Putting that Hellhound into a Story

Yesterday’s post about hellhounds represents the kind of research a writer does when s/he plans to use a legendary monster, magical helper, or mythical place in a story. First, determine what is known about the place creature and how the beliefs about it change from place to place. In my case, I want to know what makes a hellhound a hellhound and whether or not it’s different in the American South.

Basically, I think stories simply work better when they use attributes that generally fit the legends about the place, creature, or phenomenon because this matches the story to what people have heard and/or believe about the thing being described.

Naturally, authors are free to make up whatever they want, but the descriptions fall flat then they don’t link up to the readers’ general expectations about the critters or places. What I cannot forgive is the use of real places or real groups of people that don’t coincide with actual facts. For example, traditional witchcraft and Wicca are real, so the reality of these groups in a story needs to mesh with their beliefs and methods, not made-up stuff that doesn’t match the real world of these groups’ practices.

What’s real in the real world needs to stay real in the story. What’s mythical or folkloric in the real world needs to stay true to the parameters of the legends. Doing this makes for a better story and one that sounds true enough that readers think it could have happened.

–Malcolm

Of hellhounds

“I got to keep movin’, I got to keep movin’Blues fallin’ down like hail, blues fallin’ down like hailHmm-mmm, blues fallin’ down like hail, blues fallin’ down like hail.” – From Robert Johnson’s blues song “Hellhound on My Trail”

“A hellhound is a mythological hound that embodies a guardian or a servant of hell, the devil, or the underworld. Hellhounds occur in mythologies around the world, with the best-known examples being Cerberus from Greek mythology, Garmr from Norse mythology, the black dogs of English folklore, and the fairy hounds of Celtic mythology. Physical characteristics vary, but they are commonly black, anomalously overgrown, supernaturally strong, and often have red eyes or are accompanied by flames.” – Wikipedia

Shown here, “Goddess Hel and the Hellhound Garmr by Johannes Gehrts, 1889.” Garmr guards the gate of Hel in Norse Mythology.

In Greek mythology, Cerberus guards the gates of hell and is called the hound of Hades. Typically, the hound is portrayed with three heads as is the dog guarding the depths of Hogwarts as shown in the Harry Potter film. The hound guards Hades’s gate to keep people from getting out.

In the U.S., a hellhound is said to guard the hanging hills at  Meriden, Connecticut, and was first mentioned by W. H. C. Pychon  where he claimed that  “If you meet the Black Dog once, it shall be for joy; if twice, it shall be for sorrow; and the third time shall bring death.” The trick here is keeping up with how often you’ve met one before.

Wolves, and their supernatural cousins, the hellhounds, are a universal theme in myths, legends, and ghost stories. “The Omen,” a supernatural horror film released in 1976 to both mixed reviews and commercial success focuses on the nasty big dog. It’s fair to say that the hound of the Baskervilles fits neatly into the hellhound category.

People ask which came first, the chicken or the egg? When it comes to hellhounds and other denizens, which came first, a natural fear of imagined things that go bump in the night or a fear of things that are “really out there” that we think may have come into your lives on a dark and stormy night?

I vote for the things really being out there.

–Malcolm