movie.

I found it interesting that while West was working on the book, she had tuberculosis from which she wasn’t expected to recover. Family stories about growing up as a Quaker were shared with her by family members, and had a strong influence on the first edition.

There are many types of Quaker beliefs, so I did not agree with those who criticized the movie for purported inaccuracies in dogma.

Fans of Gary Cooper will like his out-of-type performance in this film.

—Malcolm

With no outline, whatever happens is a surprise

On By Malcolm R. CampbellIn writing

A few of my posts have mentioned the benefits I see in writing novels without the constraints of an outline.

Among other things, the freewheeling approach makes writing the book as much fun as reading the book. Every time I start a new chapter, I have no idea what’s coming.

In my novel-in-progress, an FBI agent is in an abandoned house with her prisoner. She glances out one of the back windows and sees 25 armed women standing at the edge of the woods behind the house. Seems like they’re planning to storm the place.

I wasn’t ready for this! Now I’ve got to figure out what the agent will do to get out of the potential mess. She can’t start shooting because many of the women are her friends.  She’s in disguise, so they won’t know her, and that’s good. I think. Maybe.

No outline = fun and/or thrills and chills at the keyboard.

–Malcolm

Malcolm R. Campbell is the author of the four books in the Florida Folk Magic Series. They’re available in multiple formats including a Kindle volume that contains the whole series.