Major book awards focus attention on what we hope are the best and the brightest of books. They also create controversy when the winner and/or the named finalists don’t meet the expectations of the public and/or the critics. This year, no novel received a Pulitzer Prize, and that has focused public attention on the process.
The process includes a three-person panel of book-savvy jurors who, for this year’s prizes, spent the second half of 2011 reading over 300 nominated books. In December, they presented the Pulitzer Prize board with the names of three books. The 18-person board’s job was to select, by vote, the winner and two named finalists.
The jurors’ recommendations were Train Dreams by Denis Johnson, Swamplandia! by Karen Russell and The Pale King by the late David Foster Wallace. While the first two of these books are on my to-be-read list, I have no knowledge about any the selections other than what I’ve read in the reviews and news stories.
Since the conversations and procedures in the board room are confidential, we don’t know what happened there. We don’t even know if the board votes like a trial jury, has a discussion, and then votes again. We also don’t know if, after the first vote, no book has a majority, the book with the fewest votes is eliminated prior to another vote.
Many suggestions have been made about the process:
- The jurors should pick the winner. Reasonable, but unlikely, since boards have the final say and cannot give away their responsibilities.
- The board should have more than one author on it. Reasonable, but with the Pulitzer Prizes’ focus on journalism, adding an author might be seen as diluting the journalist knowledge base.
- Include provisions that allow the board to call for a back-up list of recommendations if it doesn’t like the first group. This has potential but if the board can’t reach a majority decision on a winner, it might not be able to reach a majority decision to call for the backup list.
- Add another board member so that ties are impossible. This makes sense, primarily because no board is ever supposed to have an even number of members unless an otherwise non-voting chairman is permitted to vote in the event of a tie.
Many commentators have spoken eloquently on behalf of this year’s recommended books while others have suggested reasons why one or more of them may have been unacceptable. In my view, presenting no award due to the lack of a board majority for any one book is not acceptable. So what happened to make 2012 the first time since 1977 that no award for fiction was given? We may never know.
If I were to speculate, I would say that possibly nine people on the board held out for The Pale King because they considered the book superior to the others and/or viewed Wallace as a great writer who shouldn’t play second fiddle to anyone else. If this happened, the only vote the board could arrive at—due to its ill-advised even number of members—would be a tie.
The powers that be probably have the power to prevent hung juries in the future. It’s too late for 2012, and that’s disappointing.
3 thoughts on “No Pulitzer for Fiction: Disappointing”
So many years, I’ve been terribly disappointed in the Pulitzer winners. I’ll pick them up and read them, and think, WTF? I’ve read some truly awful “winners.” I understand the honor of receiving a Pulitzer–shoot, I wouldn’t turn it down. But I don’t think winning one makes or breaks an author. Still, the fact a novel wasn’t on the short list is indeed disappointing.
I don’t always like the winners. Same can be said with other awards. As far as I know, there isn’t an available list of the nominated books. We know the names of some of the books on the list because, like Pushcart nominations, publishers publicize their nominations to a book’s advantage. What a shame, though, that the board apparently stumbled over something.
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