On Sale January 20th from Thomas-Jacob Publishing
Few of the eccentric inhabitants of her father’s Main Line, Philadelphia estate have much time for Fleur Robins, an awkward child with a devotion to her ailing grandfather, a penchant for flapping and whirling, and a preoccupation with God and the void. While her mother spends much of her time with her hand curled around a wine glass and her abusive father congratulates himself for rescuing babies from “the devil abortionists,” Fleur mourns the fallen petals of a rose and savors the patterns of light rippling across the pool. When she fails to save a baby bird abandoned in her garden, a series of events unfold that change everything.
Billy May Platte is a half Irish, half Cherokee Appalachian woman who learned the hard way that 1940s West Virginia was no place to be different. As Billy May explains, “We was sheltered in them hills. We didn’t know much of nothin’ about life outside of them mountains. I did not know the word lesbian; to us, gay meant havin’ fun and queer meant somethin’ strange.”
Lena, a shamanistic cat, and her conjure woman Eulalie live in a small town near the Apalachicola River in Florida’s lightly populated Liberty County, where longleaf pines own the world. In Eulalie’s time, women of color look after white children in the homes of white families and are respected, even loved, but distrusted and kept separated as a group. A palpable gloss, sweeter than the state’s prized tupelo honey, holds their worlds firmly apart. When that gloss fails, the Klan restores its own brand of order.
In 1955, at the height of alarm over the Emmett Till murder in Mississippi and after the Supreme Court ruling against school segregation, Associated Press reporter Rachel Feigen travels from Baltimore to Tennessee to report on a missing person case. Guy Saillot’s last contact with his family was a postcard from the Tennessee Bend Motel, a seedy establishment situated on beautiful Cherokee Lake. But they have no record he was ever a guest.