Paper burns at 451° F

Paper burns at 451° F, sometimes as low as 424° F.

So, you can see how easy it is to burn books or–as we often see in the movies–incriminating notes in an ashtray.

Do you suppose this will be our ultimate method for keeping unapproved books off the shelves, out of the classrooms, and outside public discourse?

We even have a manual for how to do it, a manual that the publisher “cleaned it up” before Dahl’s publisher and estate applied the cutting torch to his works.

Suppose, like the Catholic Church, the  Imperial Federal government and the state governments were to decide upon one approved list that would prevent the contamination of our citizens or the corruption of beliefs and sensibilities through the reading of theologically erroneous or immoral books.

This would save money because there would be no more book ban hearings, no more teachers sneaking personal books into their classrooms, and no more publishers having to clean up works that might offend some weakling who might turn into a serial killer by reading a 100-year-old swear word in a novel.

A simple match will clean house and save humanity.

–Malcolm

 

Grandpa, tell us the story about the time you sank your dad’s speedboat

When we were kids we heard the same stories many times. Some were family yarns and some were the storybooks we were being read to just before falling asleep. We found delight in re-hearing the stories we already knew. Perhaps there was a comfort in knowing how they turned out. Perhaps it was the way grandparents and other relatives told (re-enacted) the family stories every time Thanksgiving or Christmas rolled around.

As adults, some of us still do that. We watch movies multiple times. We re-read books multiple times. Each time that happens, we learn or notice something new. Right now, I’m re-reading Jeff Shaara’s A Chain of Thunder about Grant’s siege of Vicksburg and George Wald’s Therefore Choose Life (first mentioned in my blog here.) Some say that the fall of Vicksburg was more instrumental in the Union victory than the fall of Gettysburg and that Gettysburg got more press and public attention because it was closer to Washington, D.C., and other major cities. I have no idea whether or not that notion is true, though historians will probably always be debating the issue.

Nobel laureate George Wald gave an elegant lecture in 1970 as part of the Canadian Broadcasting  Corporation’s Massey Lectures series. The resulting book is a short course on how life arose on our planet. I love it because it’s clear and meant for general readers rather than scientists, and that means it goes a long way in explaining the unbroken chain of life that’s responsible for all of us on the planet.

One interesting point in the book is that man has no specifications and continues to evolve. Technological creations always have specifications and–not counting where AI might take us– technology is engraved in stone once it’s become a product. That is, it cannot evolve. Wald was well-known outside of scientific circles during the 60s and 70s because he was an outspoken opponent of the Vietnam War.

He tells the story of life on earth the way grandpa might tell how and why the family’s speedboat sank near Alligator Point, Florida. It’s accessible. It’s interesting. And perhaps it explains why we’re here. As Wald would say, atoms, molecules, and the universe itself know themselves because man has seen them, thought about them, and written about them. What a magnificent story.

As for Jeff Sharra, I’ve read all of his books because he took his father’s book, The Killer Angels, about the battle of Gettysburg, and wrote novels about what happened before and after that battle. Then he began writing about other wars and other battles. These books tell me stories I did not hear in history class. Like the stories I heard as a child, I know how these stories will end, but the telling has a lot of spirit and spunk and draws me back to them. Wald’s story is more open-ended, in many ways dependent on what we do not about climate change and other issues of the day.

–Malcolm

P.S. We did sink the speedboat.

Kathy Reichs’ ‘Fatal Voyage’

In working my way through Kathy Reichs’ forensic thrillers, I’ve reached Fatal Voyage with only a few more pages to read. Her books are well-written, educational, and almost always place the main character, Tempe Brennan, in dangerous situations.

I especially liked this novel because it was set in and around Bryson City, NC, an area I’ve been visiting since the 1950s. It’s fun to see how an author views an area I know well, from Mt. Mitchell to  Clingman’s Dome, to New Found Gap. I’ve hiked through a lot of the area and driven through all of it. Reichs uses the towns and mountains well, adding a lot of local color (real and fictional). One of my brothers used to own several tracts of land near Dillsboro. I once tried to buy an old restaurant in Dillsboro but the plan got vetoed by somebody I won’t name here.

From the publisher

“Buckle up and take this voyage,” says People. The journey begins with Temperance Brennan hearing shocking news on her car radio. An Air TransSouth flight has gone down in the mountains of western North Carolina, taking with it eighty-eight passengers and crew. As a forensic anthropologist and a member of the regional DMORT team, Tempe rushes to the scene to assist in body recovery and identification.

“As bomb theories abound, Tempe soon discovers a jarring piece of evidence that raises dangerous questions—and gets her thrown from the DMORT team. Relentless in her pursuit of its significance, Tempe uncovers a shocking, multilayered tale of deceit and depravity as she probes her way into frightening territory—where someone wants her stopped in her tracks.”

She doesn’t mention all the moonshine stills in the area, one of which was on or near my brother’s property. A free jar of shine would have ensured our silence if we’d ever found one of the stills. Of course, we might have ended up dead, something that happens a lot in Fatal Voyage.

–Malcolm

Malcolm R. Campbell is the author of magical realism, paranormal, and contemporary fantasy novels and short stories. This Kindle “boxed set” includes all four novels of the Florida Folk Magic Series a savings over buying them separately. You can, of course, can also buy them in hardcover, paperback, and audiobook editions.

Fort Caroline and ‘The Flamingo Feather’

“Fort Caroline was an attempted French colonial settlement in Florida, located on the banks of the St. Johns River in present-day Duval County. It was established under the leadership of René Goulaine de Laudonnière on 22 June 1564, following King Charles IX’s enlisting of Jean Ribault and his Huguenot settlers to stake a claim in French Florida ahead of Spain. The French colony came into conflict with the Spanish, who established St. Augustine in September 1565, and Fort Caroline was sacked by Spanish troops under Pedro Menéndez de Avilés on 20 September. The Spanish continued to occupy the site as San Mateo until 1569.” – Wikipedia

When we moved to Tallahassee in time for me to start the first grade, the family took multiple short trips around Florida to learn about “our new state,” among them a trip to Fort Caroline. I was disappointed that the Fort was no longer there; just a memorial on or near the site where Laudonnière’s expedition probably landed.

The trip was still worthwhile, especially to me because I’d read about the French/Spanish conflict in a juvenile-level historical novel called The Flamingo Feather that was written by Kirk Munroe written in 1887. I checked the book out of my grade school or junior high school library and found it fascinating and filled with action. (I sided with the French, by the way.) In many ways, this was my introduction to the concept of the historical novel, especially one that teaches a subject about which we learned very little in school.

If the “look inside” feature on Amazon is accurate, the book appears to be set in a small type; it also comes with a boring cover and appears to be missing the original illustrations. There is no description saying what the novel is about. Where that description would normally appear; we find this:

“This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.”

You can read the book free on at Lit2Go where it’s described briefly: “When Rene De Veaux’s parents die he goes to live with his uncle, who happens to be setting out on an exploration of the new world.” The book is also available on Project Gutenberg where you can read it online (with illustrations) or download it as a Kindle or EPUB file.

I’m biased in favor of the book since it’s one of the first novels I read. It’s a good story even though today’s readers will find the style and approach rather archaic.

–Malcolm

Earphones Winner from Audio File magazine.

Malcolm R. Campbell writes magical realism novels set in the Florida Panhandle of the 1950s.

Remembering ‘Twenty Thousand Leagues under the Seas’ by Jules Verne

In All the Light We Cannot See, the blind French girl Marie-Laure Leblanc is reading the novel in braille, sometimes alone, sometimes to her uncle, and sometimes into the microphone of an old short-wave radio transmitter. Captain Nemo and his submarine Nautilus become an important motif in the book. For me, the inclusion of Jules Verne’s story was a bit haunting since the novel, and even the Disney movie adaptation released in 1954, was one of my favorite novels. In fact, I think I ended up reading most of Jules Verne’s work.

I knew the story first from the film because, in 1954, I wasn’t capable of reading a Jules Verne book. That’s just as well inasmuch as the first English translations were a mess.

A friend of mine in grade school also loved the movie, so much that we ended up building a miniature Nautilus in his basement where we gave “tours” of various voyages to adults willing to pay five or ten cents depending on the length of the voyage.

I loved the accuracy of short-wave radio scenes in All the Light We Cannot See because I was once a ham radio operator. I built my own transmitter and used a 1940s-era short-wave receiver. It was always fun late at night, talking to people around the world as well as listening to commercial broadcasts originating thousands of miles away. In those days, DXing was popular and we prided ourselves in identifying commercial broadcasts, telling the stations what we heard, and getting a postcard by mail that verified we had heard the station on the date and time we said we did. I finally gave away that old SuperPro short-wave receiver a few years ago to a ham radio operator who was likely to repair it and get it working again.

Best I can tell, the current version of Jules Verne’s novel offered on Amazon might well be the best English translation yet. My feeling is that it’s a lot more accurate than earlier English translations. I know the story only too well because I have lived with it, one way or another, for almost seventy years.

–Malcolm

Jules Verne led me into a long-time interest in science fiction novels which ultimately moved into contemporary fantasy. I write now because of him.

‘The Last Hours of Ancient Sunlight’ by Thom Hartmann

This book had a huge impact on me when it first appeared in 1998. With the exception of a few reviewers’ opinions that the concept really wasn’t new, most of those who read it were excited about the book and the clarity with which it explained that the fossil fuels we’re using now contain the energy of sunlight that plants captured eons ago, long buried in the form of coal and other fossil fuels.

As Hartmann wrote, “In a very real sense, we’re all made out of sunlight. Sunlight radiating heat, visible light, and ultraviolet light is the source of virtually all life on Earth. Everything you see alive around you is there because a plant somewhere was able to capture sunlight and store it.” This reminded me of George Wald’s statement that we carry the stuff of ancient stars within our physical selves.

I enjoyed the book, stuck it on a shelf somewhere, and ultimately forgot about it until two kids listening to a shortwave radio program in Anthony Doerr’s All the Light we Cannot See heard a lecture about the subject of sunlight hidden in fossil fuels. He doesn’t credit Hartmann, so the concept of ancient sunlight has perhaps become so common that we no longer think of it as new or from the writing output of one man twenty-five years ago.

The book was updated in 2004 with an afterword by Neale Donald Walsch (Conversations with God).

From the Publisher

While everything appears to be collapsing around us – ecodamage, genetic engineering, virulent diseases, the end of cheap oil, water shortages, global famine, wars – we can still do something about it and create a world that will work for us and for our children’s children. The inspiration for Leonardo DiCaprio’s feature documentary movie The Eleventh Hour and soon to be released HBO special Ice on FireLast Hours of Ancient Sunlight details what is happening to our planet, the reasons for our culture’s blind behavior, and how we can fix the problem. Thom Hartmann’s comprehensive book is one of the fundamental handbooks of the environmental activist movement. Now with fresh, updated material on our Earth’s rapid climate change and a focus on political activism and its effect on corporate behavior, The Last Hours of Ancient Sunlight helps us understand – and heal – our relationship to the world, to each other, and to our natural resources.

The concepts in the book are still valid and probably more urgent than they were when the book first appeared.

–Malcolm

Malcolm R. Campbell, a conservationist, and a former mountain climber is the author of paranormal, contemporary fantasy, and magical realism novels and short stories.

Re-reading ‘All the Light We Cannot See’ by Anthony Doerr

Okay, I finished reading Micky Spillane’s Kiss Me, Deadly–which ended with a lot of people getting killed–and am now re-reading Anthony Doerr’s book while waiting for my Cormac McCarthy book to arrive. Quite a change of pace moving from rough and tumble private eye stuff to this beautifully written Pulitzer Prize-winning novel.

While I enjoy re-reading books, I would prefer reading factory-fresh new books, though neither my budget nor the space in our small house will support the arrival of two or three new books per week. So, like a lot of you (perhaps), I spend more time re-reading than first-time reading.

As an author, I spend time writing, though oddly enough, I write better when the little grey cells (as detective Poirot always said of his brain) are engaged in an interesting book. The books I read are nothing like the books I write; that means I never have to worry about inadvertent plagiarism. As far as I know, nobody writes like me, so I can’t even accidentally borrow another author’s plots or dialogue.

Doerr has a few blurbs about this book on his website including the comment by “Vanity Fair” that ““Anthony Doerr again takes language beyond mortal limits.” We would all like reviews like that. Sadly, books written by small press authors are never seen by reviewers who write comments like that. We are more or less anonymous and invisible, the upside being that few writers are likely to “borrow” plots and dialogue from our books.

Like most authors, I read better than I write. All The Light We Cannot See is a gem, the kind of work I feel fortunate to have on my shelf to I have something to do at an age when, as some bad writer once said, my get up and go as got up and went.

How about you? Do you find yourself reading cereal boxes or re-reading old stuff on your bookshelf more often than reading something new?

–Malcolm

Malcolm R. Campbell is the author of magical realism, paranormal, and contemporary fantasy novels and short stories. 

A readers’ advisory for this collection of nine stories forecasts widely scattered ghosts with a chance of rain. Caution is urged at the following uncertain places: an abandoned mental hospital, the woods behind a pleasant subdivision, a small fishing village, a mountain lake, a long-closed theater undergoing restoration, a feared bridge over a swampy river, a historic district street at dusk, the bedroom of a girl who waited until the last minute to write her book report from an allegedly dead author, and the woods near a conjure woman’s house.

In effect from the words “light of the harvest moon was brilliant” until the last phrase “forever rest in peace,” this advisory includes—but may not be limited to—the Florida Panhandle, northwest Montana, central Illinois, and eastern Missouri.

Briefly Noted: ‘Kiss Me, Deadly’ by Micky Spillane

Mike Hammer, Spillane’s private investigator, is perhaps the world’s most hardboiled detective. The critics and even his own editors cringed at Spillane’s work since Hammer was almost as big a thug as those he hunted down. The cover of this book is typical of those on the Mike Hammer novels.  But it’s accurate inasmuch as every woman Mike meets wants to sleep with him. Until my brother, Barry slipped a three-novel volume of Spillane novels in with this year’s Christmas gifts, I’d never read a Spillane novel even though I do like noir. I think Mike Hammer is too rough for noir, though one could debate either side of that point.

From The Publisher

“Mike Hammer gives a lift to a beauty on the run from a sanitarium—but their joyride is cut short by two dark sedans full of professional killers, who knock the detective out cold. When he wakes up, his car has been rolled off a cliff, with his mysterious passenger still inside it. The feds take his gun away on suspicion, but Hammer’s not about to let that stop him. He’s on the hunt for the men who wrecked his ride and killed a dame in cold blood—and he’s going to teach them that armed or not, crossing Mike Hammer is the last thing you should ever do.”

The book was made into a film by the same name in 1955 starring  Ralph Meeker as Hammer. According to Wikipedia, “Critics have generally viewed the film as a metaphor for the paranoia and fear of nuclear war that prevailed during the Cold War era. “The great whatsit,” as Velda [Mike’s assistant] refers to the object of Hammer’s quest, turns out to be a mysterious valise, hot to the touch because of the dangerous, glowing substance it contains, a metaphor for the atomic bomb. The film has been described as “the definitive, apocalyptic, nihilistic, science-fiction film noir of all time – at the close of the classic noir period.” A leftist at the time of the Hollywood blacklist, Bezzerides denied any conscious intention for this metaphor in his script, saying that “I was having fun with it. I wanted to make every scene, every character, interesting.”

Once I finish this three-novel volume–which includes Kiss Me, Deadly–I don’t have any plans to read any of the other stories in this twenty-six-book series. I’m glad I read the novels in this three-novel book because I’d always wondered about Mike Hammer. Now I know. Finding out was part of my education.

–Malcolm

Malcolm R. Campbell is the author of magical realism and contemporary fantasy novels and short stories. “Sarabande” is the sequel to “The Sun Singer. Both novels are set in Glacier National Park.

Potpourri for January 10th

  • How the hell did it happen. Joan Baez, whom I had a school-boy crush on years ago, is now 82. I approved of her songs, and her anti-war stance, but not her relationship with Bob Dylan. While she can’t hit the high notes the way she did when she was young, I will like to hear her sing.
  • Somehow, being too lazy to change the channel, we ended up watching the Georgia-TCU game on TV last night as the Dawgs won 65-7. I’m not really a fan of the Dawgs because I’m an Atlantic Coast Conference person and really think the SEC is trailer trash. But the Dawgs did everything right and the Horned Frogs basically didn’t do anything. The game would have been more interesting if it had been a close one.
  • I enjoyed Lydia Sherrer’s Love, Lies, and Hocus Pocus. I left a four-star review on Amazon here. This book is the first in a series of seven and really seemed more like two short stories than a novel. While the novel has been advertised as the new Harry Potter, it doesn’t have the strong plot of the Potter series.
  • I’m a bit frightened of the controls in our 2019 Honda HRV because the dashboard has buttons for stuff I’ve never heard of. This is the first car we’ve owned where we had to keep looking stuff up in the manual. I don’t care for the setting that tells me whether I’m centered in the lane or the warning buzzers that remind me to shift into Park when I turn off the engine or to fasten my seatbelt. I try to avoid pushing most of the buttons.
  • My brother Barry sent me a three-novel Mickey Spillane book for Christmas. I’ve been aware of Mike Hammer, but never got around to reading “One Lonely Night,” “The Big Kill,” or “Kiss Me, Deadly.” Good noir stuff.
  • I think that whatever the hell’s inside a toilet tank is made in hell because it randomly breaks for no apparent reason, forcing one to buy a new one (also made in hell) and install it with the worse curses on the planet. At least our secondary bathroom is functional again, though we probably won’t trust it for a while. While looking at the problem, it appeared that the water was going into the closet in the next room rather than the septic tank. It wasn’t, but emptying out an entire closet was the last thing we needed in the middle of the night. Maybe this will make a good short story, “Hell’s Toilet.”
  • I continue to be addicted to Kathy Reich’s Temperance Brennan series, enabled by family members who gave me some new novels for Christmas. Just finished two more and need a pickup truck filled with new books.

–Malcolm

Briefly Noted: ‘Hell With the Lid Off, Butte Montana’

I changed planes several times in Butte. Unfortunately, all the old-time fun portrayed by Horace Smith in this on-the-scene 1890s book was long gone.

From the Publisher

Hell With the Lid Off: Butte, Montana is the lost manuscript of Horace ‘Bert’ Smith, who arrived in the West as a teetotaling 21-year-old adventure-seeking reporter. He later went on to publishing successes in New York as part of a salon that included Zane Grey and Upton Sinclair. With his reporter’s eye and access to characters on both sides of the law, Smith chronicles wild times, terrible tragedies and sudden millionaires on ‘the richest hill on earth’. His granddaughter, Melissa Smith FitzGerald, discovered the manuscript that Smith was finishing and trying to sell to Hollywood when he died suddenly in 1936.

Reviewer’s Comment

“Horace Herbert Smith takes you to Butte, Montana, in its copper-mining heyday to experience that brawling, big-hearted time. In a series of vivid snapshots Smith, a Butte newspaperman, describes the 1890s when, as he writes, life there “was fast and fun.” Smith died before he could publish his absorbing and entertaining memoir detailing daytime gun battles and a sermonizing standoff, the high life and labor strife, scoundrels and bullwhackers and still-breathing corpses, with a cast of real-life characters so colorful as to make fiction writers despair. Fortunately for the reader, Smith’s manuscript is finally seeing print. It’s a rare treat.” – Gwen Florio

Looks like a winner for fans of the old west. The catchy title gives you an apt clue about the town in those days.

–Malcolm

Malcolm R. Campbell is the author of the contemporary fantasy “The Sun Singer” set in Montana’s mountains.