Book Review: ‘Bitter Orange’ by Marshall Moore

Bitter Orange - Cover - 1600x2500 - 300dpiMarshall Moore follows his collection of enigmatic and delightfully twisted short stories, Infernal Republic, with an equally inventive novel about a character we can’t always see. Notice how protagonist Seth Harrington is already fading away on the book’s cover.

If Bitter Orange were a feature film showing at your local theater, a sign on the door would say: ABSOLUTELY NO ONE ADMITTED DURING THE LAST 15 MINUTES. The why of things doesn’t appear until the final pages and it’s well worth the wait.

The problem Seth Harrington thinks he has isn’t the worst problem he has. Personally impacted by 9/11, Harrington has allowed his days and nights to take on an out-of-focus aimless quality as though he isn’t engaged in his life. In spite of a fling with Elizabeth in Spain, he can’t connect with people, either because he isn’t sure of what, if anything, he wants or because others aren’t seeing him as he is.

Others not seeing him is the problem he thinks he has. By fits and starts, he is becoming invisible—literally. But unlike the daring-do characters out of comic books and high fantasy, Harrington not only can’t control his growing ability, he doesn’t seem inclined to use it to save the world or fight crime. In fact, he first uses it to steal a bottle of wine from a convenience store.

Other than his aimlessness, Harrington’s a likeable enough everyman trying to negotiate the world while getting past bitter memories and making sense of the seemingly random chaos of his daily life. In Spain, after telling Seth that Seville Oranges are bitter and bullfights are cruel, Elizabeth says, “So we came all this way for bitter oranges and cruelty to animals. And we meet here instead of back home in the States. What does that say about us?”

Back in San Francisco, Elizabeth—who becomes Seth’s tattoo artist of choice because she’s very good—wants to remain as important to him as she ever-so-briefly was in Spain. While Seth is, or potentially is, more attracted to his roommate Sang-hee (even Elizabeth begrudgingly sees it), he cannot seem to embrace the life he prefers. He speculates about just what that says about him.

As the invisibility problem becomes more complex, Seth travels to Portland and Las Vegas to try and find himself. He notes that the people in those towns can’t see him either. He feels bad taking advantage of that fact.

Marshall Moore tells an inventive story, one with prose as likeable as his protagonist, though some readers may want a  more highly focused plot. Moore keeps both the reader and his protagonist guessing about just how and why a man becomes invisible and whether the problem Harrington thinks he has is literal or figurative.

The solution to the problem provides a fitting climax to a well written, fanciful tale. Poor Seth: he didn’t see it coming.

Malcolm

Malcolm R. Campbell is the author of contemporary fantasy novels, including “The Seeker,” released this month by Vanilla Heart Publishing.

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Review: ‘Crescendo’ by Deborah J. Ledford

crescendoIn music, “crescendo” indicates a gradual increase in force or loudness. If Deborah J. Ledford’s three-book Steven Hawk/Inola Walela Thriller Series (Staccato, 2009, Snare, 2010, Crescendo, 2013) were a concerto, the audience would leave the concert hall at the end of the performance electrified by the force of the third movement and the virtuosity of soloist Inola Walela.

Crescendo (Second Wind Publishing, January 27) begins with great force when antagonists Preston Durand and private investigator Hondo Polk push Billy Carlton to tell them what he knows about the location of Durand’s son and ex-wife. The book’s volume increases when Inola’s partner is killed during a traffic stop by a bullet that might have come from her gun and a female passenger in the stopped car is struck and killed by another vehicle just after she says, “I got you the money.  Where is my son?”

Though she’s a decorated Bryson City, North Carolina police officer, Inola is put on administrative leave pending a departmental investigation into the deaths at the scene. She’s told to stay away from the investigation, including trying follow up on her gut feeling that the woman’s son has been kidnapped.

Inola’s fiancé Steven Hawk, now the county sheriff, wants to play everything by the book. He tells Inola that there’s no evidence of a kidnapping and the city police and county sheriff’s departments can’t take action until evidence and leads, if any, materialize—and she is to stay home.

Readers of the Steven Hawk/Inola Walela Series were introduced to Inola in Staccato when Hawk, who was a sheriff’s deputy then, first became aware of her: “Hawk had noticed Inola Walela, the only female cop on the Bryson City police force. She was captivating, beautiful, smart, tough, exactly what he hoped to find in a woman.”

Inola, who played a larger, but secondary, role in Snare, is Ledford’s on-the-hot-seat protagonist in Crescendo. She comes into her own in this tense novel as a three-dimensional, risk-taking police officer who needs to find the young woman’s son and who has kidnapped him even though she may be suspended or terminated regardless of what she learns.

This is a richly told psychological and physical thriller. Ledford, who knows her characters and her settings well, increases the volume of this story until the last shot is fired.

Malcolm

Malcolm R. Campbell is the author of contemporary fantasy novels, including “Sarabande’ and “The Sun Singer.”

Review: ‘The Infernal Republic’ by Marshall Moore

The Infernal Republic, collected short storeis by Marshall Moore, 228 pages, Signal 10 Media Inc (2/14/2012)

Marshall Moore’s seventeen short stories in The Infernal Republic not only push the envelope, they destroy it. Endlessly inventive and varied, these twisted tales tend to focus on strange—and potentially warped—characters who are often in lose-lose situations that resolve (more or less) in ironic twists of fate. For readers who love outside-the-box storytelling, each normal, abnormal and paranormal gem in this book is a surprising flight of fancy into regions that are portrayed in straight-forward and hauntingly explicit detail.

The collection begins with Liesl and Joanna in “Urban Reef (or, It’s Hard to Find a Friend in the City)” enjoying wine and small talk in a Portland, Oregon restaurant while watching a potential suicide jumper on an adjacent building. If he jumps, how much of a mess will it make. Not for the squeamish, this one, nor many of the other offerings either as the book wends it devious way through incidents and conversations that we watch, rather like Interstate car wrecks, in spite of the fact that we’re really good people who are not in any way part of Moore’s world or his imagination.

The book ends with “The Infinite Monkey Theorem” in which Yaweh and Lucifer make a bet about whether or not a large number of monkeys at a large number of typewriters will or won’t ultimately produce the complete works of Shakespeare. The protagonist in this story gets to manage the operation off in a special pocket of temporary space that is described as “near Hell but not quite in it.” In spite of the space and the deities involved, there are logistical matters to attend to as well as issues of trickery and the wager’s true intent.

En route to “near Hell” via Portland, readers will encounter a building that ejects an apartment “like an enormous video-cassette,” a “well-mannered boy” named Jason who doesn’t want to go home, heroes who compete as Prime Combatants with remarkable (and not always pleasant) paranormal powers, a house that wakes up and suddenly becomes sentient, a boy with detachable body parts, a motivational speaker who’s been kidnapped by a cruelly benevolent organization that wants her to grasp the errors of her ways and then accept a punishment of hero own choosing.

Marshall Moore’s seventeen stories will take you where you’ve never been before and—in some case—where you might prefer not too have gone (had you known at the outset just how strange things were going to get).  The Infernal Republic is rather like a smorgasbord of dishes that you didn’t even know could be consumed as food in polite society. You won’t be able to walk away.  And when you finally learn who won the bet about the monkeys and the typewriters, you’ll be glad you kissed your normal reading habits goodbye and hung on for the ride.

Malcolm

Malcolm R. Campbell is the author of magical realism, contemporary and fantasy novels, including “Sarabande.”

Review: ‘Divorcing a Dead Man’ by Beth Sorensen

In her fine-vintage debut romantic mystery Crush at Thomas Hall (Chalet, August 2010) Beth Sorensen introduced readers to Cassandra Martin who buried an abusive husband Tony, left home to see the world and ended up in northern Virgina running a small winery and deeply in love with the son of Thomas Hall’s owner, Edward Baker. In spite of murder and embezzlement, Cassandra and Edward appeared destined to lead a charmed life at the end of the novel.

The title of Sorensen’s sequel, Divorcing a Dead Man, is the first clue to the fact there may be more than grapes to be crushed at the winery—potentially, hearts and lives, as Cassandra discovers that Tony faked his death and wants to control her life again if he doesn’t kill her first. As a rich, successful CEO, Edward is used to getting his way, and to him that means controlling Cassandra’s life as well.

In my review of Crush at Thomas Hall, I noted that while former college professor Cassandra Martin was an intelligent protagonist when it came to running the winery, she was indecisive about personal matters, especially emotional commitments. She remains indecisive in Divorcing a Dead Man.

But, she has cause:  two men want to control her life, one out of hate and love; one man makes threats while the other keeps secrets; she is a devout Catholic who must now contemplate filing for divorce while her wedding is approaching as a potential train wreck; and, since Cassandra’s life is in danger, those closest want to hover even closer when she would prefer to run the winery (or run away) and have some unfettered time to think.

While Divorcing a Dead Man is not quite as tightly written as Crush at Thomas Hall, this contemporary romance successfully develops the character of Cassandra Martin in an environment of danger and betrayal. Meanwhile, Cassandra is not without doubts. While Tony was a mistake, she wonders as she accuses Edward of trying to run their relationship like a corporation, if marrying him will be another mistake.

Sorensen has written a compelling story about relationships and how easy it is for them to come into question and come under fire during times of great stress. From the outset, it’s clear that Cassandra and Edward are deeply in love and want only the best from each other. It’s also clear, whether fate plays a deadly hand or not, that they’re facing a steep learning curve in how to make a relationship work with very little time to do the necessary homework.

Malcolm R. Campbell is the author of four novels, including the recent contemporary fantasy, “Sarabande.”

Review: ‘The Hellraiser of the Hollywood Hills’

When some low-life malware from the wrong side of the Internet comes after your fancy laptop, you call for McAfee antivirus software. When some Tinsel town ne’re-to-wells hassle your hot teen recording artist, you call for Kerry and Terry, the McAfee twins.

They have red hair, a pink Harley and a street-wise attitude seasoned with more wisecracks and putdowns than the law allows. At 25, they’ve already been around the block a few times (when it comes to crime fighting) because they run Double Indemnity Investigations of West Los Angeles.

When Bethany (aka “the gum-pop phenom”) walks in front of their camera in disguise during a routine stakeout of an apartment in the bad part of town, she jumps to the conclusion the twins are “stinking paparazzi.” Just moments earlier, Kerry had been thinking how well they blended into the neighborhood in their trashed rental car, just a couple of “harmless crackheads or hookers making an honest living.”

A fight ensues—and without giving away why the three women end up at a no-tell motel that smells “like the place where mildew goes to die”—the story is soon racing like a Harley out of hell through a plot jam-packed with twists, turns and hijinks. It’s a plot to die for.

And people are dying, mostly around Bethany, and as a discerning reader, you might ask if “psychopathic killer” ought to be added to the rich and spoiled singer’s long list of issues. Bethany’s on the run and while the twins are chasing her the cops—who don’t see the humor in this caper—are trying to pin the murders on Kerry and/or Terry.

The snap, crackle and pop you hear while reading “The Hellraiser of the Hollywood Hills” is not your breakfast cereal, it’s Jennifer Colt’s smart, high-energy writing. The characters, while a bit over the top at times in a good way, are memorable even though they aren’t the kind of people you’ll have over to dinner, and there’s plenty of snappy dialogue for everyone.

It’s nice to see the McAfee Twins back in their fourth very enjoyable novel that will keep you guessing until the last page.

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Malcolm R. Campbell is the author of “Garden of Heaven,” “The Sun Singer,” and “Jock Stewart and the Missing Sea of Fire.”

Book Review: ‘Love and Synergy’

Love and Synergy: Words Dedicated to Family and Friends Love and Synergy: Words Dedicated to Family and Friends by Rebecca Loyd

My rating: 4 of 5 stars
“Rev. Jimmie Ray Loyd, age 61 of Jacksboro, died June 27 at his home. He was an Ordained Baptist Minister in 1980 and was founder and pastor for the past 25 years of the Pioneer Baptist Church. He was loved by family, friends & all who knew him.” — The LaFollette Press, Lafollette, TN, July 3, 2004

Obituaries are news carefully written in an age-old, one-size-fits all style, that informs readers about what happened without—in most modern newspapers—conveying the full emotional import of the event and the days leading up to it from the perspective of family and friends.

When Jimmie Ray Loyd was diagnosed with acute myelogenous leukemia, he asked his daughter to share his story. In “Love and Synergy,” Rebecca Loyd accomplishes this request in a straight-forward, heartfelt manner that honors her father and family while offering comfort to others facing a terminal illness.

“Love and Synergy” is a story about the last year of a man’s life, and it begins with a memory of Jimmie and his wife Beatrice building a fire in the potbelly stove of the church that Loyd founded while their children Yvonnia, Jimmy and Rebecca play nearby and try to ignore the cold.

During the first fifteen years of his ministry at the Pioneer Baptist Church, the Reverend Loyd continued his day job in the construction business. However, the congregation wanted him available on a full-time basis. Rebecca Loyd writes that “when Dad was first diagnosed with acute myelogenous leukemia, we became angry that his retirement has been taken from him. In retrospect, he had been given the opportunity for ten glorious years to focus on what he loved most—serving as pastor of Pioneer Baptist Church.”

The journey Jimmie Loyd and his family took during his last year moves quickly from old memories to a doctor’s appointment to learn why he looks and feels so tired. After his physical, Loyd says he’s okay and that he will check in with the doctor again after they get back from a trip to Oregon to visit his son Jimmy and his wife Amy.

Once in Oregon, it’s obvious Loyd is more than simply tired. Hospital tests show he has leukemia and more testing shows that the form of leukemia he has is “a vicious disease…that affects red blood cells, platelets, white blood cells, and bone marrow.” The family fathers, an aggressive treatment program is prescribed, and remission comes and goes on a hope-against-hope roller-coaster ride of emotions during good days and bad days.

Known up and down the hall as “the preacher man from Tennessee,” Loyd fights his vicious disease with a positive attitude and determination that endears him to the hospital’s staff and volunteers. The staff sees the love and support of his family as they face each turning point and hard decision including the one to go home to Tennessee when there is nothing else the hospital can do. His doctors and nurses give him a standing ovation on the day he is discharged.

“Love and Synergy” is a story about the Reverend Jimmie Loyd, and his faith runs through it like a deep river. “Love and Synergy” is also a story about a family’s unconditional love and support for each other, and it ends as an inspiration to all who face similar journeys. The author’s father would like that.

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Malcolm R. Campbell is the author of “The Sun Singer” and “Jock Stewart and the Missing Sea of Fire.”

Book Review: ‘Ghost Mountain’

Ghost Mountain Ghost Mountain by Nichole R Bennett

My rating: 4 of 5 stars
“Ghost Mountain” by Nichole R. Bennett features a reluctant seer who becomes the prime suspect in a murder case because she knows only what the killer could know.

When Cerri and her family move to western South Dakota, her attention is drawn to a murder at the Devils Tower across the border in Wyoming before all the moving boxes are unpacked and the family is settled into their new home. The site, also known as Bears Lodge, is sacred to many Native American nations. Because of this, Cerri’s spirit guide tells her that the murder has profaned the site and she must help the police bring the killer to justice.

Making Cerri the prime suspect in the case is a nice touch, for it’s the very thing many of us think would happen if we suddenly had a psychic impression or a visitation from a spirit guide with detailed information about a murder that hadn’t been released to the public. Cerri–named for the Celtic Goddess Cerridwen by a mother who’s made “hocus-pocus” a way of life–doesn’t want to be drawn into a spiritual, paranormal mission. But she can’t seem to extricate herself from it. Her spirit guide He Who Waits is stubborn; so is Special Agent Joseph Oliver who thinks Cerri belongs in jail.

Bennett has given Cerri a fine mystery to solve, and while she would like to avoid being a special person with a sacred mission, staying out of jail is motivation enough for clearing up the case to she can get on with her life. While the novel could have been made a little stronger if Cerri had grown more into her talents during the book’s 164 pages, the story is well told and engaging.

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Malcolm

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