from Literary Aficionado
Amy Greene (“Bloodroot”) lives in the foothills of eastern Tennessee where she was born and raised and, as the lyrical prose in Long Man testifies, fell in love with the land and the blue-collar Appalachian people who cling to their world through floods and droughts with great determination.
Annie Clyde Dodson is one of the valley’s last holdouts against eviction as the TVA completes a dam that will soon contain the waters of the river her Cherokee ancestors named Long Man. The river is rising and the TVA is dispersing Yuneetah’s residents before the lake claims their land forever. While Annie’s husband is ready to move on, Annie is too much a part of the valley to leave without a fight. Keeping the farm whole and safe for her three-year-old daughter Grace is more important than electricity.
The roads connecting Yuneetah to the world will be under water shortly after the moving-out deadline imposed by the TVA. Amos, a drifter who was born in the valley, comes back for one last look and his own hidden motives. Grace goes missing on a day Annie saw Amos in her cornfield. A desperate search begins. Some think Amos took her. Others think she ran off and drowned in the lake. The TVA refuses to draw down the water to give the searchers more time.
Long Man is at once a well-plotted, deliberately paced adventure and a dark love song to the mountain people who–like the Cherokee before them–are being displaced in the name of “progress.” The story is told from multiple points of view including Annie, her husband James, the bootlegger Silver who watches the world from her mountaintop, the sheriff who must do his duty, and Amos who moves through the woods and fields like a phantom. Each person has a story to tell as the drama unfolds and Long Man begins to take away the town.
While the pacing of this highly descriptive and atmospheric narrative may frustrate readers who seldom read literary fiction, Greene’s novel is nonetheless an impeccable portrait of a doomed town and a resolute people. Annie, Silver and Amos are characters not easily forgotten–nor should they be.
Note: when I posted this review on March 13 on Literary Aficionado, I hadn’t read Greene’s earlier novel Bloodroot. How I missed it when it first came out in 2011, I don’t know. Long Man is the kind of novel that leaves me wanting more words by the author. I’m reading and enjoying Bloodroot now and feel rather sad that when I’m done, I may have to wait for a couple years before seeing another Amy Greene book.
Update: The Washington Post included Long Man in its list of the top fiction books of 2014. (November 20, 2014)