New Fairy Tales: Essays & Stories by John Patrick Pazdziora and Defne Çizakça (Unlocking Press – Sep 6, 2013), 456 pages
Is there a market for a book that mixes academic writing and stories? Normally, I wouldn’t think so outside the world of college textbooks. But this book works. Maybe it’s because so many of us who love reading fairy tales also like reading about what makes them tick.
In the introduction, the editors write,
“In New Fairy Tales, we have worked with both writers and academics, as well as with writers who are academic and academics who are writers. Fiction and critique appear within the same sections rather than separately. We hope the interplay between critical thought and aethetic practice will inspire even more new fairy tales to come to life.”
The stories an essays are divided up into five sections: Miniatures, Storytellers, Shadows and Reflections, Fairy Brides, and Fairy Tale Pedagogy. The book includes offerings from Claire Massey, Katherine Langrish, Christopher MacLachlan, Elizabeth Reeder, Joshua Richards and Kate Wolford. The thematic sections are supported with notes for readers who like following up on sources.
From the Publisher
New Fairy Tales unites critical research and creative retelling of the fairy tale tradition from the Early Modern period to the present day. Academic essays intersect with new fiction and poetry, to create a unique, polyvalent discourse. The essays discuss influential works from authors including Hans Christian Andersen, George MacDonald, Oscar Wilde, J. R .R Tolkien, J. K. Rowling, Neil Gaiman, and Tifli. Original literary fairy tales by Katherine Langrish, Elizabeth Reeder, and others, appear alongside, discovering and re-creating the art form while as is being discussed. The result is an audacious and innovative dialogue about fairy tales and storytelling.
Interview With the Book’s Editors
In a two part interview in “Enchanted Conversation: a Fairy Tale Magazine” (posted here and here), Çizakça says she hopes readers of the book will take away a “belief that fairy tales still contain endless possibilities for growth and innovation. That there are many different ways of writing a new fairy tale, and that there are many different traditions one can take inspiration from.”
According to Pazdziora. there’s been heightened interest in fairy tales in the English speaking world during the last two decades. “Of course there’s a long and distinguished tradition of folkloristics, and there’s been the German study, but looking at literary fairy tales both as a distinct genre and as a subgenre of children’s literature—and like it or not, it’s both those things—that’s fairly new, at least in the form it’s taking now.”
Perhaps this book will result in a follow-up anthology with an even wider representation of the world’s old and new fairy tales.