It’s a sad commentary on biased people that the majority of Zora Neale Hurston’s writings for President Roosevelt’s Federal Writing Project for Florida never made it into the Florida guide. Politics and racism kept a lot of her work out of the public eye for a long time even thought she was one of the state’s best collectors of folklore. She saw better than most, I think, the value of old stories as they relate to a place.
By now, her expunged FWP writings have surfaced in a variety of places. Fortunately, most of them–such as Kristin G. Congon’s Uncle Monday and Other Florida Tales–credit Hurston with collecting these folktales in 1938 (or earlier). I mention Uncle Monday in my novel Eulalie and Washerwoman.
Go Gator and Muddy the Water, while an old book that grew out of Pamela Bordelon’s doctoral dissertation has been around for almost twenty years, it includes Hurston’s stories along with some meaningful commentary. It remains an excellent resource, and Bordelon’s essay offers helpful perspective.
Most readers remember Hurston as the author of Their Eyes Were Watching God and/or her posthumous novel Barracoon: The Story of the Last Black Cargo released in May. Both novels are masterpieces, I think. However, her range and her contribution to our understanding of our past is larger than these novels and can be found in her work as a collector of folklore.
I have found great inspiration and enjoyment from her stories.